How I Live Now

How I Live Now is an interesting look at what happens to a group of young people who are left to fend for themselves once World War 3 breaks out. The main character is a self obsessed girl visiting from America, who has to grow up in a hurry once her and her cousins are rounded up and separated by the army. The cousins all vow to make their way back to their house no matter where they are taken. This story is fairly well made, with equal time spent developing characters and allowing the story to unfold. The acting is good for the most part, with Saoirse Ronan doing a terrific job in the main role. Although it sometimes seems a little too unbelievable in parts, overall this post apocalyptic film strives for a smaller more intimate portrayal of the aftermath, and does a decent job accomplishing just that. 3 Beards Out Of 5

Didn't know quite what to expect from this but was quickly captivated by this film. Saoirse Ronan gives a superb performance and really holds the film together. Initially its a fish out of water story about Saoirse Ronan's character, a difficult but intriguing American teen landing into an eccentric English rural family who live on a remote farm. She quickly starts to fall for her handsome cousin but then world events intervene as a nuclear device is detonated in London and the film shows them dealing with the new reality of soldiers at the door, mass evacuation and the family being split up. The depiction of what UK would be like under martial law, with guerrilla attacks, forced labor camps and a society breaking down was both chilling and fascinating. Ultimately, it becomes a survival story as Saoirse Ronan's character tries to get back to the farm and she has to make her way through the nightmarish landscape of an England descending into chaos. With a great soundtrack and many poignant moments, this is a well crafted film on all fronts. Recommended.

This was a beautiful and artistic movie. I loved all the scenes especially at the beginning. The country house, the animals, the kids everything in perfect balance. Even a Series IIA Land Rover, what more could you ask for. I was hoping to see a friendly badger, but I guess they read the tea leaves correctly. This movie reminded me a little bit of the "Lord of the Flies" a movie made during a time of political insanity where nuclear war hung over everyone's head. They say that artists see things long before anyone does, so hopefully this movie is a warning of a potential future outcome which does not have to happen. The acting was superb, Piper was so brave. Imagine if you could have your first love!

Hence "How I live NOW". I was hesitant to rent this due to some poor ratings but glad I saw it. This is not a big budget movie, but I found that there was enough action to keep me interested and enough military "gear" to make the visuals plausible. Some have written about technicalities of the war and inconsistencies thereof, but I think that misses the point. The main character's perspective is dramatically changed by her experiences and she matures dramatically throughout the film. Some have also bagged on the romance, but first love is overwhelming and single focused. It is a simple straightforward film that didn't get too cute. Don't overthink it and you will enjoy it. The feel of the country house makes me want to move to Wales, although I am sure it is only that nice in weather for two weeks a year.

HOW I LIVE NOW is a poignant, disturbing, enthralling, and horrific film. Wonderful soundtrack and natural imagery that contrasts beautifully with the ugly and treacherous human world. Allegorical qualities: We don't know many of the specifics of who the terrorists are, the backgrounds of many characters, their full names, exact locations in Britain, etc. In those and many other respects, HILN is more for the heart than the head.

Good performance by Saoirse Ronan as Daisy, a brash, cantankerous, and troubled American teenager who is sent to live with some distant relatives in the English countryside. Ditto for the others who play the various teenagers and children. However, the relationship between Daisy and Eddie develops a bit suddenly and unconvincingly; with everything else that is happening here, the character development suffers. I have not yet read Meg Rosoff's original novel, but I would guess that it is yet another book that can never be done justice on screen. Nevertheless, I found this film well worth watching, and it should prove especially useful as a basic illuminator for the book.