एक बच्चे के रूप में यौन शोषण का शिकार होने के बाद, वीरा सेक्स के प्रति जुनूनी हो जाती है और आनंद के लिए मारती है.एक बच्चे के रूप में यौन शोषण का शिकार होने के बाद, वीरा सेक्स के प्रति जुनूनी हो जाती है और आनंद के लिए मारती है.एक बच्चे के रूप में यौन शोषण का शिकार होने के बाद, वीरा सेक्स के प्रति जुनूनी हो जाती है और आनंद के लिए मारती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 कुल नामांकन
फ़ीचर्ड समीक्षाएं
If you are fond of watching Psychopath thrillers like 'Psycho' or 'Kiss the Girls' or 'Silence Of the Lambs', then you can watch them all in just 2 hrs here in this 'Nadunisi'!!!..There is nothing new can be seen other than what had been seen from these blockbusters.
Movie starts with a self narration and ends with a psychiatrist's advice and an obligation to the society.
We have to really appreciate the lead actor 'Veera' for his wonderful acting..but sometimes his overacting sequences make the people to yawn and laugh!! And of course the courageous step to make a movie without any background music score - is highly appreciated!.
In a few words - the movie is full of plain old 'MPD' craps with usual Kidnap-Kill scenes and there is no other new adventure to talk about!!
Movie starts with a self narration and ends with a psychiatrist's advice and an obligation to the society.
We have to really appreciate the lead actor 'Veera' for his wonderful acting..but sometimes his overacting sequences make the people to yawn and laugh!! And of course the courageous step to make a movie without any background music score - is highly appreciated!.
In a few words - the movie is full of plain old 'MPD' craps with usual Kidnap-Kill scenes and there is no other new adventure to talk about!!
Its a rip off from Psycho and Primal Fear tweaked here and there to portray as "shudder" original stuff. The film is well executed of course as he is a film maker who knows how to do the the execution with the correct dose of style and emotion. But the abject copying of such high profile films shows the maker in poor light. This is not the first film he has done that is a copy of major Hollywood films as well. Really what is the big deal in taking a great story, tweaking it to suit the local audiences and presenting it to the unaware? The big deal is to make money. With a new cast, old story and a previous hit, this movie is tailor made to fill the coffers.
Can a thriller be made without background music and abrupt sounds. Yes it can be and with success, that's what Nadunisi Naaygal proves above all. Goodbye to songs, dances, overused themes, needless characters and Indian movie Cliché. Newcomer Veera, as a person with split personality disorder shines in enacting a suave man and doubling up as a savage serial killer. Dialogues are measured and helps in reflecting the brutality of a serial killer. Samar's dialog's accentuate his complete detachment from reality and social life. When the police inspector kills the dog Samar sets on him, Samar questions him "Are you so inhumane to kill a dog?".
With no help from adrenalin pumping audio, Manoj Paramahamsa's camera and Anthony's editing are the sole elements apart from the storyline to raise the viewer's anxiety. All these elements make the viewer's hearts race continuously for 90 minutes. Director Gautham Menon has also thrown light on two unexplored themes in Indian cinema. The child sexual abuse the life of the criminally insane. Nadunisi Naaygal, not for the faint hearted, but yes for the people, who want to witness Gautham Menon breaking a whole new ground in Indian cinema.
With no help from adrenalin pumping audio, Manoj Paramahamsa's camera and Anthony's editing are the sole elements apart from the storyline to raise the viewer's anxiety. All these elements make the viewer's hearts race continuously for 90 minutes. Director Gautham Menon has also thrown light on two unexplored themes in Indian cinema. The child sexual abuse the life of the criminally insane. Nadunisi Naaygal, not for the faint hearted, but yes for the people, who want to witness Gautham Menon breaking a whole new ground in Indian cinema.
Its a daring attempt by GVM and it is well scripted thriller. It may be an inspiration or something else but this is fresh and its all the audience want. Don't know why many criticize this movie. Veera is amazing; backbone of the movie. Rest of them did complete justice to their role. If you don't like the genre, don't criticize the movie for it! as simple as that!! People need to have a broad mind in order to see this movie. If you appreciate Sigappu Rojaakal, then this movie is for you.
Dark cinematography scores well for the movie.
Note: Just wanna share the moments Tamizh audience missed. The epic one being Anbe Sivam.
Dark cinematography scores well for the movie.
Note: Just wanna share the moments Tamizh audience missed. The epic one being Anbe Sivam.
I was quite surprised to hear a number of negative reviews when the movie came out but I wanted to see for myself and decide. It proved a good decision as the movie delivered. It achieved exactly what it wanted to achieve. Gautham Menon has proved time and time again that he is a great story teller and an crisp screenplay writer. Child abuse is a tough subject to handle especially in Kollywood and he had handled it with great aplomb. The lead Veera comes out of this movie with huge credit. He has handled it so well and not to mention the bold career choice for his breakthrough movie. Manoj Paramahamsa deserves special credit for his cinematography and excellent many close ups . This movie turns in to a thriller after first half and keeps the audience at the edge of their seats. Everybody should pay full price to watch this movie. Kudos to Menon and the producers for their support to bring a controversial subject to Kollywood. It is kind of an awareness movie too and it delivers on all cylinders.
क्या आपको पता है
- कनेक्शनFeatured in Vinnaithaandi Varuvaayaa (2010)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 2 घं(120 min)
- रंग
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