Rockstar

Pros:

Abrupt start and unfinished end,always catchy!

Love,attraction,passion,pain,loss,destruction-everything in a pack.

Movie includes flashbacks and frames so nicely arranged,that story always remains on track and with ease.

Supporting casts are so in script,no any distraction or out of track leads.

Raw footage beautifies the movie,editing is nicely done and skipped.

Ranbir-Nargis chemistry is uncommonly beautiful.

Songs are sung outstandingly by Mohit Chauhan and performed equally well by Ranbir.Made for each other duo.

Lyrics are inseparable from situation,really well written.

Cons:

Nargis is overwhelmingly beautiful but utterly noob while acting.

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Not many directors could have justified the script like Imtiaz Ali.

Music couldn't have been better than by the Academy award winner A.R.Rehman,it takes you to out of world.

and Ranbir Kapoor,real rockstar from the movie has shown that,he is ready to make the bollywood biggies insecure.

Outstanding movie!!!above the average of bollywood.

This is seriously Imtiaz's Best film yet!!!! When the movie end, i kept asking myself how is it possible to narrate a story like this... Story wise, absolutely amazing!!! What you guys will see in the trailer is just 1% of the movie!!!! Ranbir Kapoor was amazing too, balancing the right emotions at the right time. Some Amards should be waiting for him now... definitely AR Rahman stole the whole movie with 14 Top charting music!!!! Every Music suits the story every single time. Well he isn't called genius without a reason.

For me, its the Best Album of the year and potentially the best movie if the year!!!! All Credits goes to Imtiaz Ali for such great story/content.

Jordan is sitting among prostitutes and strumming his guitar as they sing together -- when his manager pulls him out onto the street. Soon, a crowd engulfs them and starts chanting Jordan's name, their voices drowning the sound of the manager pleading with the musician to get his act together. "This is what I have always wanted," Jordan says, looking at his screaming fans. "But I am not happy inside."

Imtiaz Ali's Rockstar is a bittersweet journey of a man, an artist, from being an everyman to a superstar. But while Ali uncovers layers off Jordan the iconic musician -- each layer as fascinating as it is intriguing -- he keeps the core of the character, Janardhan Jakkad, alive. He hurts like anybody else, falls in love like anybody else, and also has to deal with moments of sheer frustration.

And all of it finds release in music. Music is Jordan's identity; it's what makes him rich and famous. But to Jordan, that's incidental. In the end, his artistry is what connects him with himself. For a Hindi film viewer, that is a fascinating story to watch unfold.

Then there's the opening shot, a tribute to India's original Rockstar, Shammi Kapoor. From there on, it's a tumultuous ride – one with its highs and lows, one that has anguish as also love, one that has pain, but also a sense of fulfillment. And a brilliant finale -- not a conventional one, but effective nonetheless -- which leaves you feeling like the characters themselves: incomplete but content, like an effective crescendo that leaves you wanting more.

The music itself is a delight. Each AR Rahman number is lilting, and woven beautifully in the story, the high frequency of songs not hindering the storytelling but enhancing the experience. Lyricist Irshad Kamil does an outstanding job, penning words that reflect the lead character's state of mind and complement situations aptly.

Imtiaz Ali, in trademark fashion though, isn't content with Focussing on the complexities of a troubled musician; he gives us a dose of romance too, and a generous one at that. Estrangement from family, lack of fulfillment in life, and self-discovery apart, what really drives Jordan's music is his relationship with Heer (Fakhri, beautiful but awkward). Volatile as the affair is, it's also what keeps Jordan sane, and Heer alive.

For about 15 minutes in Rockstar, the narrative tends to resort to 'Bollywoodism'; true love having the power to cure a terminal illness (almost), for example, doesn't exactly fit with what the rest of the film has to say. The story tends to meander a bit post-interval, but Imtiaz makes it work eventually, interweaving the fantastical romantic part of the film with the more gritty, dark bits deftly. In the end, how much you enjoy Rockstar will largely depend on whether the balance between the tale of a broken, discontented musician and the more conventional love story works for you.

