Lucky Them

Lucky Them was filmed in and around Seattle, and is lacking the obligatory shots of the Space Needle, Pike Place Market and ferries crossing the sound. Usually those scenes are meant to make a film look like it's in Seattle, but really being filmed in Vancouver and I find that annoying.

Toni Collette plays Ellie, a music critic for the print magazine Stax. Her job keeps her out late at night visiting Seattle's music clubs, drinking too much and often leaving with a cute young musician. At one time she was in a long term relationship with alt-rock star Matthew Smith, who went missing 10 years ago and is presumed to have ended his life by jumping at Snoqualmie Falls. Many of his fans believe he is still alive and keep a website listing sightings.

Oliver Platt plays Giles, the editor in chief at Stax. He has the brilliant idea of a 10 year anniversary of the disappearance of Matthew Smith as a big feature story in Stax and gives the assignment to Ellie, who is not so keen on digging up old personal history. Giles makes it clear that her job is on the line if she doesn't produce.

Ellie is out covering the music scene one night when she runs into an old acquaintance Charlie, played by Thomas Haden Church. Charlie is a dot.com millionaire, with plenty of money and time. Recently he has been taking documentary film making classes at a local community college. He agrees to help her in the search for Matthew Smith if he can make a documentary film of her in the process. And so the fun begins! Everyone should have their own Thomas Haden Church sidekick!

The story is intriguing enough without being overly complicated to keep me interested in the outcome.Is Matthew Smith still alive? Will they find him? All I will say is the ending is brilliant and perfect!

A certain person even harder (to find). I had no idea who the actor would be portraying him (though apparently he is on the cover of the disc), therefor was positively surprised to see him at one moment during the movie. You also get a very mature love story, even if you have a very clichéd character following a woman and trying to help her (for very obvious reasons).

I reckon some people might have issues with the female lead character and her freedom to choose how to love (when, where and how often too). But this is not about bashing her or belittling her, it's about a journey and you shouldn't even think about that. It's a very personal story and very well made on too, that happens to star a woman. Very well played, with quite a few "real" moments thrown in there. Romantic? Depending on your view. Sometimes comedic too, but more a drama

Better than I thought it would be. But then, I've never seen anything that features Toni Collette that I didn't enjoy. There's a very, very small handful of screen actors that can breathe real life into any character and she is among them.

Set in Seattle and actually filmed in Seattle rather than Vancouver, B.C. (how refreshing is that?), it's the story of a rock journalist who sleeps with every musician she covers, while still pining for the one she met and fell in love with in high school who mysteriously disappeared (or killed himself?) at the height of his success 10 years earlier, leaving her bereft and crushed.

When she screws up again on her latest piece, her editor assigns her a "this is your last chance or I'm going to have to let you go" story, which is to be about tracking down what happened to the mysterious, missing legendary rocker, her former lover.

As she reluctantly begins the quest she bumps into a man she very briefly "dated" previously (Haden Church), a tech bazillionaire who now aspires to be a documentary film maker. Through a mishap they become unlikely partners in her search, with him filming the progress.

The story is about their journey into the past and her finally letting go of the relationship that's still messing up her life 10 years on.

This movie is for those people who love independent films that drench the viewer in character emotion and situational drama. You feel this is an indie film from the early beginning..why ? because it focuses on humanity and all of that which is the situational character (of the characters if you need more t understand that point).

..Hollywood simply doesn't do these lovely things because tweenies buy movie tickets.. henceHollywood does BOOMS and POWS and boobs..with little to no plot..it often makes me ill how terrible Hollywood has become..Hollywood forgot that this is an Artform to tell stories.

Megan Griffiths, I had never heard her name before, but I will certainly be looking out for her name in years to come and will be looking to view her older films. I am an indie film lover, because in 2015, you have to watch indie films to get characters and story and plot that wasn't drawn by Stan Lee. ..and that is what Megan has done very well in this, brought great actors in niche roles that highlight and buff this dramatic off-ended comedy into a pearl. If anyone says this is a bad film, they're clearly a knucklehead.

Toni's character pulls you in with her "struggling to survive and find her ground" selfishness that is her defensive line to her rough edged existence of unknowingly battling with her own demons, all while you see her soft spots rise to the surface for her to recognize and then behold in dramatic effort to eventually make her whole once again.

As I said before; each actor, niche like, made this come to life. - Like a good book on a rainy day. Megan Griffiths, Thank You. To the cast & crew as well; thank you all. ;)

Lucky me because I found this great little gem entitled, Lucky Them. Toni Collette, plays a darker, humorous role of rocker mag. writer, Elle. She's not losing her edge as much as losing her eagerness to do anything meaningful, anymore. Along comes a story, that is, in part, her story. And, she must choose to visit a painful past relationship. For the trip she brings along a straight up, funny, straight man, Charlie, played by Thomas Haden Church. He is also searching for something gone missing in his life. Add to that a cast of minor characters that steal the show in nearly every scene. But, Toni holds the key to this movie and she never, ever disappoints.