संगीत और स्मृतियों के बीच गहरे संबंध को खोजने वाली एक प्रेम कहानी, और कैसे वे हमें कभी-कभी अनपेक्षित तरीके से समय और स्थान में ले जा सकते हैं.संगीत और स्मृतियों के बीच गहरे संबंध को खोजने वाली एक प्रेम कहानी, और कैसे वे हमें कभी-कभी अनपेक्षित तरीके से समय और स्थान में ले जा सकते हैं.संगीत और स्मृतियों के बीच गहरे संबंध को खोजने वाली एक प्रेम कहानी, और कैसे वे हमें कभी-कभी अनपेक्षित तरीके से समय और स्थान में ले जा सकते हैं.
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Thomas Ochoa
- Dru
- (as Pocket Turlington)
T.J. Keanu Tario
- Very Pretty Man in Drag
- (as Laritza LaBouche)
फ़ीचर्ड समीक्षाएं
Its a intresting concept of travling through time due to certain music but this film does not deliver if you like the concept please watch press play 2022
this has tried coping the same storyline near enough with a few differances.
And as always the only 10/10 is a new account probably family members again even the 9/10 seems a bit suspect been a member 6 years and only ever reviewed this film.
Worth a watch if bored
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
And as always the only 10/10 is a new account probably family members again even the 9/10 seems a bit suspect been a member 6 years and only ever reviewed this film.
Worth a watch if bored
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
And, to overuse a delicious quote from SEINFELD, not that there is anything wrong with that. The most interesting thing about this quite adequate film is the odd way reviewers approach it. It is as if no two pundits can agree on what they just saw? Some see a time travel film along the lines of THE TIME TRAVELOR's WIFE. Some see a deconstruction of the role of music in modern society. Some simply see a useful vehicle to move along the career of the always photogenic Boynton (who, for example, is all most of us can recall from the otherwise tedious IPCRESS FILE). Some even suggest that the film's auteur created this ambiguity deliberately to hold the attention. Which is, after all, the primary purpose of any film. Entertainment. Holding one's gaze. This reviewer, like Boynton's own character, sees all the possibilities at once, and each has merit.. But, unlike that character, will not attempt to change or alter any of them. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
This film was so well pieced together from start to finish. From the tiny details like the timeless timepiece on her wrist to the editing with the memory flashes. The acting was so much more realistic than typical movies these days. The dialogue felt natural and not forced or scripted. And the storytelling itself was just excellent! I was so impressed with this film. I was in a similar scenario as her and I have certainly been transported by music when it comes to certain songs tied to certain memories. For me, this film was like a daydream fantasy of mine that I'd give anything to be able to experience in real life. Absolutely fantastic from start to finish. 10/10.
Greetings again from the darkness. If you are one for whom hearing a particular song, no matter how many times over however many years, brings back vivid memories of a person close to you or a memorable event, then you will likely relate to Harriet, the lead character in this film from writer-director Ned Benson (THE DISAPPEARANCE OF ELEANOR RIGBY, 2014). Additionally, if you have tragically lost someone special to you and find yourself cloaked in unshakeable grief, then you will also likely find common ground with Harriet.
Harriet (Lucy Boynton, so good in SING STREET, 2016) wears noise-cancelling headphones whenever she is in public. She is so concerned with controlling the songs she hears, that she now works in a library for the serenity that silence brings. These steps are for a good reason ... they protect her from instantaneously being transported back in time to a specific moment with her beloved boyfriend Max (David Corenswet, "Hollywood" mini-series, and he's the new Superman). For Harriet, these aren't merely flashbacks or memories - she is physically transported back in time when she hears a song. Rather than HOT TUB TIME MACHINE, she's living "Hi-Fidelity Time Machine". Her trip only lasts as long as the song is playing, yet she has no control. Once back in real time, she is viewed as having had a seizure. It's frightening stuff for her. However, instead of being concerned about her health, she is intent on finding the song that takes her back to the moment she can change the past and prevent the accident that cost Max his life.
Harriet's BFF Morris (Austin Crute, BOOKSMART, 2019), a local DJ, has been very supportive of her grief, but it's been two years since Max died, and Morris wants his friend to move on with life. Hope springs when Harriet meets David (a terrific Justin Min, "Beef") at a grief counseling group event. The two are understandable tentative around each other, yet it's obvious David is a good dude with the necessary patience to allow her to work through her grief. Harriet's case of déjà vu with David comes full circle, and adds a nice touch to the delicate situation they find themselves locked in.
Wanting to change the past is something we have all thought of at one time or another, yet the physical transformations that Harriet experiences feel like something beyond science fiction, and bordering on psychological torture. Filmmaker Benson has delivered a film that is simultaneously relatable, while also landing pretty far outside the box. There is a throwback feeling here, despite the characters feeling very much of this day. As you might expect, the soundtrack is quite varied with some deep cuts ... with Roxy Music being a key. Although there may not be any big surprises in how the story unfolds, the characters are so relatable, and it's so well acted, that we find ourselves pulling for each of them to have a happy ending.