It did for me -- though I would have preferred the former -- but you can't deny Imtiaz credit for his mastery over the romance genre. No contemporary filmmaker has dealt with man-woman relationships with as much dexterity. His films often tread a similar path (the lovers are usually confused, meet at different points in life, and there's always the 'other man'), but his fresh approach to each story is what makes them immensely watchable.

With Rockstar, Imtiaz goes beyond his own tried-and-tested format, his ambition to narrating a more complex story coming through. This is probably his most personal film, and his honesty as filmmaker is hard not to be affected by. Hopefully, he goes the whole hog next, ditching the genre he's adept at to trying his hand at something entirely out of his comfort zone. Rockstar is also Imtiaz's most technically polished film, and he benefits from the association with cinematographer Anil Mehta and editor Aarti Bajaj.

Ranbir Kapoor has been Hindi cinema's Next Big Thing for a while now. With Rockstar, he lives up to the hopes pinned on him to deliver big. Ranbir revels in Jordan's complexities; another actor may have found it to be an obstacle. The character arc undergoes constant transformation and he adapts suitably. It wouldn't be an understatement to say that Ranbir's portrayal of Jordan may go down as one of Hindi cinema's most accomplished performances by a lead actor. Just to see him work his magic on screen, Rockstar is worth a watch.

But while good acting is always an incentive, it's a director's vision that makes a film truly watchable, and Imtiaz makes Rockstar stand out from what the mainstream churns out every week. And brings back the one aspect sorely missing from Hindi films lately -- music.

Indian cinema has matured and specially Hindi film with new directors pouring in with new ideas. Anurag Kashyap, Dibakar Banerjee, Vishal Bhardwaj should get special mention for their brilliant coming of age films. After Rockstar, Imtiaz Ali should be added to this category of filmmakers. Romantic cinema is immortal perennial but never ever it has been witnessed in such creative, symbolic, real manner as in Rockstar. Rockstar is journey of Janarthan, a regular north Delhi brat who dreams of becoming Jim Morrison. He even tries to match his initials with the famous singer and tries to change his fate. Alas! He couldn't succeed in making a mark when a college canteen owner (who becomes family for Janarthan later on) Khataria tells him that through pain comes music. Janarthan took his word too seriously thus involving in a web of suffering and success all revolving around Heer, a lady who becomes life for Janarthan rather Jordan. The movie is a journey of a young ambitious boy from his being Janarthan to Jordan and in a symbolic manner raises several questions about independence and democracy. Imtiaz Ali is a fabulous story teller and his previous work reflects those but with Rockstar he goes a level higher. The film will bring polarizing reactions from cine goers but they can't ignore it. Probably one of the best romantic cinemas ever made. Ali is almost flawless in his execution. With a semi non-linear narrative Ali goes into the psyche of Jordan merging his scenario pre and post success. The scene where Jordan cries in front of Khataria that he doesn't need all the fame he wants to be Happy – sums up Jordan's strive with his impression. The rebel has been created in a thought provoking manner raising questions to establishment. The rules set in the society, the willingness to live freely, how power has destroyed the regular course of nature – all these ideas have been embedded subtle in a brilliant love story that is natural unlike loud melodramatic blockbusters of regular Hindi cinema. When Jordan is almost losing Heer forever there is a scene which shows Jordan in a bath tub looking at his guitar on fire which reflects the life of present youth who tends to burn (loss) everything one loves in course of success. There are many more such brilliant sequences which show Ali's craftsmanship as a director. With able support from Anil Mehta the camera work is probably the best of this year. Ali didn't compromise for commerce and gave a surreal feel to the real proceedings. Kudos to Aarti Bajaj for her apt editing and making the film a work of art. Coming to the acting department, Ranbir Kapoor rocks. He camouflaged himself as Jordan with élan. Rockstar will prove how fine actor he is. In fact the new brigade of actors should take acting lessons from Ranbir. Watch his transition from Janarthan to Jordan, his success his failures his love his despair – Ranbir's expression deserves awards and accolades. Teaming up with fabulous actors like Piyush Mishra, Kumud Mishra (who was last seen in brilliant "That girl in yellow boots") Ranbir showed extreme maturity. In a sequence where he tore down a contract and made hysteric gestures towards Piyush Mishra deserves standing ovation. Those dialogues showing Ali's angst against consumerism deserves mention. Nargis Fakhri as Heer is serene beauty. Any boy will fall in love with her. As an actress she needs to improve but then she isn't bad either. Piyush Mishra as the opportunist Dhingra simply rocks as usual. Kumud Mishra is surely to catch attention of other directors. The ensemble cast provides ample support in their brief and significant role. Lastly how can one forget the original Rockstar Late Shammi Kapoor in a significant appearance. As a successful classical Sahnai (flute) player he is mind blowing. And how can I forget about Rehman's music in the film. Each of the songs are mark of a genius and brilliant in their own space. With awesome lyrics from Irshad Kamil the musical score elevates the movie to another level. "Nadan parinday" is one of the best written songs of recent times and "Sadda Haq" had all the power to be the youth anthem. Simply brilliant album in every sense. Overall Rockstar is a outstanding work of art that might not appeal to every many but sure to be the next Kagaz ke Phool in the long run; though Rockstar is already a Hit. Thankfully a genuine honest effort deserved its box office report. A classic in the long run…Rockstar Rocks!!

