निर्देशक जेसन रीटमैन की तरफ से पेश, लेबर डे में अभिनेत्री केट विंसलेट और अभिनेता जोश ब्रोलिन दो अजनबियों की तरह अविश्वसनीय परिस्थितियों में एक साथ आते हैं. जो असल में शुरू होता है एक अप्रत्य... सभी पढ़ेंनिर्देशक जेसन रीटमैन की तरफ से पेश, लेबर डे में अभिनेत्री केट विंसलेट और अभिनेता जोश ब्रोलिन दो अजनबियों की तरह अविश्वसनीय परिस्थितियों में एक साथ आते हैं. जो असल में शुरू होता है एक अप्रत्याशित मुठभेड़ के रूप में एक लंबी छुट्टी सप्ताहांत के दौरान वो जल्द ही एक दूसरा मौका प्रेम क... सभी पढ़ेंनिर्देशक जेसन रीटमैन की तरफ से पेश, लेबर डे में अभिनेत्री केट विंसलेट और अभिनेता जोश ब्रोलिन दो अजनबियों की तरह अविश्वसनीय परिस्थितियों में एक साथ आते हैं. जो असल में शुरू होता है एक अप्रत्याशित मुठभेड़ के रूप में एक लंबी छुट्टी सप्ताहांत के दौरान वो जल्द ही एक दूसरा मौका प्रेम कहानी बन जाता है.
- पुरस्कार
- 6 कुल नामांकन
फ़ीचर्ड समीक्षाएं
So this movie was fun to watch. There was a lot of tension, and the actors did a good job of making even the unbelievable situations seem natural. There was a mystery that unfolded over the course of the movie, and the film was able to create real emotion and genuine shock from the audience. There is also great cinematography, nice subplots, and a final quarter that keeps you guessing. I'm not exaggerating any of this, so seriously ignore the critics and give this film a chance.
The main thing that is wrong with the film is a certain level of disbelief, but it doesn't require more suspension of disbelief than any of the big blockbuster movies. It could also get cheesy and a little uncomfortable to watch at times, but it is still a great movie. i hope Jason Reitman continues to make great movies, as he has not made a single misstep in his career yet.
This is a good movie to take a girl to on a date, and I'm sure you both could enjoy it. It is a little like a Nicolas Sparks book except with Oscar level acting, directing, cinematography, and screen writing, so if that sounds like your kind of thing, I highly recommend this movie, and reward it with an 8.7/10 stars.
I haven't seen a Reitman film since Juno so I haven't caught up. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders. That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.
Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source. The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.
Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly (and unnecessarily) critical mind to it's 'unoriginal' or 'uneventful' plot.
Director Jason Reitman is no stranger to unusual family stories (Juno) or character drama (Up in the Air), so his enjoyable Labor Day is a bit of both without the humor. Because this is January, a dead-zone time for releases, it's even more impressive as an audience-pleasing drama about an escaped convict Frank (Josh Brolin) and a mother he kidnaps, Adele (Kate Winslet), along with her 7th grade son, Henry (Gattlin Griffith).
Let's get the formula out now: she falls in love with her captor and the son willingly learns about life and baseball. The real life, however, is hounding them as the law closes in on their 5 days of "family" bliss. However, the authorities are too slow to stop the best family pie making scene ever, domestic stuff just one of charming murderer Frank's gifts and a Reitman specialty.
Recently Mud is similarly about the coming of age and criminal motif and Revolutionary Road with Winslet about a disintegrating family. Yet Reitman and novelist Joyce Maynard have crafted a story that slowly makes believable the growing love between captive and captor, a relationship helped by the classy acting chops of Winslet and Brolin. Although everyone knows helping an escaped criminal leads to serious jail time, this case actually cuts Adele a great deal of slack in the guilty category. As Reitman slowly reveals their mutually grim backgrounds, we are aware that her needs for the touch of a lover are so acute that even this gamble could be worth the risk.
Although Labor Day comes close to Nicholas Sparks' sentimental claptrap, Reitman preserves everyone's dignity, lets love grow, and ushers a kid into a complicated world of love and danger—a labor of love, so to speak, on the film's titular weekend, typically American and hard work: "I sensed my inadequacy," says the adult Henry in voice over. In matters of the heart, we're all inadequate and need films like Labor Day to help us move on.
क्या आपको पता है
- ट्रिवियाKate Winslet and Josh Brolin agreed to do the movie, but Jason Reitman and Brolin had to wait for Winslet for over a year to begin shooting.
- गूफ़The Panasonic VHS VCR on the top of the TV did not exist in 1987 - it has a center deck style that was common in the late 1990s (e.g. it looks similar to Panasonic's PV-V4020 model that was made in 1999). VCRs of the time had a deck on the left-hand side and display on the right.
- क्रेज़ी क्रेडिटThe copyright statement at the end of the credits reads, in all caps: "Frank's Pie Company Is The Author Of This Film (Motion Picture) For The Purpose Of Copyright And Other Laws."
- कनेक्शनFeatured in Film '72: 30 जनवरी 2014 को प्रसारित एपिसोड (2014)
- साउंडट्रैकI'm Going Home
Written by Arlo Guthrie
Performed by Arlo Guthrie
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
टॉप पसंद
- How long is Labor Day?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Aires de esperanza
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,80,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,33,71,528
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $51,75,282
- 2 फ़र॰ 2014
- दुनिया भर में सकल
- $2,02,75,812
- चलने की अवधि
- 1 घं 51 मि(111 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1