बेट डेविस बनाम जोन क्रॉफोर्ड और ट्रूमैन कैपोटे बनाम न्यूयॉर्क के ऊँचे वर्ग के प्रसिद्ध झगड़ों का अन्वेषण करने वाला एक ऐन्थोलॉजी सीरीज़.बेट डेविस बनाम जोन क्रॉफोर्ड और ट्रूमैन कैपोटे बनाम न्यूयॉर्क के ऊँचे वर्ग के प्रसिद्ध झगड़ों का अन्वेषण करने वाला एक ऐन्थोलॉजी सीरीज़.बेट डेविस बनाम जोन क्रॉफोर्ड और ट्रूमैन कैपोटे बनाम न्यूयॉर्क के ऊँचे वर्ग के प्रसिद्ध झगड़ों का अन्वेषण करने वाला एक ऐन्थोलॉजी सीरीज़.
- 3 प्राइमटाइम एमी जीते
- 12 जीत और कुल 130 नामांकन
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Superb. The dream, the wish, the thought. Sitting at a table face to face to say, I'm sorry. Thank you to Ryan Murphy and everyone concerned. Jessica Lange gives a performance that will live for ever, so does Susan Sarandon, in the last episode, her Bette Davis is there, totally, absolutely, chillingly there. What a thrill! Jessica Lange has five or six moments that I think will remain as "acting" landmarks. Alfred Molina's Robert Aldrich, devastating, brilliant! And Jack Warner's Stanley Tucci, a repellent delight. Fabulous eight episodes, eight! Enough to keep us wishing for more.
The whole series so far is a rewarding surprise. No camp caricature here but a serious, incisive portrayal of two iconic characters. Jessica Lange and Susan Sarandon create her characters based on Joan Crawford and Bette Davis with such virtuosity that every new episode allow us to go deeper without ever turning into parody. Their reality is parody enough. But what touches me is that Lange and Sarandon, taking our preconceptions into account, inspire us to look at this two women as human beings. My admiration also to Alfred Molina - Robert Aldrich? Wow! Absolute perfection. On the latest episode "And The Winner Is..." Two extraordinary moments: Geraldine Page (A superb Sarah Paulson) taking Crawford's call and surrendering to her request because "She needs it" or Anne Bancroft (a wonderful Serinda Swan) receiving Crawford in her dressing room. Bancroft and Page understand Crawford's agony even from a distance. Compassion at last. I'm enjoying Feud with all my senses. Thank you Ryan Murphy and everyone involved.
As someone who worked with actors all his life I'm enormously grateful to Ryan Murphy for putting together with such seriousness and such care this series about a subject that is very rarely if ever touched. And when it is, it tends to be a caricature, a satire, an exaggeration of an exaggeration. Here the drama was tangible and the work of Jessica Lange and Susan Sarandon, superlative. They managed to transport us from the times of Bette Davis and Joan Crawford, as women and actresses, to our times, without betraying it. The characters were one hundred per cent present and the actresses playing them were one hundred per cent present. If acting is an art, and it is, that mysterious fusion between actor and character is the manifestation of it. - Many young actors I'm working with at the moment, some of which had never heard of Steve McQueen, let alone Bette Davis or Joan Crawford, saw "Feud" and compelled and inspire them to want to know more. In the last few weeks I've had them come to me with stories of "All About Eve", "Humoresque", "The Little Foxes", William Wyler, George Cukor... So "Feud" has become a tool, an agent provocateur, a gateway to history, the history of their own profession. It's not wishful thinking on my part. I see it in the young one's faces. Discovering passionately, and their horizons broaden automatically. It's a joy to see. As I close this comment a heartfelt hurrah to Alfred Molina and Stanley Tucci for their fearless, remarkable performances and to everyone involved, thank you very much.
Now already on episode 3 I can say without a doubt. "Feud" is totally addictive. The writing, the direction, costumes and production design, it all works beautifully, satisfying those who knew nothing about the story and those of us who knew a great deal. The biggest surprise, however is the Jessica Lange and Susan Sarandon's performances that puts everything into a level way above, camp and/or caricature. Their performances are serious, profound, all consuming. Two modern stars throw themselves into the emotional investigation of two stars from the past and the results are, let me say it, extraordinary. I'm looking at Joan Crawford through an entirely new perspective. Jessica Lange has humanized her without embellishing her and Susan Sarandon plays with Bette Davis's contradictions making them crystal clear even finding a sort of justification for them. I saw the 3rd episode "Mommie Dearest" twice in a row. That's how riveted I was and still am. Let me also mention Alfred Molina as Robert Aldrich. Sensational.
Hurrah for Ryan Murphy. He avoided the obvious trap of super camp. This human tragedy is told without winks and secret giggles. It is a tragedy no matter how funny. Two mega stars of its day drowning in personal pettiness and fear. Now with the benefit of hindsight and with the help of their daughters memoirs we know that fame and fortune is not the happy place most people imagine. Jessica Lange's Joan filled me with sadness, something Joan, the actress, could never do. Susan Sarandon's Bette made me want to shake her like she did Miriam Hopkins in "Old Acquaintance". Alfred Molina as Robert Aldrich deserves a mention all his own. Brilliant!
क्या आपको पता है
- ट्रिवियाRyan Murphy interviewed Bette Davis months before her death in 1989. The agreed-upon 20-minute interview lasted four hours, and inspired his characterization of Davis. When he asked her about Joan Crawford, she would talk about how much she hated her, before saying "She was a professional. And I admired that."
- क्रेज़ी क्रेडिटJessica Lange and Susan Sarandon alternated top billing in the opening credits on alternate episodes.
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