Putzel

Putzel is a film which demonstrates that with love and the right amount of courage, you can break free from your metaphorically familial and mental shackles to reveal the person you are truly meant to be.

Through the keen directorial skill of Jason Chaet paired with Rick Moore's quirky, sensitive and a tiny bit raunchy writing, you find yourself deeply engrossed in a love story that is rarely seen nowadays. It is a tale with true heart and soul acted beautifully by the likes of Jack Carpenter, Melanie Lynskey, John Pankow and Susie Essman. And to top it all off, it is set in the historic and world renowned Upper West Side of Manhattan! What you find in the end is that there is a little bit of Putzel in all of us. We have our faults and our strengths and this film helps you decipher between the two. So get together with some friends and family, have a nosh and go see Putzel. You'll be glad you did!

If, like me, you've bemoaned the lack of character-based, pathos-filled, and genuinely laugh-out-loud funny relationship comedies lately, then Putzel will come as a welcome breath of whitefish and lox-scented air. With all the bite and heart of the best Billy Wilder movies, director Jason Chaet tells a story of dysfunctional romance and blighted dreams, set entirely within the delivery radius of an old-school, family-owned Manhattan deli. The stakes have never been higher for Walter "Putzel" Himmelstein as he gamely attempts to manage an uncertain future, a wildly egotistical uncle, an irrational phobia, and a deli counter, which all finally comes into focus for him when a ballet and fish-loving shiksa goddess played by the always great Melanie Lynskey plies (plee-ayys?) into his life. There's bona fide laughter and tears here, and it all comes in a witty, Manischewitz-soaked punch.

if you're an upper west side jew who is afraid to go below 59th st or above 116th st, you work in your family's fish store (and you plan to work there for the next 40 years of your life), this movie is actually about your life. so you should see it.

for the rest of you (and me) who don't fall into that category, here's why we should see it:

1. change is scary, but a lot of the times it's also so needed. this movie is a good reminder about that. 2. it has a lot of fish. fish can never be a bad thing. 3. also bagels. 4. you can never see too many love stories. this one will make you laugh, feel a little awkward and maybe even tear up. 5. this movie deserves to be seen more than any of the Hollywood glam movies that are out at the moment. this movie is real. 6. it gives an answer to the ultimate question that we've been asking for CENTURIES; what's a putzel?

so, yeah. just watch it. watch it now.

Putzel is the perfect blend of heartwarming and hilarious. A group of well written and well acted characters telling a story anyone can relate to. The acting, direction and script are so well done that you find yourself engaged by even the most minor characters. It encapsulates life on The Upper West side of Manhattan without alienating audiences elsewhere. Instead of being alienating it makes the Upper West side feel relatable, like it could be anywhere. Although at times it deals with surprising sad and dark subject matter it leaves you feeling hopeful. It also will make you laugh with some of the funniest moments you've seen in a film. These things and it's Billy Wilder like style make it an instant classic.

At times farcical, at times whimsical, PUTZEL is always true to itself. Walter (Jack Carpenter) is a young man grappling with his future. Paralyzed by both a familial legacy and his own neurosis, he struggles to achieve security and a clear path to happiness. Sally (Melanie Lynskey) presents an attractive yet thorny alternative to those expectations - but at a cost. In the end, freedom will come if only if he is able to - forgive me for this - swim against the tide. John Pankow's performance as the uncle continues to deepen in my memory. New York's Upper West Side gives an uncredited major performance. All principles are well cast but the secondary roles - Armando Riesco, Adrian Martinez, Jarleth Conroly, Steve Park - are delightful and nearly flawless. (A hilarious scene with Fred Berman will have to be kept hidden from his family.) Hard to believe it was shot on such a low budget. Definitely worth checking out - a modest gem.