Opens in theaters beginning April 5, 2024.
Harriet (Lucy Boynton, so good in SING STREET, 2016) wears noise-cancelling headphones whenever she is in public. She is so concerned with controlling the songs she hears, that she now works in a library for the serenity that silence brings. These steps are for a good reason ... they protect her from instantaneously being transported back in time to a specific moment with her beloved boyfriend Max (David Corenswet, "Hollywood" mini-series, and he's the new Superman). For Harriet, these aren't merely flashbacks or memories - she is physically transported back in time when she hears a song. Rather than HOT TUB TIME MACHINE, she's living "Hi-Fidelity Time Machine". Her trip only lasts as long as the song is playing, yet she has no control. Once back in real time, she is viewed as having had a seizure. It's frightening stuff for her. However, instead of being concerned about her health, she is intent on finding the song that takes her back to the moment she can change the past and prevent the accident that cost Max his life.
Harriet's BFF Morris (Austin Crute, BOOKSMART, 2019), a local DJ, has been very supportive of her grief, but it's been two years since Max died, and Morris wants his friend to move on with life. Hope springs when Harriet meets David (a terrific Justin Min, "Beef") at a grief counseling group event. The two are understandable tentative around each other, yet it's obvious David is a good dude with the necessary patience to allow her to work through her grief. Harriet's case of déjà vu with David comes full circle, and adds a nice touch to the delicate situation they find themselves locked in.
Wanting to change the past is something we have all thought of at one time or another, yet the physical transformations that Harriet experiences feel like something beyond science fiction, and bordering on psychological torture. Filmmaker Benson has delivered a film that is simultaneously relatable, while also landing pretty far outside the box. There is a throwback feeling here, despite the characters feeling very much of this day. As you might expect, the soundtrack is quite varied with some deep cuts ... with Roxy Music being a key. Although there may not be any big surprises in how the story unfolds, the characters are so relatable, and it's so well acted, that we find ourselves pulling for each of them to have a happy ending.
Opens in theaters beginning April 5, 2024.
The other night my wife and I watched The Greatest Hits now streaming on Hulu. The movie stars Lucy Boynton and Justin H. Min and is written and directed by Ned Benson. The Greatest Hits follows Harriet (Boynton) as she tries to lead a normal life after the tragic death of her boyfriend. Getting over him proves to be more difficult than normal because every time Harriet hears a song that reminds her of him, she is sucked back in time until the song ends. As you can imagine, this affliction not only makes it difficult for her to get over him, but it also complicates her everyday life, including dating her new love interest David (Min).
This movie had all the makings of a cute rom com that really hits you in the feels. Unfortunately, it fell short of this goal. My overall rating for this movie is a 6.5/10 meaning that, although I did not think that this was a particularly bad movie, I also won't go as far as saying that it was good. This was a perfectly ok and forgettable movie that I will most likely never think about again after I finish writing this blog. To me, the movie did not do as good of a job of relaying the message that it wanted to convey. It seemed that it was showing us the pain of moving on and how hard it is to do that, but the execution was just lacking. The acting felt hallow and I found myself not being able to get immersed into the story. All in all, if you have something better to watch on your movie night, maybe skip The Greatest Hits.
Thanks for reading and please comment below your thoughts or if you have any suggestions on reviews you would like to see.
This movie had all the makings of a cute rom com that really hits you in the feels. Unfortunately, it fell short of this goal. My overall rating for this movie is a 6.5/10 meaning that, although I did not think that this was a particularly bad movie, I also won't go as far as saying that it was good. This was a perfectly ok and forgettable movie that I will most likely never think about again after I finish writing this blog. To me, the movie did not do as good of a job of relaying the message that it wanted to convey. It seemed that it was showing us the pain of moving on and how hard it is to do that, but the execution was just lacking. The acting felt hallow and I found myself not being able to get immersed into the story. All in all, if you have something better to watch on your movie night, maybe skip The Greatest Hits.
Thanks for reading and please comment below your thoughts or if you have any suggestions on reviews you would like to see.
क्या आपको पता है
- ट्रिवियाWhen Harriet sits in the chair to listen to music, the setup is an homage to the Maxell cassette tape ads from the 1970s.
- भाव
Dr. Evelyn Bartlett: My husband, before he died, said this thing that stuck with me.He said, "Live your dash." On his tombstone is the date of his birth and the date of his death.And in between is the dash. I don't know, maybe it's a little NutraSweet but, I always thought there were pretty decent words to live by.
- साउंडट्रैक405
Written by DJ Harvey (as Harvey Bassett)
Performed by Wildest Dreams
Courtesy of Harvey's General Store Recordings
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- ध्वनि मिश्रण
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें