Yossi

Both of these movies were powerful films and the sequel does not disappoint. Ohad Knoller did a wonderful job. One of the existing reviews seemed to judge everything based on the looks of the individual actors in the film which seemed rather shallow. I did agree with them on some points though. Yes, Yossi, in spite of the weight he has added, still carried the movie, and he is still a strikingly handsome fellow. At first I could not recognize him as the same fellow that was in Jossi and Jagger. Secondly, the toilet scene where the other doctor brings a girl in to have a threesome with Yossi, seemed a little out of place, but perhaps it added some additional perspective to the lonely and dismal place that Jossi was in his life at that stage. Overall, I loved the movie and would say that it is easily Israel's answer to Brokeback Mountain. I thought about Jossi for days after viewing the film in much the same way I did when I saw Brokeback Mountain.

I would now like to see anything with Ohad Knoller in it...he is my new favorite actor. Go Ohad!!!

This film is such a nice sequel to the 2002 "Yossi & Jagger"! The first one had a simple and nice plot, but I had issues with the undergrad-quality cinematography, and despite apparently winning awards, I wasn't very convinced by Ohad Knoller's acting, who played Yossi in the film. This sequel, however, is exactly what I was expecting: great cinematography, a complex but lovable plot, and great acting by Ohad, who really played Yossi well in this film.

Although I believe that it's totally fine that you don't watch "Yossi & Jagger" before watching this film, watching it will definitely help you understand a lot more in the film that hasn't been explicitly stated, like why Yossi would become a doctor and why he decides to go on a trip to Sinai (Sinai?!). This film isn't fully focusing on a romantic relationship like the first one did; instead it explores how Yossi lives after the death of Lior, and everyone of us can definitely identify with some of the moments shown in the film: getting off in a dark room at night, having Chinese takeaway at home alone, and watching mindless animal documentaries. Oh, and having hookups with shallow, petty gay men. Ohad Knoller played Yossi really well in the film; display of emotions is almost effortless, and although you can argue that it doesn't take much effort to play a sad, almost-middle-aged gay man, his little smiles and at times teary eyes are proof that Ohad knows how to play a character well. I have so much respect for Ohad after watching this movie. About his weight: yes, the Yossi we see is not the same one we saw in "Yossi & Jagger", but that has helped the movie delivered some of the most precious messages we have ever heard in film history about body positivity in the gay community.

This film has a romantic plot, after all. The relationship is lovely, develops at the right pace, and most importantly, is believable. That's why I say this film will make you feel so good. It's so good that I hope it is true, and unfortunately that means we probably won't see a third movie in the making - but never mind because it is such a good wrap-up to a great story already.

The review should not end without pointing out how great the soundtrack is - a great selection of songs to accompany the story, and nice lyrics too. Yes, the fact that the film deals mainly with Yossi's inner demons may scare away a lot of potential viewers, but this film is too good to pass up. If you're looking for a slow burning love story, this movie is just for you.

OK, so here we go. Cynics amongst us may find it all a little too predictable. The concept is not original and certainly we're going to see allot more of this "ethos" in a move if you like - HOWEVER, the director has brilliantly kept the overall footage quite raw when you think of it and this does create a sense of realism to the movie.

Yossi and Jagger was a valiant attempt and it caught, I think, the emotions of many gay men who don't necessarily identify with wider gay culture. It spoke to the "man" in us if you will.

Yossi struck all the right notes. You felt his pain, his loneliness and you cheered on his ultimate revival - however, it's not a given. Not in anyway shape or form and how it happens is not predictable in the least. Outstanding positioning and an honest, thoughtful script lead to a most enjoyable movie experience.

And even for a cynical old bitch like me, I must say, I very nearly shed a tear...nearly!

This film tells the life of Yossi, the Israeli soldier who lost his love in war, ten years after his loss. Yossi has become a cardiologist, working in a hospital. He is lonely and solitary on purpose. He meets a young soldier, and he struggles whether to let someone into his life or not, just like last time with Jagger.

"Yossi" is very similar to the last film, "Yossi & Jagger". Yossi is basically still the same restrained and solitary man, rejecting something beautiful for reasons only he would know. The pacing is slow, which echoes the psychological state of Yossi being slow to warm up to people who love him. It also touches on healing after loss, and the stigma on being gay, but these themes are not so well developed to become tear jerking subplots. Though it is not particularly engaging or moving, and the low budget shows, it is still worth a watch.

The film centres around a gay man in his mid-thirties who works as a cardiologist in Tel Aviv, Israel. Still grieving his lover killed years ago, he lives a repressed and lonely life until things change in the film's second half.

This is a very compassionate film. It is occasionally satirical including a great scene that exposes the superficiality of the online dating scene. In the lead role, Ohad Knoller expresses the loneliness with much subtlety. He's quite likeable.

The film could have prolonged a passionate scene near the end. It also misses an opportunity to explore the apparent bi-curiousity of one of Yossi's colleagues. Still, it is fine entertainment. Points must be given for the avoidance of typical plotline cliches around gay characters.