Call Girl

This movie is a fictitious account of the infamous "Geijeraffären" from the mid 70's where powerful men of the upper Swedish hierarchies, even ministers, bought sexual favors from young call girls, provided for them by a notorious brothel madam.

The movie has a strong theme, about how men in powerful positions feel they are entitled to almost everything, even buying sex from underage girls. The men of the upper classes' abuse of power and money is shown very clearly, and they don't shy away from threats or even murder to cover up what they have done. The real focus though is on the unfortunate girls from society's lower classes, who are abused by these men without a second thought, and this makes for horrendous viewing that really makes you feel uncomfortable.

Unfortunately, the film's theme has somewhat been overshadowed by a controversy between the filmmakers and the Palme family. The hot topic is whether the prime minister in film is a portrayal of former Swedish prime minister Olof Palme or whether it is merely a fictional character. After initially defending their work, the director Michael Marcimain cowardly and spinelessly decided to cut his film, removing a key scene in a hotel room. Unfortunately, this leaves a HUGE plot hole, and the ending of the movie doesn't really make sense the same way without it.

Since I watched the censored blu-ray version I had to do some research afterward to piece together the importance of the missing scene with the rest of the movie.

The movie is a beautifully shot period piece and a top class conspiracy thriller reminding me of Robert Redford's best efforts back in the 70s like Three Days of the Condor or All the President's Men. However, it's tragic how the filmmakers failed do defend their excellent work and decided to cut their own movie after pressure from the Palme family. This act of cowardice is a source of frustration for everyone who is forced to watched the censored version and unfortunately this takes away some of the attention from the powerful theme of the film and what the filmmakers really wanted to say.

1970s and a Swedish scandal which is said took place in reality. High politicians went to prostitutes, some of them certainly much under age.

The problem with this film is whether it's having too little or too much to do with what really happened. Real historical persons appear here, only slightly disguised or not disguised at all really. But that's another kind of discussion. Are there anyway qualities to be found?

Yes, the so called life of the young girls is narrated in a rather touching way and focus should have been on that. Instead it's about corrupt politicians, corrupt police captains and a single policeman trying to fight it. The characters are somewhat square, which hides the story a little.

'Call Girl' premiered in the UK yesterday at the Edinburgh International Film Festival and earnt its inclusion with a clever narrative, great casting and an outstanding performance from Pernilla August.

August's portrayal of Dagmar Glans, or the real-life Doris Hope, was remarkably accomplished. Her interactions with the girls, police and politicians of 70's Sweden were entirely convincing. She is at once powerful and repulsive and cannot be ignored.

The film provides social and political context through multiple narratives that allow the audience to glimpse the story from the point of view of the girls, their guardians, Glans, the secret service and the politicians in equal measure.

The clever casting of a wide array of politicians allows the film to show both an intimate and distant side to their world. They are effectively juxtaposed with the girls that they use and, through this, come across to the audience as powerful, feared but flawed characters.

The soundtrack and wardrobe are also worthy of a positive mention.

For me 'Call Girl' is less enjoyable due to some exaggerated acting and plot jumps.

The representation of Simon J Berger's policeman 'hero' is exaggerated. His actions are enough for the audience to understand his noble intentions and his abrasive style. There is no need for the added swagger, the punch and the rock-star dress-sense that is bolted-on to this character.

The change which comes about in the friendship between Iris and Sonja is acted out unconvincingly by Sofia Karemyr and Josefin Asplund.

Also, the sequence at the beginning of the film which shows the press officer in Sandberg's office might confuse viewers. Instead the action could cut directly from the introductory TV interview to Iris and her mother.

This film taught and engaged me and I would highly recommend it. If you enjoyed this movie you may also like 'Shame' (2011).

i had no idea what movie to expect , i saw the title and thought i was gonna see an easy American style thriller action fun movie. i am open minded so i was ready for whatever came on the screen. however what i saw was an impressive movie that also seemed to be a true story . i can imagine those things really happened , although few erotic scenes looked really weird and not real , i guess i am not that perverted . but the whole film seemed very realistic, no crazy action 3D VFX etc.

one of the strong parts is the 70s feeling. the people look very 70s styled. i mean they did a fantastic job to show the feel of that time and how it looked and felt. if you were in the 70s you can definitely tell how realistic the movie was. another great thing was i didn't got bored for a second. the story went on and on , and i had no idea where it was going and it was very unpredictable and interesting to see how things turned towards the end.

last thing; there was a big shock moment somewhere in the movie , it scared the heck out of me , i suddenly jumped out of my chair for a second, i can't tell you what it was , you go see for yourself. if you like realistic 70s movies , this is a good one. i liked it.

A lifeless screenplay makes this ambitious film-project to wreck completely. A true story with all the right ingredients. Olof Palme, the minister of justice Lennart Geijer, Jane Fonda, sex with minors... A major political scandal, swept under the thick Swedish democratic rug. Storytelling turned into a tepid recitation of facts and participants. Very close to the updated version of the book "Bordellhärvan" by Deanne Rauscher, Gösta Elmquist, and Janne Mattsson (Pocketförlaget 2012). As some of you already pointed out, a remarkable tour de force of the "Call Girl" art department. Regarding the locations, most of them are negligent/ignorant choices. A 1976 costume in a Stockholm 2011. The film is stuffed with good distinctive Scandinavian actors. Most of them lost in a sprawling storyline. However, Pernilla August is truly magnificent. A lifeboat in an ocean full of good purposes.