Rain Dogs

This alternative series is a breath of fresh air! I am very surprised by the relatively low score here, because this series is both innovative, well-made, varied, topical and humorous. Daisy May Cooper in particular excels here. She stars as the tired but resilient single mother Costello Jones. This is essentially the star here, and rightfully so. She is incredibly good at portraying both social challenges and economic problems - in general, the alienation that many people experience today. But her character never gives up. I think it's wonderful to follow her, and her small and big battles. I hope this series has a long life because Costello Jones has only just shown us what she is capable of.

As "Rain Dogs" (2023 release from the UK; 5 episodes of about 26-28 minutes each) opens, we are introduced to Costello, a single mom, and her 9 yo daughter Iris. They are being evicted from their apartment for lack of paying rent. In a parallel story, a Simon, who s gay, is released from prison that same day. What is the relationship between Simon and Costello? More urgently, Costello needs to figure out where she and Iris can take shelter for the next night... At this point we are 10 minutes into Episode 1.

Couple of comments: this mini-series is the TV debut of British writer/creator Cash Carraway. Here she looks at the challenges facing many folks living at the margins in expensive cities like London (where this is set). Social and housing inequality is an actual problem that more and more people are encountering. This mini-series is billed as "black comedy" and for good reason. There are no "laugh out loud" moments, but quite a few scenes where I found myself chuckling, mostly at the quirky nature of this series. Daisy May Cooper (s Costello) takes the series on her shoulders in a frank yet moving performance. Bottom line: this is not for everyone, and certainly not for anyone looking for a "feel good" comedy.

"Rain Dogs" started airing on HBO in early March and is now available on HBO Max, where I caught it. I've seen 3 of the 5 episodes, with the last two remaining episodes to be released on the next 2 Mondays. If you are in the mood for something quirky and dark-ish that is most definitely also very British. I'd readily suggest you check this out, and draw your own conclusion.

It's bleak, it's dark, it's engaging and me and the missus were hooked from the first episode. I thought the characters were well cast and haven't seen another series quite like it. Nice to see somehting original.

I may be biased as I've loved Daisy in everything else I've seen her in. I was really pleased to see her in a straight role and watch her not just doing another comedy role- I hope she gets more opportunities off the back of this.

Haven't finished the full series yet, so may still be dissapointed, but have enjoyed this so far and would suggest people make their own minds up. And don't get put off too much by the negative reviews.

I was so excited after watching the pilot: it felt like the freshest thing I'd seen in years. A novel and stimulating subject (the relationship between an upper class gay guy and an asbo single mother). It had enough 'trashiness' to keep things interesting despite the underlying sentimentality. The script was tight and punchy, the acting was mostly good (though I must say Daisy Cooper already lacked range).

Ep. 2 was not as good but I still had hopes. By Ep. 3 it was quite clear the writers first came up with the characters, and that the story was an afterthought. I've just watched Ep. 4 and it's only getting worse: or rather, getting nowhere. Bogged down with unnecessary sidekicks, the main characters fail to acquire complexity and are merely pushed further and further in the direction established in the pilot. Their relation is also rather flat and dialogues lack finesse. It's all around disappointing.

The series was marketed as a 'punk-rock romance' and I think it's quite an apposite description. There are two 'punk rock' areas in London: Camden and Hoxton. The first is full of has been tourists and a few crusties, the second is full of bankers and art school hipsters. Rain Dogs is 'punk rock' the Hoxton way: it's filled with intriguing and colourful character, but ultimately it's all navel-gazing passing itself as rebellion.

It's like a jigsaw puzzle where all the emotional pieces don't go together yet somehow fit. Thus the overall picture has uneven, rough edges and a lack of symmetry.

Jack Farthing plays a brilliant but vile version of Hugh Grant complimented by Daisy May hiding her First in English Lit under her pebbledash exterior. Although at times it may seem to be writhing in the dysfunctional and lacking emotional empathy, it is real as a bag of mouldy potatoes. Drugs, gambling, cheating, lying, and glorious food banks are the norm, not romance, candlelit dinners or happy endings.

Take Ade Edmondson as the Lenny the perv. He epitomises disgusting and most would avoid writing his character like the bubonic. No hankies needed, just all be prepared like a good Boy Scout to be shocked.

Not nice but true.