IMDb रेटिंग
5.3/10
2.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंVicaria's a brilliant teenager. After the brutal murder of her brother, she embarks on a dangerous journey to ressurect him.Vicaria's a brilliant teenager. After the brutal murder of her brother, she embarks on a dangerous journey to ressurect him.Vicaria's a brilliant teenager. After the brutal murder of her brother, she embarks on a dangerous journey to ressurect him.
- पुरस्कार
- 2 जीत और कुल 5 नामांकन
Miles Alexander
- Gang Member
- (बिना क्रेडिट के)
Kiara Brown
- Kango's Girl
- (बिना क्रेडिट के)
Braedyn Cummings
- Classroom Student
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
For an independently produced movie, this was well done.
They mention she has a German last name but won't tell us... she's obsessed with death. But why don't they tell us the name? Oh....... and her notebook is called "modern Prometheus" I get it now.
I love the restraint the filmmakers used in saving the line "It's alive! It's Alive!" when they did and giving it Aishia instead of the main character.
My biggest complaint is that Vicaria wasn't allowed to be "Mad" in Mad Scientist and makeup of for the monster wasn't strong. Chad Colman as the father character was the strongest character and my eyes were glued to the screen when ever he appeared.
They mention she has a German last name but won't tell us... she's obsessed with death. But why don't they tell us the name? Oh....... and her notebook is called "modern Prometheus" I get it now.
I love the restraint the filmmakers used in saving the line "It's alive! It's Alive!" when they did and giving it Aishia instead of the main character.
My biggest complaint is that Vicaria wasn't allowed to be "Mad" in Mad Scientist and makeup of for the monster wasn't strong. Chad Colman as the father character was the strongest character and my eyes were glued to the screen when ever he appeared.
The Angry Black Girl and Her Monster is not your typical Frankenstein movie, it's starring an almost all black cast and features the theme of growing up in the hood and the dangers that come with that. The actors deliver a solid job and we have some nice bloody gore, but on the other hand the movie suffers from plot holes and unrealistic scenes. Our protagonist somehow finds all the equipment to build a device to bring back people from the dead in an abandoned warehouse and also manages to steal some dead bodies for her to saw together for her monster. There are many other scenes that did not make sense and I think the script had too many problems. Also in the beginning there's a conflict with our protagonist and her teacher and the movie treats the teacher like she is the bad one, but it was the protagonist that kept interrupting and wouldn't listen and after dealing with the consequences her father got mad at the teacher telling her to teach even though that was what she was trying to do before the younger girl kept interrupting her disturbing the class. That immediately gave this movie a huge racial aspects that was unnecessary. With a slightly different script this movie could have turned out better but this way it's just forgettable and there are way better movies about bringing back people from the dead like Frankenstein did. [5,2/10]
A different take on a classic horror tale. I felt the pacing was good enough to keep me from looking at my phone, the jump scares weren't too predictable, and the cinematography was a1. Wasn't too preachy, some scenes were irrelevant, only issues I had was the ending was a little underwhelming and no subtitles in English. Compared to these other ridiculous "horror" films that are just excuses to show excessive gore with a basic story, this one was well done. Good movie if you're looking for a different type of horror film, take these other reviews with a grain of salt, & for 7$ you can't lose.
I really did. The cast is uniformly very good to excellent. The lead (the "angry black girl" if you will), Laya DeLeon Hayes, gives a performance that is warm, human, funny, intense; her range is there. The rest of the cast was great with particular props for. Denzel Whittaker, Tracie Frank, and. Chad L. Coleman as standouts for me.
Now for the rest. The direction was spotty but decent. The cinematography was bizarre - the outdoor shots were often actually gorgeous; however, the indoor shots were awkward and sitcom-y, often to the point of taking this viewer out of the moment. Now for the script. This group of extremely talented, mostly young actors deserved so much more. There was no explanation for why anything happened (can't say too much without spoiling the plot). The dialogue started strong but kind of fell flat about halfway through. It's possible editing is to blame for some or even most of that.
