Divergent

As a stand alone movie, Divergent was great. The cinematography was decent, but the storyline alone was marvelous. The action keeps you on the edge of your seat. The romance was well... romantic. It may have been a little too sappy and forced to me, but still cute. All in all, the movie was a perfect blend of comedy, mystery, action, drama, and romance. Thus, a new fan base was created.The only problems with this movie were the acting was a bit shaky at some points and it diverged from the books a lot too (see what I did there). The characters were well developed in the movie as well as the book, but some details about the characters were left out from the movie that were in the book. The settings and storyline did the same thing as well.

When reading the book, I had concerns about how well it would translate to film. It's a book without much action and most of the narrative is internalized to the protagonist. Books like that tend to struggle to adapt well and Divergent is no different. The director tried to make changes to the story in order to try and make it work but I honestly think it was futile. It's just not a good story for a 2-hour interpretation. Even at that, I would rather have seen the story stay true and struggle to adapt than change and struggle. All in all, it was set up to fail from the beginning. Shailene Woodley and Theo James gave solid performances and the special effects and action sequences were done well but they made the film watchable and slightly enjoyable at best.

"Divergent" is the first Sci-Fi movie of this trilogy and in this movie we watch a world that is divided into factions and each person has to be a part of one. Unfortunately Tris cannot be a part to any of these factions because she is a divergent. Divergents are considered as the most important and dangerous people and have to be eliminated but why?

I liked this movie because it has a different kind of plot from other Sci-Fi movies and that's something that made this movie interesting at first. The direction which made by Neil Burger was very good with many good action scenes. Also the interpretation of Shailene Woodley who played as Tris was very good. An equally good interpretation made by Theo James who played as Four.

Finally I have to admit that I did not expect much from "Divergent" but it was a very nice surprise. This movie made a very good start for this trilogy and I hope to continue like this and even better.

When beloved books make their way to the silver screen, the resulting movies are usually met with much frustration and rending of clothes from amongst the literary faithful. A character is changed beyond recognition; a crucial plot-point excised; an important theme lost in the murk and swell of a film. Oddly, Divergent isn't actually a bad adaptation. In fact, Neil Burger's film is as good a version of Veronica Roth's wildly patchy source novel as you're likely to get. Whether that makes for a good movie - especially for people who've never read the book - is another matter entirely.

Divergent begins in a post-apocalyptic Chicago divided into five factions, each valuing one virtue - Dauntless (courage), Erudite (wisdom), Candour (honesty), Amity (kindness), and Abnegation (self-sacrifice) - above all others. It's an odd system, perhaps, but one that is apparently necessary to keep chaos at bay. Tris Prior (Shailene Woodley) has been raised in Abnegation but, try as she might, she cannot completely subsume her self or her desires. Indeed, the aptitude test that everyone must take at the age of sixteen suggests that Tris doesn't belong in just one category: she is Divergent, equally at home in three factions.

Come the day of the Choosing Ceremony, she decides to forsake her family to become Dauntless: a decision that plunges her into a nightmare initiation process in which the weakest are summarily kicked out of the faction. As Tris navigates the politics and perils of her chosen world, trying all the while to hide the fact that she's Divergent, she encounters her fair share of allies - Christina (Zoe Kravitz), Will (Ben Lloyd-Hughes) and possibly her charmingly broody instructor Four (Theo James) - and enemies, including the brutal Eric (Jai Courtney) and vicious Peter (Miles Teller).

Anyone unfamiliar with Roth's book might find themselves trying to puzzle through this seemingly shapeless mess of a plot. It ebbs and flows in odd directions, dancing around Tris' desire to be true to herself, before it gets a little lost in the dystopian clutches of Jeanine Matthews (a gleefully icy, evil Kate Winslet), an Erudite leader hellbent on bringing down the entire Abnegation faction. Along the way, Tris literally battles her fears under the influence of a simulation serum, toughens up physically, strikes up a sexy chemistry with Four and frets over her brother Caleb (Ansel Elgort). Within the confines of this universe, it makes an odd kind of narrative sense, but the logic of it all never really bleeds through.

Here's the thing, though: this strange, frequently illogical plotting is very much a defining characteristic of Roth's novel - and, in fact, becomes more of a problem as the trilogy progresses. (Anyone who's read Allegiant, the controversial final novel in the series, will know just how difficult it will be to adapt.) The emotional and logical flaws present in Divergent the film, then, are - for the most part - already inherent in the book. Why does Jeanine, supposedly one of the smartest people in the community, plot and plan the way she does? How does the entire society function in this utterly dysfunctional way? Technically, Burger can't really be faulted for failing to develop a coherence and logic that was never there in the first place.

In fact, Burger actually substantially improves upon the novel in several ways - he keeps the film mostly free of Tris' inner voice, which becomes increasingly moony and silly as her crush on Four grows by the day. Burger plays up a zip-line sequence that highlights the joyful recklessness of the Dauntless, as Tris soars freely through the midnight air. He also handles the problem of Tris' fear landscape very well: instead of simply willing herself out of the influence of the serum (as the Divergent can do), she must figure out how to face each of her fears in a non-Divergent way. These scenes are shot with quick, simple visual flair, dispensing with some of the novel's trickier convolutions.

Of course, Divergent isn't a perfect adaptation either. To Roth's credit, there are some truly dark, painful moments in the novel which transcend its loopy narrative. It's no surprise, and yet it's a little disappointing, that these bits simply vanish from the film, no doubt in the interests of securing a PG-13 rating. As a result, Peter is a far less repulsive antagonist than he is on paper. For instance, he doesn't brutally (and casually) maul a fellow initiate who's doing better than him in the rankings - an incident that's crucial in the development of his character in the subsequent novels.

The young cast works hard and quite well together. Woodley makes for an intriguing screen presence, effectively playing both the steel and softness of Tris' choices. James, heretofore best known for dying in Lady Mary's bed in Downton Abbey, acquits himself reasonably well - he's not as leaden as some of the trailers have suggested, and he forges a believable chemistry with Woodley. Of the supporting players, Teller is the standout, so good in his easy malevolence that he actually makes the thought of Allegiant as a movie quite appealing.

In the final analysis, Divergent is likely to divide audiences. Fans of Roth's books should be, on the whole, pleased. This is a frequently very good, intelligent adaptation of a rather problematic novel. Everyone else, however, might be less enamoured of the final product: a film that, just like the book on which it is based, boasts a compelling story and some great ideas, but is also messily executed, overly complicated and a tad nonsensical.

Divergent is gripping and intelligently brought to life on the big screen from the director who brought us "Limitless" and "The Illusionist." Are we seeing something of similar essence with the "Hunger Games" series? Yes. However, my personal take was that the characters were more engaging and the plot was as well in this film. Shailene is excellent at the helm, and really brings forth a convincing portrayal of a heroine battling in a world where chaos and tragedy envelope the characters. Her graceful emergence from shy personality to dominance is done artfully and really speaks to her ability as an actress. Theo James is also exceptional in the co-pilot role and almost effortlessly seems to pull off the bad boy with standards persona in a manner I haven't seen since Will Smith in his prime. The plot is high octane and especially more gritty than I first imagined. The emotion raw in intensity and empathic build. As a guy who was just going to this film to act as arm candy and a shoulder to lean on for my highly enthused girlfriend, I can write this piece while honestly saying that my eyes were glued to the screen the entirety of the film and was pleased to see this film do such an excellent job at developing both the plot and characters involved in it. Highly Recommend.