19-2

This is an extraordinary series,to say the least...it never stalls,stumbles,or runs dry....far from running out of material,it is as if the writers had to deal with having TOO MUCH material to fit in each episode....no sooner was one story told than it led to the next story with barely enough time for so much as a beat....all of the characters are complete,multi-dimensional human beings-capable of misunderstanding-and being misunderstood-and vice-versa......I could go on and on about :The Entire Cast,The Writing; The Imagery; The Direction,The Editing,The Cinematography,The Wardrobe-Makeup-Special Effects,The Music,etc.,etc.,etc.... I will just say that,in my opinion,this work is the sum of one million little things done with perfection-a masterpiece.....I cannot speak French,and I say to others who do not speak French: these actors are fluent in Body Language,and they convey the meaning of the scenes by speaking this Universal Language. Their words ( in my case,the English Subtitles) are merely icing on the cake; and simply add meaning to a meaning already conveyed.....I have tried to express my feelings about this series,but I implore anyone who reads this to view this series; and let this Work of Art speak for itself.

Unlike many I don't mind reading subtitles when the colloquialisms substitute for the French language as it evolved in Québec. This is a riveting and addictive series. The portrayal of the relationship between Berrof and his mother paints a classic picture of a dysfunctional middle class family of the region and one that seems to be repeated in old French-Canadian families right along the fur-trade route from Québec through Detroit and Sault St. Marie is much more common than one might suppose in kind if not in degree. The promiscuity between couples and open relationships is also more commonly visible in Montréal than elsewhere in Canada. The behaviour of the police in solving internal problems like the wife-abuser or the dealing with cops personal problems, alcoholism, and the tendency to sweep misdemeanors under the carpet is accurate. I am disappointed to have learned that it is being remade in English with a different cast. The language is one I am familiar with having spent some of my formative years in the city. Some of the local jargon I picked up during the show was quite funny and a lot of that nuance may be lost in translation in the "anglais" version, but I will try to keep an open mind. If it gets (typically) "sanitized" in order to appeal to the English Canadian audience, it will be a totally different series, and I may prefer to go on watching the Québec version if it was available.

I'm usually more of a fan of anti-heroes. I would watch breaking bad and Dexter over CSI and Bones any day. This show about Montreal's police really does something for me though. Frankly, I think I usually avoid police shows because to me, the characters in them are either cliché or stagnant. In 19-2, rest assured you'll see no righteous, confident hero nor eccentric genius who infuriates-everyone-but-is-tolerated-because-he-is-always-right (mentalist, Monk, House...). The characters will all make you hate them a little at some point, while still having you rooting for them. They evolve, as do their relationship in a natural, believable way. New plot lines are thrown in at the right pace: no time for being bored, but enough to make it coherent and fluid. The dialogues are right on the spot - absolutely natural, powerful or funny when needs to be. Although, this is probably one of those shows people from France might need subtitles to understand. Finally, they know exactly when to go slow mo', when to mute or delay the scene to make it efficient. If you know French, 19-2 is really worth your time.

The only reason this series is not far better known is that it is a Canadian production and the setting is Canadian - Montreal from 2011 to 2015- instead of American. But if you want three dimensional characters instead of cardboard heroes and villains, realism about the tragic and sad lives of those who encounter the police, story lines that make every episode memorable, and first rate acting all around, then this is the police drama you want to watch. No one is written off in this drama- even those officers who commit despicable acts- their actions are not sugar coated but you feel you have a deeper understanding of why they did what they did. The interplay between the two central characters is never dull- never cliched. I have watched both the French and the English versions of this show- While I was enthralled by both , I found the French version grittier, deeper, and ultimately more satisfying. And I say this as an anglophone.

Definitely one of the most gut-wrenching cop series out there. Every character is flawed, yet likable. The situations are almost always tense and the stress of being a police officer is very well expressed.

There was a one-year hiatus between season one and season two, due to a change in producers, but the quality of the series has not faltered one bit. The second season first episode (no spoilers here) will go down in history as being one the most frightening and shocking out there.

You can't help but like and relate to the lead characters, Benoît Chartier, played by Claude Legault, and Nick Beroff, played by Réal Bossé. Those of us familiar with Bossé have never seen him in such a dramatic role. One wonders where he channels all that angst from.

If you are fluent in French and looking for something that would be world famous if HBO produced it, look no further, 19-2 is it.