American Star

I really hate giving a film that has nice scenery and Ian McShane a bad review. McShane puts in yet another seasoned performance and sells this empty script as best he can. This should have been within a 30 minute TV show time slot but is needlessly extended almost 2 full hours.

In short, an aging hitman comes to an island and waits for the target to arrive. Dullness ensues and an eventual confrontation. While it ends poetically it wasn't too well thought out. There was one scene which really shouldn't have happened if this film was to be what it tries to sell and it doesn't sell what it purports to sell very well either. Instead, it resorts to absolute minimalism and lets you, the audience, try to fill in the huge blanks and empty spaces it leaves. And for 2 hours, that's a major chore as you wait for signs of something to happen. We got the point that we're on Island time but that doesn't mean the audience needs to eperience it in full.

The real problem - no back story so why should you care about any of the characters. Even the main character reveals precious little about himself and it's nothing more than skin deep. You're not missing much and the actors elevate a lazy script.

I'm not sure why this has a low rating. It's actually very well shot, the acting is very good, and while slow it's correctly paced for the genre.

The story is pretty rudimentary but it's handled well. The director does a great job framing the scenes and the setting is really beautiful.

This isn't an action movie so I guess the low ratings are from people who expected a man in his 70s to be doing Jason Statham level fight scenes?

It's a hitman story and it's a good one. The villain is played well too and the story does crash together at the end in an interesting way.

If you like hitman movies and appreciate slower paced, character driven and building stories you'll likely enjoy this.

McShane is as great as ever in this quiet, almost somber movie about a hitman waiting for a job in Fuerteventura.

The direction is very promising from Gonzalo Lopez who, from what I can see has done nothing of note but here seems to be inspired by The Hit or The American. It's artistic rather than arthouse and had me hooked for the first forty minutes or so. The movie then drifts a little before its climax and ending that will keep you guessing.

The cinematography of the the Canary Island is great and the supporting cast is excellent.

As said there are slow segments, but stay with it. I think it's worth it.

Nowadays, when all pretense thrillers are forged on the repetitive formula, this excellent argument works with the humane element as no other ever conceived. Forget about the usual gratuity of the "shot-punch-bomb" genre and dive into the complex persona of a mysterious protagonist played with virtuosity by the great Ian McShane. The pace is led steadily along the movie, as the landscape contributes to the crescent tension until the astonishing ending. No frills, no disposable clichés, no chance to narrative gaps. A modern classic, essential and referential for the future moviemakers generations. Great!

Beautifully shot film with a great slow arc to a harsh climax.

Ian mcshane delivers a very understated performance but that's the point of his character, a man who shouldn't be noticed too much but can't help interacting with fellow islanders.

It reminds me of The Hit with Tim Roth, Terence Stamp and John Hurt.

The scenery is stunning, the performances are all brilliant, and a soothing score fills the film nicely.

Don't watch if you want a good paced film where lots happen in quick succession.

The female co-star is fantastic in her role and oozes charm when around mcshane.

A really great film, and one I'll watch again.