Monsters: Dark Continent

"Why am I here? What am I doing here?"

Gareth Edward's low-budget feature debut, Monsters, made some noise with critics as well as with Hollywood producers who decided to hire him for the latest Godzilla remake, which I happened to enjoy quite a bit. Since then he has become a household name and is already working on a Star Wars anthology film and on the Godzilla sequel. Edwards managed to direct an entertaining sci-fi film using alien monsters as the background to tell the story of a journalist trying to escort an American tourist through an infected zone in Mexico back to the US. The film created a wonderful atmosphere and in a lesser way served as an allegory on the US immigration system.

Five years later, we get a sequel to Monsters and a new director. This is Tom Green's first feature film and he had a bigger budget to work with than Edwards did, but unfortunately the sequel is a mess and a bore. It was by far the longest two hours I've had to sit through in a movie all year. It tries to follow a similar premise as the original film by being an allegory of sorts, this time about American intervention in the Middle East and it too leaves the monsters as an afterthought. The soldiers are sent overseas to fight the monsters (which could easily represent the terrorists in our world) who have spread all the way to the Middle East, but in a way these soldiers become the real monsters. The allegory is heavy on this one and it doesn't quite work as well because it is too lazy and simple. The characters aren't interesting at all and no one stands out here. They even have to resort to using voice-over narration to introduce each character because there was no interest in character development whatsoever.

The sequel takes place several years after the original and now the monsters have spread through different parts of the world. At the same time, an insurgency has broke out in the Middle East and soldiers are being deployed to fight off the insurgents and destroy the monsters in that deeply infested area. Michael Parkes (Sam Keeley) grew up in Detroit and has been training in the military for the past two years along with his native friends: Frankie (Joe Dempsie), Karl (Kyle Soller), and Shaun (Parker Sawyers). They are all being deployed to the Middle East together and are ready to make a difference. After a few weeks of light fighting the recruits are sent on a mission with Sergeant Frater (Johnny Harris) to rescue some soldiers in the Infected Zone. This is where the real fight begins for the new recruits.

I can't complain about the aliens being simply a background for this clichéd anti-war film because it was the same thing in the first movie, but Dark Continent doesn't even take its time to develop interesting characters. The story is incredibly lazy and all the characters are unsympathetic. I felt the extremely slow pacing take its toll on me and I understood that it was trying to explore the human behavior in extreme conditions, but it did so in a very lazy way. The subtext here isn't nearly as provoking as it was in the original. I get it that Green is trying to show the irony of the world crumbling around us as we ignore it and still continue to destroy each other, but it simply didn't do anything for me.

http://estebueno10.blogspot.com/

The movie is called Monsters, but similar to the first, the monsters have so little to do with the story, even more so in the second than the first.

It's all about male bonding during military time as a platoon of boys from the same hood in Detroit go to war together in the Middle East.

The picture moves quickly, never a dull moment, very kinetic movement. Good action and lots of good war scenes.

The acting could used improvement. All the screaming and crotch grabbing did not convince me of their military standpoint.

But director Tom Green is definitely a good visual artist here. The imagery was very instance. Very good cinematography.

Visual effects were decent as well.

Total exploitation of war that ads a sci-fi fantasy elements with the monsters, used only as a backdrop no different than the dessert the movie takes place in.

Overall, I like the movie, despite how little the monsters have to do with the story at all. It seems misleading going into it, however.

OMG! I just saw this and...don't! It was soooo boring. It was NOTHING like the first movie. I know the director said it wasn't a sequel, but still, it was not good. A big problem was the title. It's called Monster: The Dark Continent. The dark continent is what Africa's known as. However, this movie seemed more like a film about the Iraq war with the monsters as a very distant backdrop. Granted, they didn't say they were in Iraq. I don't actually recall them saying where the film took place.

Some said the acting was bad. I didn't have a problem with the acting. The cinematography was good. I just expected something VERY different.

Some of the monsters were like galloping antelope. Others were like birds. Some seemed like walking trees. The point is, they didn't come across as any sort of a threat. As I said, boring.

I gave this a 4-star rating. I do not recommend. Watch the first one, and look at that as a one-story movie. This one didn't do anything but bore me to tears. Now I'm really tired. When I feel like going to sleep after watching a movie -- in the early evening -- that's how I can tell a movie sucked.

I was excited when I first heard about a sequel to MONSTERS. Then, as I often do when trying to keep up with all the films I eagerly await, I lost track of it and all-of-a-sudden it became available. Being a big fan of the original, I couldn't wait to see it. Now that I've watched it, I can't stress how much of a disappointment it was.

MONSTERS: DARK CONTINENT is NOT a Sci-Fi / Horror movie. It is a war movie disguised as a Sci-Fi. And it's not even a very good war movie at that. It's somewhere in the middle. Very average. The biggest, of very few, somewhat redeeming qualities was the special effects. The monsters looked great! To bad they were overwhelmingly used as backdrop props, looking like a herd of buffalo at times.

I'll never understand why this wasn't just strictly a war movie. It could have been an above average war movie if the money spent on the monster effects had been used for a bigger war setting or better actors. There was just no need for monsters to be roaming in the background of a war movie, never really posing any threat to the characters. I don't know what else to say. Very disappointing.

The beauty of the original 2010 Monsters was its profound statement, Dark Continent satisfies the original naysayer's with action, and not much else.

The initial 2010 film Monsters was a profound parable about humanity and its interactions with one another that used an 'alien invasion' as a mirror for this introspection. It is an independent film I adore and can not recommend enough. Four years later, with seemingly no connection to the original's genius creator Gareth Edwards, Monsters: Dark Continent is released, with absolutely no relation to the 2010 film in both scope or talent.

Though the term 'derivative' does not imply subservience in its definition, quite often it is used as a descriptor for inferiority, and Monsters: Dark Continent warrants the adjective. When I first learned of a sequel to Monsters, I was aghast, for the narrative had been told in its entirety. When I saw the trailer, I was mortified of the bastardization of the beautiful film into Hollywood action drivel.

With the scope of potential from its predecessor being a peak of perfection to the lows of my expectations of pure garbage, Monsters: Dark Continent falls somewhere in the middle but certainly closer to trash. In truth, Dark Continent tries to be like its original in using the alien invasion to be an allegory for the war efforts in the middle east. Unfortunately it feels terribly superficial and contrived.

There is no beauty in the story telling of Dark Continent. The dialogue is poor and voice overs are used constantly to convey the narrative rather than creative artistry. Monsters: Dark Continent is neither philosophical nor intelligent in the manner of its originator. Writer and director Tom Green tries to speak of the war but it is in a very ignorant and uninformed perspective that is neither deep or even unique.

Please check out our website for full reviews of all the recent releases.