Rain Dogs

It's bleak, it's dark, it's engaging and me and the missus were hooked from the first episode. I thought the characters were well cast and haven't seen another series quite like it. Nice to see somehting original.

I may be biased as I've loved Daisy in everything else I've seen her in. I was really pleased to see her in a straight role and watch her not just doing another comedy role- I hope she gets more opportunities off the back of this.

Haven't finished the full series yet, so may still be dissapointed, but have enjoyed this so far and would suggest people make their own minds up. And don't get put off too much by the negative reviews.

I was so excited after watching the pilot: it felt like the freshest thing I'd seen in years. A novel and stimulating subject (the relationship between an upper class gay guy and an asbo single mother). It had enough 'trashiness' to keep things interesting despite the underlying sentimentality. The script was tight and punchy, the acting was mostly good (though I must say Daisy Cooper already lacked range).

Ep. 2 was not as good but I still had hopes. By Ep. 3 it was quite clear the writers first came up with the characters, and that the story was an afterthought. I've just watched Ep. 4 and it's only getting worse: or rather, getting nowhere. Bogged down with unnecessary sidekicks, the main characters fail to acquire complexity and are merely pushed further and further in the direction established in the pilot. Their relation is also rather flat and dialogues lack finesse. It's all around disappointing.

The series was marketed as a 'punk-rock romance' and I think it's quite an apposite description. There are two 'punk rock' areas in London: Camden and Hoxton. The first is full of has been tourists and a few crusties, the second is full of bankers and art school hipsters. Rain Dogs is 'punk rock' the Hoxton way: it's filled with intriguing and colourful character, but ultimately it's all navel-gazing passing itself as rebellion.

I didn't expect much from this series and watched the first two episodes inattentively and without much interest. However, starting with the third episode, I was already much more concerned about the plot. Now I think this series is brilliant in its own way.

First of all, there are few movies where the theme of codependency and toxic relationships is shown realistically: there is neither an ideal and helpless victim, nor a ruthless abuser. There are only people who try, love and try again. And then, what dialogues! My special thanks to the scenarists.

Of course, I would like to see something more holistic in the plot and more aesthetic in terms of framing and directing, but since the author's vision is like that, I accept this product as it is.

And for sure I can't wait to see main characters' new ups and downs.

I've given this a 10. Honestly, it's more an 8/9 but with only 783 reviews at time of writing, the 97 reviews who have given this 1 stars were not giving it anywhere near a fair appraisal. When so few vote overall, this brings the average down unfairly. I hope people don't get put off. This is a good well written gritty British drama comedy with strong performances from a great cast. It's shot well and the sound and soundtrack accompany the scenes well.

Yes, it's annoying how the narrative centres on Costello chasing a book deal; for some reason I find watching people chasing dreams unobtainable to most, tiring. But the relationships between the characters are interesting and relatable, Florian is an entertaining troubled soul. Len the pervert is also a good bit of eccentric fun. I loved the scene where Costello gifts one of his paintings and the recipient et al try to interpret it.

All in all a great British production. Thank you.

This alternative series is a breath of fresh air! I am very surprised by the relatively low score here, because this series is both innovative, well-made, varied, topical and humorous. Daisy May Cooper in particular excels here. She stars as the tired but resilient single mother Costello Jones. This is essentially the star here, and rightfully so. She is incredibly good at portraying both social challenges and economic problems - in general, the alienation that many people experience today. But her character never gives up. I think it's wonderful to follow her, and her small and big battles. I hope this series has a long life because Costello Jones has only just shown us what she is capable of.