Bodies

It is a truth universally acknowledged that any plot involving time travel, especially any that attempts to deal with the so-called grandfather paradox, will necessarily be so full of holes that, if it were a fishing net, only the great whales would be endangered by it. In that regard, Bodies certainly does not disappoint, piling impossibility upon impossibility at a head spinning pace. However it is the panache and insouciance with which such concerns are dealt that determines whether a show will emerge battered to death or greatly loved. With great performances from the lead characters, particularly Jacob Fortune Lloyd as the thoroughly corrupt wartime cop whose heart is melted by a child (a charming live-action debut for Chloe Raphael), and a brilliant script that revealed only as much as necessary at each stage and kept you guessing until the very end, Bodies easily triumphs over its unavoidable absurdity.

People found too many loopholes, problems etc. But what I don't understand is the generations passed from 1941-2023, THEY(For spoiler alerts...no names mentioned 😉) kept feeding stories to the people through recordings and THERE WAS NO ONE SANE ENOUGH TO QUESTION IT OR IGNORE IT!! Everyone followed THEM!!

Creators should have made this as a movie or a series with less episodes maybe 6. I THINK they stretched a little bit. In every episode they will not tell what's going on and for me it was frustrating. Every character kept saying you won't understand!! (So why are you telling the other person). For example Elias asked Hasan to be in the interrogation room so that he can share something but he never shared anything. It was exasperating!!!

They kept all explanations for the last episode!!! I have watched a similar show on Netflix called Dark which is SOMEWHAT similar to this show.

I liked the cast especially young Polly and every main character is given a proper screen time. The story is little bit slow in the middle but it picks up later!! One time watch!! Pretty decent show!! Liked it!!

Hokum but I enjoyed it all except the WWII London police car sirens which weren't fitted until 1963 when they also introduced the blue flashing beacons. They just had bells but like all science fiction fans I do tend to be obsessively pedantic. I was prepared to accept all the other minor errors but those police car bells are a sound of those times which transport me back in time which the film makers missed. I suspect that those not liking science fiction will find the plot difficult to follow and the continual time shifts confusing but the production isn't made for non science fiction fans so if this isn't your style, don't bother struggling with the plot. :-)

I can't count the number of Netflix movies and series I have invested in only to be hit with what I call "The Netflix Non-Ending Ending". You know the ones - dead stops where it feel as if the writers just ran out of steam, and finally said eh, forget about it...let the audience figure it out for themselves. So frustrating! Bodies stands out to me if for no other reason than it has an actual ending. There is a lot going on so pay attention or you'll find yourself constantly rewinding to figure out what they're talking about. Time travel stories are exhausting to some degree but I found this one fun and engaging. Worth the binge!

As a weaving of four stories this works well. The sets are great and even the thirty years into the future thread wasn't too out there.

There are a few good characters, some good light and shade and some that develop nicely as the series progresses.

Everything starts with a body being discovered in a lane in London and develops with four different time lines, Victorian, World War Two, present day and thirty years into the future. At first there is a lovely kind of what-is-going-on feel to the story, but come the middle of it, you realise that it's just the same thing that's been done so many times in so many other sci-fi programmes and films that it becomes more and more disappointing and eventually so incredibly and sadly predictable.