Lucky Them

A certain person even harder (to find). I had no idea who the actor would be portraying him (though apparently he is on the cover of the disc), therefor was positively surprised to see him at one moment during the movie. You also get a very mature love story, even if you have a very clichéd character following a woman and trying to help her (for very obvious reasons).

I reckon some people might have issues with the female lead character and her freedom to choose how to love (when, where and how often too). But this is not about bashing her or belittling her, it's about a journey and you shouldn't even think about that. It's a very personal story and very well made on too, that happens to star a woman. Very well played, with quite a few "real" moments thrown in there. Romantic? Depending on your view. Sometimes comedic too, but more a drama

This is a very underrated movie.

The story is simple - an aging music critic (Toni C) is forced to write about a famous one-album wonder whom she dated just before he disappeared, twenty years ago. She is goes to bed with a lot of men and if she were a male we would probably just accept that as part of her lifestyle but of course many reviewers have labeled her promiscuous. Are men promiscuous?

Along the way, she meets and falls in love with a young singer on his way up and has an aging, wealthy hipster fall in love with her.

This is a story about love - what happens to us when we cannot get over a past love and what happens when we fall in love with the 'wrong' people.

It is an adult romance story - funny but never cynical.

You may recognize yourself along the way - certainly you will recognize the feelings and memories and longings.

This movie is for those people who love independent films that drench the viewer in character emotion and situational drama. You feel this is an indie film from the early beginning..why ? because it focuses on humanity and all of that which is the situational character (of the characters if you need more t understand that point).

..Hollywood simply doesn't do these lovely things because tweenies buy movie tickets.. henceHollywood does BOOMS and POWS and boobs..with little to no plot..it often makes me ill how terrible Hollywood has become..Hollywood forgot that this is an Artform to tell stories.

Megan Griffiths, I had never heard her name before, but I will certainly be looking out for her name in years to come and will be looking to view her older films. I am an indie film lover, because in 2015, you have to watch indie films to get characters and story and plot that wasn't drawn by Stan Lee. ..and that is what Megan has done very well in this, brought great actors in niche roles that highlight and buff this dramatic off-ended comedy into a pearl. If anyone says this is a bad film, they're clearly a knucklehead.

Toni's character pulls you in with her "struggling to survive and find her ground" selfishness that is her defensive line to her rough edged existence of unknowingly battling with her own demons, all while you see her soft spots rise to the surface for her to recognize and then behold in dramatic effort to eventually make her whole once again.

As I said before; each actor, niche like, made this come to life. - Like a good book on a rainy day. Megan Griffiths, Thank You. To the cast & crew as well; thank you all. ;)

Now and again, with patience, a little gem comes across the video on demand that somehow didn't make it in the theaters. This film was made in 2013 and seems to be headed for a re- release. Don't wait. See it now on video on demand courtesy of Amazon. It is a treat. Caroline Sherman has the original idea for the story and it was adapted foe the screen by Huck Botko and Emily Wachtel. Megan Griffiths directs with élan.

Ellie Klug (the very fine Toni Collette) is a music critic for a failing rock magazine, SLAX' in Seattle headed by the pot-smoking Giles (Oliver Platt) in Seattle. She tends to write articles about not so talented music stars, such as street singer Lucas Stone (Ryan Eggold who is proving he can be more than a warped spy on TV's The Blacklist). They have casual sex but the rock around Ellie neck is an article she is forced to write about a famous rock star Matthew Smith who ha been missing since an apparent car wreck some years back, and who Ellie was in love with back in his heyday. She ultimately agrees to do a story (more like investigative journalism) mush at the insistence of her best friend, bar tender Dana (Nina Arianda). Lacking money to make a trip to Matthew Smith country, she borrows form Giles, is ripped off by Lucas, borrows from a very strange wealthy Charlie (Thomas Hayden Church) who wants to make a documentary on Ellie looking for Matthew Smith. How that all ends up is a study of the human psyches as attached to loves of the past and longings of the present but to tell more would be a spoiler. It should be added that Johnny Depp makes a very brief but central appearance….

The cast is exemplary, especially Toni Collette who at last has a role that allows her to show just what a fine comedienne as well as serious actress she is. Tune in to the video on demand offer Amazon presents – no telling when they'll release a DVD of this treasureable film. Highly recommended.

Better than I thought it would be. But then, I've never seen anything that features Toni Collette that I didn't enjoy. There's a very, very small handful of screen actors that can breathe real life into any character and she is among them.

Set in Seattle and actually filmed in Seattle rather than Vancouver, B.C. (how refreshing is that?), it's the story of a rock journalist who sleeps with every musician she covers, while still pining for the one she met and fell in love with in high school who mysteriously disappeared (or killed himself?) at the height of his success 10 years earlier, leaving her bereft and crushed.

When she screws up again on her latest piece, her editor assigns her a "this is your last chance or I'm going to have to let you go" story, which is to be about tracking down what happened to the mysterious, missing legendary rocker, her former lover.

As she reluctantly begins the quest she bumps into a man she very briefly "dated" previously (Haden Church), a tech bazillionaire who now aspires to be a documentary film maker. Through a mishap they become unlikely partners in her search, with him filming the progress.

The story is about their journey into the past and her finally letting go of the relationship that's still messing up her life 10 years on.