Chained

Bob (Vincent D'Onofrio), a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.

In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)

D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.

One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?

My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).

You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.

The nine year-old Tim (Evan Bird) goes to the movie theater with his mother Sarah (Julia Ormond) and his father Brad Fittler (Jake Weber) tells Sarah to take a cab to go home. After the session, Sarah and Tim take the cab of Bob (Vincent D'Onofrio) that abducts and bring them to his isolated house. Bob kills Sarah and shackles and gives rules to Tim, nicknaming him "Rabbit". Along the years, the psychopath serial-killer Bob keeps killing women and Tim cleans the house and the blood, buries the women and eats Bob's leftover. When Tim (Eamon Farren) grows up, Bob decides to treat him as his son and unchains him, but Tim is reluctant to accept him. One day, Bob brings the gorgeous teenager Angie (Conor Leslie) expecting that Tim has sex with her and kills her. What will Tim do with Angie?

"Chained" is a disturbing, twisted and depressing loss of innocence of a boy kidnapped by a sadistic and deranged serial-killer and with a surprising plot point in the end. Vincent D'Onofrio is a scary psychopath with a twisted mind. The fate of Angie is omitted in the movie and this is the weakest part of the cruel plot that makes an ambiguous conclusion. My vote is seven.

Title (Brazil): "Acorrentados" ("Chained")

This is the most unpredictable horror thriller I have ever seen. I don't know a similar movie.

Though I was skeptical about Vincent D'Onofrio. I know him well from Full Metal Jacket and many episodes of Criminal Intent in the role of the investigating detective. How can I buy that he is a psychopath and a serial killer? But a few minutes later, I forgot that it's him, because of the shocking scenes. He plays a man-made psychopath without empathy and without compassion. Not a glimpse of compassion. The unpredictability of him generates horror since anything could happen at any time. The story reveals what has made such a monster out of him, but also shows, that not everyone becomes a psychopath.

The other main actor, Eamon Farren also plays brilliantly.

There is not a ton of action but it's not boring, trust me. It is frightening but also a sad story. You will see.

Jennifer Lynch has created something here that is nothing short of breath taking. From the tone and mood to the color and performances, this film is a must for any fan of dark reality. This film could happen.

Vincent D'Onfrio gives a brilliant performance as a serial killer with a chance to be a mentor to his captive. I loved this film, it is just so sad that Hollywood does not recognize films like this when awards come around. This film is honest, unrelenting and touching. This is how horror films should be made. Horror, not gore, not slasher. This film kept me glued to my seat on pins and needles wondering how everything was gonna play out. I was not let down. Jennifer, thank you so much.

This film is well done. The parts are played well, and the movie is intriguing from start to finish. D'Onofrio is great as the serial killing cab driver. I think Jennifer Lynch has done a great job with the script and the actors. But after seeing 'HISSS', you hoped that she had improved, and in my mind she has done so easily. The story is very good too, I was watching wanting to know what happens with Tim. And then there's the huge plot twist at the end, you do not see it coming! It was what made the film worth seeing through to the end. If you're like me and love a good twist, then this movie is well worth seeing. So I give it a solid 8 out of 10.