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La cocina

  • 2024
  • R
  • 2 घं 19 मि
IMDb रेटिंग
7.0/10
4 हज़ार
आपकी रेटिंग
La cocina (2024)
In the heart of a bustling Times Square kitchen, dreams and desperation collide as the staff each chase the elusive American dream.
trailer प्ले करें1:51
1 वीडियो
55 फ़ोटो
डार्क कॉमेडीमनोवैज्ञानिक ड्रामाड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंIn the heart of a bustling Times Square kitchen, dreams and desperation collide as the staff each chase the elusive American dream.In the heart of a bustling Times Square kitchen, dreams and desperation collide as the staff each chase the elusive American dream.In the heart of a bustling Times Square kitchen, dreams and desperation collide as the staff each chase the elusive American dream.

  • निर्देशक
    • Alonso Ruizpalacios
  • लेखक
    • Alonso Ruizpalacios
    • Arnold Wesker
  • स्टार
    • Raúl Briones
    • Rooney Mara
    • James Waterston
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    4 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Alonso Ruizpalacios
    • लेखक
      • Alonso Ruizpalacios
      • Arnold Wesker
    • स्टार
      • Raúl Briones
      • Rooney Mara
      • James Waterston
    • 24यूज़र समीक्षाएं
    • 78आलोचक समीक्षाएं
    • 75मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 11 जीत और कुल 35 नामांकन

    वीडियो1

    Official Trailer
    Trailer 1:51
    Official Trailer

    फ़ोटो55

    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार30

    बदलाव करें
    Raúl Briones
    Raúl Briones
    • Pedro
    Rooney Mara
    Rooney Mara
    • Julia
    James Waterston
    James Waterston
    • Mark
    Anna Díaz
    • Estela
    Motell Gyn Foster
    Motell Gyn Foster
    • Nonzo
    • (as Motell Foster)
    Laura Gómez
    Laura Gómez
    • Laura
    Eduardo Olmos
    Eduardo Olmos
    • Luis Villa
    Soundos Mosbah
    Soundos Mosbah
    • Samira
    Oded Fehr
    Oded Fehr
    • Rashid
    Esteban Caicedo
    • Ratón
    María Fernanda Bosque
    • Amy
    Pía Laborde-Noguez
    Pía Laborde-Noguez
    • Susan
    Shavanna Calder
    Shavanna Calder
    • Inez
    Julia Haltigan
    Julia Haltigan
    • Trisha
    Lee Sellars
    Lee Sellars
    • Chef
    Bernardo Velasco
    Bernardo Velasco
    • Salvador
    Spenser Granese
    Spenser Granese
    • Max
    Nebli Basani
    • Liridon
    • निर्देशक
      • Alonso Ruizpalacios
    • लेखक
      • Alonso Ruizpalacios
      • Arnold Wesker
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं24

    7.03.9K
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    फ़ीचर्ड समीक्षाएं

    6Poldi_Berlin

    A realistic and tough story about the kitchen life

    The movie is trying to immerse the audience into the microcosm of a major restaurant kitchen in New York. Great acting by many of the cast. However, 3 hours are too long for getting the story across. Some elements don't make sense at all and some characters are not getting the focus they deserve. Overall the topic of diverse cultures by migrants and their personal dreams of life are a crucial topic. I would have wished to allow this in a form that would focus on few and with a deeper vertical story line. Raul and Rooney Mara are amazing in their performances. We watched it at the world premiere and the audience was very receptive to the premiere.
    6CinemaSerf

