Gandu

The director, actors and crew all think their making a life changing masterpiece. Far from it, just something that has been done over and over again by others, but they did it better.

Yea yea, purposeless life, meaningless existence, emptiness engulfing him. Life for this guy - Gandu sucks real bad. But the movie does not need to suffer from emptiness also. period.

The movie has a weird sorta nihilism all the way. A movie like Salo by Pasolini with probably the same intentions as Q's Gandu turned out so much better than this.

Sex used to add shock value, weird characters, Irritating lyrics, dirty bleak world of Gandu, close and jerky camera shots, no story, whore mommy with no explanation of her intentions, weird Bruce lee sorta friend/ rickshaw puller- makes for a good headache in the end.

I could never imagine for the life of me how a pornographic movie like this could ever be made and shown in India and above all conservative Bengal. I mean the Mamata Banerjee and her cronies will of course blame it on the previous government but why did they not ban it when they came to power. The story is OK but the language and sexual depiction is least to say deplorable.

This movie is obviously meant for the pseudo intellects and those in the lower stratus of society who have a life similar to Gandu portrays in the film. There is no message or a moral where in the end one should either say no to drugs or denounce it completely. What it does do on the contrary is to glorify it.

By all this Im not saying that the story line was bad or the characters didn't do their part well. They did. The music was great and Im impressed with the band that played the songs but the lyrics are worse than you hear on underground tapes made by Snoop Doggy Dog and other like him. The sound was bad and the background noise makes you think that its a home movie shot on a 8 MM camera of the old era.

Someone commented about the the flat that Gandu and his mother lived in grand but was sparsely furnished. This was because the flat was provided by Gandu's mother's lover.

In conclusion I would like to ask that though I have left Bengal 15 years ago has the mind of the people changed so much that you now show porn movies in cinema halls? This is probably the boldest Indian movie I have seen in my 66 years.

'Gandu', Director Q's bold and artistic dive into the world of Surrealism, is quite an interesting experimental film. Q describes his film as a 'rap musical' which, in a way, is an agreeable term to describe it. The background score by the alternative rock band 'Five Little Indians' goes quite well with the tone of the movie.

The movie revolves around a not-so-bright jobless adolescent named Gandu (meaning Moron). He has his simple life with dreams and fantasies, getting by on the money he steals from the guy screwing his mom. He befriends a rickshaw-walla named Ricksha (ironically), and both spend most of their time in a heroin-induced haze, filled with adventures, porn, and sex. Gandu gets music deals, wins lottery ticket, has a grand deflowering by an exotic prostitute, gets invited by a Rap foundation, every single thing just blurring the line between reality and fantasy. But most of the incidents have to do with Gandu re-establishing his masculinity, which he had lost over time due to the ill-treatment by the people around, especially his ever-complaining mother.

The decision to show the film in crisp black-and-white was commendable; it depicts the bleak, monotonous and mundane existence of the central character. Colours are visible only for a single scene where the main protagonist Gandu is having sex for the first time, which perhaps is the highlight of his life. The masturbation scene and the oral sex scene are shot quite artistically, and fit with the tone of the movie; there's nothing pornographic about them. The editing and music add to the beauty of the sex scene.

The acting by Anubrata Basu as Gandu is brilliant; he portrays the varies hues and shades of the character with proper tact. His depression, his pain, his dreams, his hopes... by the end of the movie, a proper sketch of the character is etched in your mind. Joyraj Bhattacharya is good as the rickshaw-walla friend. And Rituparna Sen (Rii) is praiseworthy for her boldness in the sex scene. She plays three different characters in the movie, all quite varied and unrecognizable from each other.

People who are tired of linear and predictable storytelling should surely check this out.

Q wanted to be noticed with his first independent venture and this film accomplishes it, especially the nothing-but-shock-value sex.

Q has an uncanny ear for local dialogue and some of the exchanges are wry, ironic and sometimes hilarious. He's sketch of the flirty cybercafe Bengali girl is possibly one of the truest sketches I have seen. Also the street talk of lowlifes is bang on.

But then - what? Where does this all lead to? Gandu builds up great expectations, then does not deliver. I felt as frustrated as the main character - empty and wasted.

As is typical of many those who are attracted to film via the superficials - pithy dialogue or "the look" or sensationalism, that only works on the underlying framework of a solidly good story. You cannot erect a memorable film without a solid foundation of plot, character arc or a satisfying ending.

I feel sad that this potentially great talent will only swim on the surface and end up being forgotten unless he goes deeper to see what makes good stories work.

Bengali cinema desperately needs a new voice, a new testament and my fear is that unless Q respects STORY and CHARACTER DEVELOPMENT, it will be all downhill for him from here.

Why is that the ancient spiritual Indian culture only produces talent incapable of true introspection? Who destroyed our image of ourselves? Why must everything we do be a copy of a copy of a copy?