All in all, it's a not-unpleasant but disappointing way to blow off some time, but it will leave you wishing for what could have been - because it could have been great.
Now for the rest. The direction was spotty but decent. The cinematography was bizarre - the outdoor shots were often actually gorgeous; however, the indoor shots were awkward and sitcom-y, often to the point of taking this viewer out of the moment. Now for the script. This group of extremely talented, mostly young actors deserved so much more. There was no explanation for why anything happened (can't say too much without spoiling the plot). The dialogue started strong but kind of fell flat about halfway through. It's possible editing is to blame for some or even most of that.
All in all, it's a not-unpleasant but disappointing way to blow off some time, but it will leave you wishing for what could have been - because it could have been great.
Not bad and it wasn't too far from being really, really good.
I love the first act. No rush, it gives us the right background of the main characters, the neighbourhood, and their difficulties and motivations. I also really like what it does in the third act. Violent, tie up loose ends, and close arcs with meaning. I have several issues with the second act.
Most of my problems in the second act revolve around the difficulty in varying something from the moment "the event" occurs and the excessive educational/doctrinal speeches that exist. When the main character does it in the beginning, it seems genuine, an act of rebellion, and affirmation, it makes sense. When several other supporting characters do it throughout the movie, in an even more obvious way, it becomes a bit too much. Not everyone in a neighbourhood behaves, thinks, and speaks in the same way, and it ends up sounding more like the writer's voice than the voices of those characters.
There are also some issues with the editing and sound, with some cuts and sound effects that seem for a straight-to-DVD release, but nothing too serious, because the director knows where he wants to go and does a very good job on his debut, with some interesting shots, and starting with the identity it gives to that community from the first act.
In terms of performances, I feel that there are weaknesses in some of the supporting cast, but Laya Hayes is fantastic. She was able to carry the whole film on her shoulders, with several behavioural and emotional nuances, and it's easy to predict a promising future career for her. A star, for sure.
Overall, a very interesting debut feature, filled with good ideas, bringing something new to the table and to the "Frankenstein concept", which could have been brilliant if it was more polished.
I love the first act. No rush, it gives us the right background of the main characters, the neighbourhood, and their difficulties and motivations. I also really like what it does in the third act. Violent, tie up loose ends, and close arcs with meaning. I have several issues with the second act.
Most of my problems in the second act revolve around the difficulty in varying something from the moment "the event" occurs and the excessive educational/doctrinal speeches that exist. When the main character does it in the beginning, it seems genuine, an act of rebellion, and affirmation, it makes sense. When several other supporting characters do it throughout the movie, in an even more obvious way, it becomes a bit too much. Not everyone in a neighbourhood behaves, thinks, and speaks in the same way, and it ends up sounding more like the writer's voice than the voices of those characters.
There are also some issues with the editing and sound, with some cuts and sound effects that seem for a straight-to-DVD release, but nothing too serious, because the director knows where he wants to go and does a very good job on his debut, with some interesting shots, and starting with the identity it gives to that community from the first act.
In terms of performances, I feel that there are weaknesses in some of the supporting cast, but Laya Hayes is fantastic. She was able to carry the whole film on her shoulders, with several behavioural and emotional nuances, and it's easy to predict a promising future career for her. A star, for sure.
Overall, a very interesting debut feature, filled with good ideas, bringing something new to the table and to the "Frankenstein concept", which could have been brilliant if it was more polished.
क्या आपको पता है
- ट्रिवियाThe cover of Vicaria's scientific notebook says: "The Modern Prometheus - by Vicaria F." "The Modern Prometheus" is the subtitle of Mary Shelley's "Frankenstein".
- क्रेज़ी क्रेडिट"Special thanks from the director: This story is dedicated to my Big Big Sister and my Big Little Sister. Along with all the love to my wonderful Mother and Father. "Thank you, Mary Shelley."
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Angry Black Girl and Her Monster?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,23,107
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $48,675
- 11 जून 2023
- दुनिया भर में सकल
- $1,37,984
- चलने की अवधि
- 1 घं 31 मि(91 min)
- रंग
- पक्ष अनुपात
- 2.39:1
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