    La cocina

    If you saw "Boiling Point" (2021) then you'll get the gist of this drama set in an hectic New York restaurant kitchen. "The Grill" might look peaceful to the customers, but it's kitchen is a multi-cultural, multi-lingual and attitudinal melting pot of cooks, waitresses and cleaners under the guidance of a no-nonsense chef (Lee Sellars) and a slimy manager "Luis" (Eduardo Olmos). It's this latter man who finds there's a problem one morning when his boss reports that $800-odd is missing from one of the cash registers and the owner "Rashid" (Oded Fehr) is seeing red. Using the investigation as a pretext, we quickly discover that this room is full of characters who generally rub along ok with each other, except for "Pedro" (Raul Briones) and "Max" (Spenser Granese), with the latter man frequently and violently fed up with the lack of English being spoken in this kitchen of Babel. Meantime, "Pedro" is trying to rekindle his relationship with waitress "Julia" (Rooney Mara) who is expecting, but not intending to have, his baby. With everyone working flat out, the search for the missing cash and the prevailing, accumulating, sense of toxicity amidst this atmosphere, the scene is set for quite a lively look at the trade, it's traditions and the vulnerability of so many workers with a dubious legal status who are treated little better than slaves. Sadly, though, for me the film just didn't take off. Aside from the fact that there is simply far too much dialogue, it is much too long and the characterisations are way too shallow and under-developed. The acting isn't especially engaging, and the writing doesn't do enough to create anyone here that is liable enough to feel the remotest sympathy for. There are too many repetitious angry confrontations without enough humour to entertain or sustain much interest and as they quite literally wade through the story, it just runs out of steam before bordering on the farcical at the end. It's disappointing, sorry.
    8dromasca

    Modern Times (Square)

    'La Cocina' (2024), the bold and unusual film by Mexican director Alonso Ruizpalacios, immediately reminded me of Charlie Chaplin's 'Modern Times'. Both films have one memorable scene that visually and symbolically represents all that is wrong with the dehumanization of work. As a whole, both films present scathing and fearless critiques of abhorrent aspects of the capitalist system, of course in different centuries and at different stages. 'La Cocina' combines this theme with that of illegal immigration in America today. Movies about immigration in America have a tradition, you could say they represent a separate genre. What is special about Ruizpalacios' film is that the point of view is that of immigrants. The director, most of the producers, the technical crew, the actors and the heroes of the film are mostly non-American. The director is also the author of the screenplay, adapted to the realities of America and today from a play (which also became a film script) by the English playwright Arnold Arnold Wesker.

    The story takes place in a restaurant called 'The Grill' in the center of Manhattan, somewhere near Times Square. We never enter the front door, though. From the first scene, we are directed to the back entrance, and we will only see the restaurant itself, with its local or tourist customers, twice in the movie. The rest of the story takes place in the kitchen where dozens of dishes are prepared at a hellish pace for the hundreds of customers, or in the side streets or inner courtyards where the huge garbage bags permanently generated by the junk machine are stored. Estela, a (probably illegal) immigrant, who doesn't speak one word of English, is hired to work in the kitchen alongside Pedro, also an illegal immigrant, who has already been in the place for several years. Pedro has a relationship with the waitress Julia, who is pregnant. The woman wants to terminate the pregnancy, the man - who maybe loves her or maybe just wants to sort out his legal situation somehow - would like her to keep the baby. When $832 goes missing from one of the cashier machines, the entire staff, composed mostly of immigrants, comes under suspicion. The temperature is rising in the inferno that is already the restaurant kitchen.

