Blade Runner 2049

To chase after an iconic masterpiece, to imitate or to try and supplant its rightful place, is a fool's errand.

Thankfully director Denis Villeneuve along with his talented collaborators never succumbs to imitating or trying to super-cede Ridley Scott's 1982 landmark "Blade Runner".

Hampton Fancher, who created the story of the original, has crafted a new screenplay with Michael Green, that not only builds on the themes of "Blade Runner", but ties them together with larger questions about the current human state and its challenges.

Ryan Gosling stars as a replicant of the latest generation, who tries to solve a puzzle that leads him into the realm of real and manufactured life, and walks along the same noirish paths that made the original so gripping. Gosling imbues his character with a very compelling façade, which starts to crumble as his humanity takes over his mechanical design.

The equally thrilling performances by Jared Leto, Ana De Armas, Robin Wright, Carla Juri and of course Mr. Harrison Ford, forge a credible bond with the audience and enhance the visual grandeur created by cinematographer Roger Deakins and production designer Dennis Gassner.

And although "Blade Runner 2049" may not achieve the same level of force as its predecessor, it is a tremendously immersive, philosophical and touching experience, that should be enjoyed on the largest screen possible.

The movie's pace is deliberately patient, which may confuse some members of the audience. But by slowing down and observing, the audience can revel in the immensity of the images.

The more we move, inexorably it seems, towards the do-or-die reality of "Blade Runner", the more vital these stories become.

Whatever the box-office-fate of "Blade Runner 2049" will be, the long wait has paid off. It is far more than just a quick cash-in on a cult classic or an overly devoted sequel. It stands on its own and adds many new layers to the question: "What makes us human?"

And it urges us on to find the truth in the rain.

It's very rare when a modern sequel/reboot is equal to the original in terms of quality, but this movie is that rare one. It carries over the sweeping and hypnotizing cinematography, it continues the storyline in a natural way, it references the original, but doesn't rip it off, it introduces new concepts without ruining the continuity, it expands on the themes presented in the original in a very natural way, it doesn't drag nearly as much as said original and it's got a more compelling protagonist. I have a feeling I'll just enjoy this movie more and more as time goes by, and I already love it a lot. It's a movie with a lot to unpack, and I have no doubt it will improve even more on rewatches.

With great acting, great screenplay, incredible cinematography Blade Runner 2049 is one of the best sequels ever made!

The user reviews seems to be over-run by a troll. Lots of repetitive 2 and 3 stars reviews that all read like they're written by the same person.

It's a relief they still make movies like this; movies for adults. Yes it's a sequel, but it's quality and it stands on its own. This is real sci-fi, made with a proper budget and brought to life by artists. It's serious and paced so that you have time to think. If you're a fan of the genre and can appreciate some ambiguity and a little space for questions to breathe then I think you will appreciate this film. But if you can't remember the last time you read a book then maybe you will find this movie long and boring.

The cast, acting, and plot are all quite good with only a few misses. The soundtrack doesn't blow me away but it's suitable. The visuals are incredible though and where this movie really shines; I can't think of a single moment in the film where I felt like the vision was held back by the technology available. And the scene at K's apartment with Joi (you will know it when you see it) pushed the envelope of what I thought was possible to do in a film. This one is a real stunner visually. Like the original, I expect Blade Runner 2049 to hold up extremely well over time.

It's 2049 Los Angeles. K (Ryan Gosling) is a Blade Runner hunting for old Nexus 8 replicants under LAPD Lieutenant Joshi (Robin Wright). After the 2022 blackout, most records have been erased or corrupted. Tyrell is out of business and replicant production had been outlawed until Niander Wallace (Jared Leto). Wallace is producing a new obedient replicant. Luv (Sylvia Hoeks) is his replicant henchwoman. K hunts down an old Nexus 8 and in the process, he discovers a surprise which leads to Deckard (Harrison Ford). Joi (Ana de Armas) is K's holographic computer girlfriend. Mariette (Mackenzie Davis) is a prostitute.

This is pure cinema although I can see some object to the length and dark depressing sensibilities. For the most part, the action is not intended to be fun. Some people will feel the long running time more than others. An easy test is whether the person likes the original or any cyberpunk sci-fi anime. This takes the original's visual mastery and adds a more compelling detective mystery. Any BR fan will undoubtedly love this unless they are some nitpicking fanatic. Non-fans may find this more appealing... or not.

The original's detective story and pacing are its major flaws. This sequel has a real detective story with a real mystery. The writing is impeccable. The designs take the original vision and dives right in. Roger Deakins' work is beyond beautiful. Villeneuve is at the top of his game. Gosling is a more effective lead. Ford comes in during the second half and is a more fun Deckard. Ana de Armas is a gorgeous vision of girl perfection. Sylvia Hoeks is an amazing villain. The movie tackles all of the ideas without hitting one over the head. This is a great film although I'm not sure if popular modern audience will take to it. The opening box office certainly does not suggest that.