Liberal Arts

These days it is very rare to find a well rounded film with a good moral. While Josh Radnor is know for his raunchy sitcom "How I Met Your Mother," he has many hidden talents that the show does not utilize. As a writer, director, and actor he is superb, and he brings a refreshing change of pace to not only the drama industry, but the film industry in general. From the opening sequence to the credits the film is thoroughly entertaining, and intelligent. Elizabeth Olsen was enthusiastic and energetic, just as Zibby should have been portrayed. Zac Efron was surprisingly humorous, and his slightly off-key character adds a certain lightness to such a dramatic film. Every cast member was perfectly cast, the script is humor, entertaining, and charming. The most astonishing aspect of the film was the use of a classical soundtrack, a general push toward fine arts, great classic literature references, and the idea presented that love and music join us all together. No matter what your particular tastes in film in I urge you to take the time and watch 'Liberal Arts,' you will not be sorry.

I am going to start out by saying that I loved this film. I think that Josh Radnor did an excellent job writing, directing and starring in this film. The film conveyed that no matter how old you get, you still have more growing to do. The film also demonstrated the hustle and bustle of city life and the calm, serene climate of the country. It also took me back to my years in college and how intense that part of your life really is and the influence that it has on you. There is always one or two instructors that makes an impression on you in college and for Jesse (Josh Radnor) it was Professor Judith Fairfield (Allison Janney) and Professor Peter Hoberg (Richard Jenkins). Judith was feisty and deliberate and had a no-holds-barred kind of attitude, while Peter was struggling with his decision-making skills. (By the way, my favorite professor was Dr. Spradley who taught me all about technical writing). The relationship that develops between Zibby (Elizabeth Olsen) and Jesse is educational in the fact that they both have something to learn from the other. I think that the lessons that they learned maybe even educated the audience a little (I know that is how I felt). The relationship between Jesse and Dean (John Magaro) was a heart-tugging event. Dean kind of reminded me of Will in Good Will Hunting. There are people in this world that are naturally talented in certain things and that is the one thing that they want to do the least. The only character that seemed to have everything pretty much figured out was Nat (Zac Efron). Out of all the characters in this film, I liked him the most. He was quirky, funny and surprisingly insightful. I remember thinking that as strange as he was; I could see myself hanging out with him. Every time he would appear on screen you just knew that he was going to put a smile on your face. I still have a couple of films to see during this film festival, but I have to say that so far this one is my favorite. I hope that when this film comes out to the general public that it does really well. Josh should be very proud of himself for putting together such an engaging piece of work. Pure entertainment! I am giving this film and A+ and a glaring green light.

First of all, I have to say, Josh plays himself. At least it is the same Josh that is in "How I met your Mother" and his other great effort Happythankyoumoreplease. Normally that would be a criticism,but he is so likable and so watchable you don't care. Sort of like James Stewart. Also, I guessed that he wrote it himself as the dialogue and the emotions (or lack of) were very realistic. The only thing that wasn't believable about Elizabeth was her age as they probably should have made her character a little older. Otherwise, she was outstanding and her personality was seductive giving credibility to his infatuation with her. Richard Jenkins was great as usual and Zac offered some oddball humor. I loved the movie and all the characters which is a nice change with some of the depressing movies out there.

Oh, and watch the deleted scenes. I'm not going to argue for their inclusion but they are enjoyable.

I am not the type of guy who would watch this movie. In fact, I don't even really know why I did. It was just a tough day and I didn't want to watch a movie that was in the triple digit minutes, so I went with this one. Usually I watch action movies, or political dramas. I don't like to read books or romantic movies, even less I like Arts, hence there is nothing that would make me appreciate it, I thought. But I was wrong. This movie is surprisingly great. I caught myself laughing and thinking about life. It was just a beautiful piece of art. A piece of art even I appreciate. On top I never write reviews, but this was just extraordinary.

The hyphenate that is this Josh Radnor guy presents a somewhat thin but ultimately rewarding film with LIBERAL ARTS. The story is a charming one—jaded New Yorker makes an excursion back to his alma mater in Ohio and meets a much younger and gorgeous kindred spirit who forces him to self-reflect. But unfortunately, it's also a story that provides enough material for an 80 minute film which Radnor stretches out to around 97 minutes. Thus, some of the film drags a bit. Luckily, Radnor casts actors with incredible talent who breathe life into the film when it begins to deflate.

Elizabeth Olsen, specifically, is an ace. In a character reversal from her breakthrough in MARTHA MARCY MAY MARLENE, she is beautiful and funny, effortlessly natural. The scenes featuring her make the film. Watching her this early in her career and contemplating just how much potential she has and what she'll be able to do with it is exciting for any movie lover. Richard Jenkins is wonderful as always, as is Allison Janney. Even Zac Efron, making a humorous cameo appearance, helps liven things up a bit. The bond shared between Radnor's character and a depressed, anti-social undergrad, played by John Magaro, is particularly sincere.

The film seems to be a meditative-lite work. It's brooding and thoughtful, but it's not something that will permeate your thoughts or stick with you days after watching. But it isn't supposed to be. (At least I don't think so.) The film is probably significantly more appealing to a select group of people—mainly those with a "liberal arts" background, or those able to register all of the literary references—but that is not to say the film is only for some. The pleasant romantic-comedy-ish-drama story and the aforementioned acting is enough to create a film anyone can enjoy if they try. If the viewer tries to get past the somewhat pretentious collegiate talk, tries to hold on for the somewhat slow moments, tries to watch the film as a light and entertaining piece to pass 90-something minutes, it's highly recommended. Seek it out.