    'La Cocina' is not an easy film to watch. It is quite long and has moments when the story drags and the dialogues suffer from an excess of rhetoric and repetitions that add nothing. Fortunately, there are many other excellent scenes, inspired directorial decisions, and something cinematically interesting happening on screen all the time. Perhaps fearing theatricality, the director Alonso Ruizpalacios seems to constantly remind us that we watch a production of the art of film. The cinematography uses black and white, with rare spots of color at key moments and towards the end - a procedure if not invented, then made famous by Steven Spielberg in 'Schindler's List'). The scene at the core of the film, which lasts about 15-20 minutes, is filmed in one long shot and manages to convey the infernal dynamics of the activity in the restaurant's kitchen. The combination of the neo-realism of the attitude and the diversity of the cinematic means works very well. Unlike many other films whose stories take place in the kitchen, in 'La Cocina' the preparation of food is not (with one exception) appetizing, nor did the screenwriter and director really care. We are not in a temple of gastronomy but in a rather expensive junk food factory. The atmosphere of confusion that is transmitted to the viewers is what the heroes of the film feel as immigrants faced with the American realities, with hellish working conditions, with language barriers and mentalities. The diverse, multilingual and multicultural human landscape is excellently supported by a team of actors and extras, some amateurs, others professionals who enter the roles very well. Raúl Briones plays the role of Pedro exceptionally, although I could not fully decipher his character. Rooney Mara is cast in a very different role than the ones in other films I've seen her in, and once again demonstrates remarkable acting qualities. I am seeing, I think, for the first time Anna Díaz, who plays the role of Estela, and I hope to see her many more times in the future. Expressive and aggressive, 'La Cocina' is one of the good movies of the season, a film that takes us almost by force behind the scenes of the false shiny world that some of us enjoy and among the people who make it possible, with their dramas and sufferings.
    7lilianaoana

    Pretentious and unfocused. Unpleasant people

    Pretentious BS. There, I said it. That ending solidified it. Ending on that silly green ray thing. And why are you giving me black and white when you're not showing me anything beautiful here? What is the point. Pretentious BS is what it is. Strong colours would have made this even more powerful.

    The only thing this movie is doing to me is make me want to avoid restaurants. Cause I do not want to eat food from those people. Such a collection of a-holes. Pedro belongs in an institution. Any kind of institution will do, as long as he is not out into the world, among people. He is toxic, I don't care about his sob immigrant story. They all got sob stories. Doesn't justify anything. I for one took to the Moroccan lady. Or Nonzo. Raton? Yuck. The chef? A tyrant. The Latino lovers OMG. The sexism, the racism, the reverse racism. The funny thing is this movie is not making me empathize with their struggle and there clearly is a lot of struggle but they're so scummy that they do not deserve my pity. Julia, girl, what is wrong with you? Where your head at? I can say one thing though, I did not recognize Rooney Mara. If I hadn't seen her name in the opening credits I wouldn't have identified her. Well into the movie.

    Sure took a lot of me to finish it. I mean I finished it in one go but I struggled to do so. This could have been a much better movie, I don't understand what it's trying to tell me or do to me cause it only put me in a bad mood.

    Also, are there no food safety standards in the US or what? How can that happen? Also, I don't think I've ever seen more than 5 servers in any average sized restaurant. How big is this place that it needs a dozen servers or even more? Doesn't look that big to me. I know the turnaround is big there, but still... Just watch Boiling Point.

    Half a star more only for the actors' effort.
    5cutie7

    A Missed Opportunity

    Unpopular opinion: not every movie needs a 2.5-hour runtime. "La Cocina" (who I've been wanting to watch since its "Sundance" premiere) is a perfect example of this, feeling unnecessarily drawn out and lacking depth. While the film has its strengths-like its exploration of multiculturalism in a Manhattan restaurant-too much of it feels disjointed and unfocused. The narrative tries to juggle too many elements, resulting in a plot that feels messy and uneven. At times, it almost feels like it would have worked better as a play rather than a movie.

    That said, there are parts of "La Cocina" that truly stand out. The multicultural dynamics in the restaurant setting are fascinating, and I wish they had been explored more deeply. The cinematography is stunning, especially with its black-and-white visuals that add a striking, artistic flair. But despite these highlights, the film's ambition ultimately outweighs its execution, leaving it feeling more like a missed opportunity than a compelling watch.

    इस तरह के और

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    Grand Tour
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    कहानी

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    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The date on the order printer receipts (5/2/2022) matches the release date of the movie on MUBI in the US (5/2/2025)
    • साउंडट्रैक
      Our Love
      Written by Al Hazan

      Performed by The Starr Sisters

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    विवरण

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    बदलाव करें
    • चलने की अवधि
      • 2 घं 19 मि(139 min)
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      • Black and White
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      • 1.33 : 1

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