First of all, Rockstar is not a mere love story, for those people I saw drawing conclusion that this is just an extramarital affair which is justified by Imtiaz Ali, it's much more than that.

When the character of protagonist was getting built, it was told to him that it would be pain that would get the star out of him; movie is journey of making of a Rock star who goes through pain of separation, depravity from society which makes him someone he was never meant to be but finally a Rockstar. A true blue eyed boy who was always away from any sense of pain in his life until he falls in love and tore apart life of his and love of his life Heer.

I am although not a big Rock music fan but got food for thought for those posthumous rock stars that lost their lives to depression and drugs. This film gives gray shades of their tainted life which is always open to so much of public scrutiny which perhaps helped me to recon with their hysterical behavior.

It starts with a young lad trying to make big in music but who doesn't have soul to sell himself as a serious artist. He has shown a way through love and betrayal and he fancies his chances with the most admired girl of the town, little does he know that this would embark an endless journey of pain for both which would see it's penultimate end being both leads battling for their survival literally.

I don't wish to discuss movie dynamics in length as this is not about how the script has been written with/without conviction. The real sense of conviction in this movie comes through Ranbir Kapoor, he lives the character of Jordan and gives performance of his life time. Not in for a second you would think for the entire movie that he is a movie star, you would watch him struggle through his pathos. Kudos to him for pulling this off with such great ease, I couldn't imagine anyone doing this role and leave the same impression. Nargis who is the leading lady in this movie, looks no less than an angel in movie and gives a performance for which any new comer can feel proud about especially against such a strong character played by Ranbir Kapoor.

Of all the loudest praise should go to two people, A.R. Rehman for his genius music and to Mohit Chauhan, this movie is as much a milestone for him as it is for Ranbir Kapoor. Both Mohit and Ranbir jells so well that it's hard to believe that actually Ranbir's voice is backed by a singer, it's a compliment for both of them. Every song stands out and they all are superb.

I thoroughly enjoyed this journey of making of a Rock star. This movie is not about making a right statement to society and not to follow the footsteps of protagonist; it's about how much pain it goes in making a real Rock star that makes everyone feel on the cloud when he couldn't ground his foot correctly. Movie is dark in nature and this is about an anti hero Jordan who don't have sense of righteousness and he vents out his anger in form of music, a picture perfect depiction of a rebel Rock star to the core.

Watch it, if you are in for dark movies. Don't expect any Bollywood masala but an intense tide of emotions throughout.