Kiss of the Damned

With passion comes great responsibility ... especially if you are not able to control it. The main character is a very strange one and the actress has a tough role to play. There is a stretch in what she has to depict. The story itself is more adult than your average teenage movie that came out lately (yes Twilight and any spawn it gave "birth" to), but also very predictable.

I watched it at a Festival, so the audience knew or expected this to be a strange one. If you are about to watch it, you should note that too. There is a lot of sexuality and some violence in this, something to consider too. A nicely done movie about containment, self control and love in general. Also about the meaning of life ... it does have to say a lot, as you can see

Sexy and thrilling! Tired of Twilight histrionics? Sick of slasher remakes? Yearn for classic dreamy elegance and melancholy of The Hunger or Nosferatu? Then dip into dreamy dripping seas in the land of this film. The last time I saw a film this personal yet gorgeous was when I went on a Jean Rollin kick earlier this year. Xan Cassavetes goes right to the European masters for inspiration. She balances spooky house atmospherics with creative humor, and a downright "queer" sexuality as it relates to traditional vampire lore. Bottom line - this is a really unique and special film. I totally encourage you to let go and experience the bliss of one. Become undone as you merge with the infinite beat.

I have to be honest because this is not my type of movie. The movie mostly focuses on the romance plotline that I'm not a fan of because I'm not interested in those types of stuff. Their relationship happened pretty quickly , and she tried not to be with him because of her vampirism, but he wanted to see the truth self of her and accept it. The relationship is standard with him learning more about the vampire and slowly getting more about each other. Now, the other plotline is the main character. Sister comes to stay over and is more violent. That plotline is the horror aspects with her killing random people to drink people out of them. It makes it different compared to the other romantic vampire movie that I won't not say. It's the only part that keeps me watching it until the end of the movie. Speaking of the ending, there's no climax to be found in it, and the ending is fine for the most part.

At the time that I am writing this review, this movie has an abysmal rating on IMDb (less than five stars).

If IMDb were a room full of people with exceptional taste, I guess I would understand why. The movie is thoroughly derivative; it tries a little too hard. I get the feeling that it's supposed to be a 'Hunger' for the modern era, moody and atmospheric-- they've even traded the classical and operatic soundtrack for haze-scene and low key beats looped with synth harpsichord melodies -- and yes, sometimes it falls a bit short and comes off amateurish.

But IMDb is not a room full of people with taste, so I don't get it. There so many movies on this site with absolutely no redeeming value that have ridiculously high ratings. This movie, while not art, did try; it never came off heavy handed, overall it was approachable, and entertaining. I keep asking myself what about it is causing people to react so negatively; the only thing I can figure is that perhaps the vampire crowd are portrayed as too cultured or something, I don't know.

Ultimately I guess I'm writing this review for people like me, those who put a lot (perhaps too much) stock in IMDb ratings. As a fan of films like The Hunger and the whole 'artsy, excessively classy but tortured immortal' cliché I can honestly tell you that I didn't think this film was an utter waste of time (at least no more so than many other movies). It was a perfectly fine hour and a half spent on a rainy afternoon.

I find its current rating a bit unfair.

If European cinema in the 1960s had access to HQ digital cinematography and sound, then a vampire film made then would be like this. Xan Cassavetes has crafted a deliberately retro feel to the movie and it works. I love the soundtrack, which has variety (just listen to the opening few minutes). It uses experimental sounds to crank up the tension for example. If you ever loved prog-rock, and know then that punk rock by comparison has no class, no depth, you will love the fact (is it an in-joke?) that the baddie comes complete a with a punk rock soundtrack. Xan reveals herself to be a delightful musical snob. She is also firmly on the side of the vampires.

This great-looking movie is a mixture of what works and what doesn't, hence a seven. Kudos to getting French actress Anna Mouglalis to play Xena. While beautiful, Anna actually plays Xena as a character actor. What a voice! When her character 'loses it' later on in the film, Anna beautifully conveys the tics, twitches and desperation without overdoing it. She should be in more movies. The bourgeois party scenes are convincing. The film tells a conventional but slight, linear story, with a beginning, middle and end.

On the minus side, although the initial romance is convincing, a better film would have gone deeper into the romance and involved the viewer more, with more complex characters. Another better version would have gone all out to scare you, successfully. The 'horrific' bits here are not really horrific.

This is deliberate. The film is by design a mood piece. It is even relaxing in parts, making it a good film to 'wind down' to with your partner in the evening. Xan understands that relationships, even in a vampire flick, are more interesting than blood and screaming. But she is even more into the 'feel' of the movie. Viewers raised on the Texas chainsaw massacre remakes and their ilk might not want 'relationships' or 'feel'. If you can understand these things before you watch it, you should enjoy the movie.