निकट भविष्य में, अपराध को एक यंत्रीकृत पुलिस बल द्वारा नियंत्रित किया जाएगा. जब एक पुलिस रोबोट, चैपी, चोरी हो जाता है और उसकी नई प्रोग्रामिंग कर दी जाती है, तो वह पहला रोबोट बन जाता है, जो ख... सभी पढ़ेंनिकट भविष्य में, अपराध को एक यंत्रीकृत पुलिस बल द्वारा नियंत्रित किया जाएगा. जब एक पुलिस रोबोट, चैपी, चोरी हो जाता है और उसकी नई प्रोग्रामिंग कर दी जाती है, तो वह पहला रोबोट बन जाता है, जो खुद के लिए सोचने और महसूस करने की क्षमता रखता है.निकट भविष्य में, अपराध को एक यंत्रीकृत पुलिस बल द्वारा नियंत्रित किया जाएगा. जब एक पुलिस रोबोट, चैपी, चोरी हो जाता है और उसकी नई प्रोग्रामिंग कर दी जाती है, तो वह पहला रोबोट बन जाता है, जो खुद के लिए सोचने और महसूस करने की क्षमता रखता है.
- पुरस्कार
- 3 कुल नामांकन
Yo-Landi Visser
- Yo-Landi
- (as ¥o-Landi Vi$$er)
Johnny Selema
- Pitbull
- (as Johnny K. Selema)
फ़ीचर्ड समीक्षाएं
Concerns over the use of drones to kill people and the use of military equipment by police make Neill Blomkamp's "Chappie" more relevant. The use of an all-robot police force recalls "RoboCop", while the concept of a droid who has human qualities brings to mind "Short Circuit" and "AI: Artificial Intelligence"*. Although some scenes in the movie come across as silly, I interpreted it as a warning about over-reliance on technology for law enforcement. The South African setting makes sense: four decades of institutionalized racism gave way to one of the highest crime rates in the developed world.
In the end, I recommend the movie. It's understood that Chappie simply wants to be able to live like everyone else. The plot holes don't drag the movie down at all. Sharlto Copley, Dev Patel (of "Slumdog Millionaire"), Sigourney Weaver and Hugh Jackman put on fine performances.
*Another movie focusing on a robot with human qualities is "Robot & Frank", starring Frank Langella and Susan Sarandon.
In the end, I recommend the movie. It's understood that Chappie simply wants to be able to live like everyone else. The plot holes don't drag the movie down at all. Sharlto Copley, Dev Patel (of "Slumdog Millionaire"), Sigourney Weaver and Hugh Jackman put on fine performances.
*Another movie focusing on a robot with human qualities is "Robot & Frank", starring Frank Langella and Susan Sarandon.
I went into Chappie as a huge fan of the gritty action and social commentary of District 9. I expected that this would be more of the same. Both are still present, but surprisingly, with laughs.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
If there was ever a movie that needed a sequel more than another, it's Chappie.
It's literally probably the best movie I've ever seen, still (and it's 2021 as of this update/writing).
It's literally probably the best movie I've ever seen, still (and it's 2021 as of this update/writing).
I really liked this one. There's some obvious '80s influences here, from the criminals looking like something out of a Mad Max movie to the Short Circuit and Robocop elements. There's even a bit of a He-Man cartoon shown at one point. It's an intriguing and certainly entertaining movie, if not an overly original one. I think some critics are unhappy with the lack of pretentiousness that was present in Neill Blomkamp's previous work. Here the "messages" are more universal and less political. Some people only like their sci-fi if it carries with it an obvious metaphor for a topical social injustice. You can even find such metaphors here if you try but subtlety is not a zealot's cup of tea. Overall, I thought the script was good and I really liked the upbeat ending. Another nitpick I have about the modern critic is that they think the only good sci-fi story is one with a downer ending. The special effects are pretty amazing. The acting is solid all around. Dev Patel, Yo-Landi Vissir, Ninja, Jose Pablo Cantillo, and Sharlto Copley (voice & motion capture for Chappie) are all great. Hugh Jackman has a rare turn as the villain here and does a terrific job, even if I do hate the obligatory clichés his character is saddled with. That haircut, though...
Maybe it's not for everybody. I have friends that haven't seen it yet that I'm fairly certain will bitch about it and pick it apart, like I see from many reviews on here. But that's their loss. I'm happy that Blomkamp tried to make a movie that's not dumb by any stretch but also isn't just aimed at the elitist film snob crowd or soapbox bloggers.
Maybe it's not for everybody. I have friends that haven't seen it yet that I'm fairly certain will bitch about it and pick it apart, like I see from many reviews on here. But that's their loss. I'm happy that Blomkamp tried to make a movie that's not dumb by any stretch but also isn't just aimed at the elitist film snob crowd or soapbox bloggers.
In Johannesburg, the police department reduced the high rating of criminality using robots from the Tetravaal Company, designed by the engineer Deon Wilson (Dev Patel). The former military Vincent Moore (Hugh Jackman) is envious of Deon, since he has developed another project called Moose, but neither Tetravaal nor the police department is interested. Deon has just developed an Artificial Intelligence but the Tetravaal's CEO Michelle Bradley (Sigourney Weaver) asks him to abort the project. Deon decides to bring the damaged Robot 22 that was sent to be crushed to test his A.I. However he is kidnapped by the criminals Ninja (Ninja), Yo-Landi (¥o-Landi Vi$$er) and Amerika (Jose Pablo Cantillo) that want him to stop the robot cops. When they see the damaged robot in the van, they force Deon to program it to heist banks with them and they call it Chappie. However, Chappie acts like a child and need to be trained to learn and grow. Meanwhile Vincent follows Deon and plots an evil scheme to activate his robot.
"Chappie" is a flawed but entertaining film with "robocops" fighting against crime. However, Tetravaal is totally unbelievable as a security company with the easy access of employees to the facility and software. Considering that all Johannesburg is dependable of the robots, it is ridiculous the lack of protection of the company and how easy Deon Wilson and Vincent Moore go there during the night and access the systems using only a key. The concern of Chappie with mortality and the discussion with his creator is taken from "Blade Runner". The corny decision of Deon, running after Chappie instead of activating the robots in the chaotic city is also silly. My vote is seven.
Title (Brazil): "Chappie"
"Chappie" is a flawed but entertaining film with "robocops" fighting against crime. However, Tetravaal is totally unbelievable as a security company with the easy access of employees to the facility and software. Considering that all Johannesburg is dependable of the robots, it is ridiculous the lack of protection of the company and how easy Deon Wilson and Vincent Moore go there during the night and access the systems using only a key. The concern of Chappie with mortality and the discussion with his creator is taken from "Blade Runner". The corny decision of Deon, running after Chappie instead of activating the robots in the chaotic city is also silly. My vote is seven.
Title (Brazil): "Chappie"
क्या आपको पता है
- ट्रिवियाThe house used for Hippo's lair was co-writer and director Neill Blomkamp's childhood home.
- गूफ़With hundreds of scout units in the field, the movie starts by making a point of saying that there is a completely secure way of reprogramming them, ensuring that there is no problem with programming in the field. Yet two characters set out to retrieve the single "key" that prevents this from happening and there is not a single camera, security guard, two-person key lock, or even a janitor in the building that houses the lock.
- क्रेज़ी क्रेडिटIn the closing credits appears "Be Moved" in large font.
- इसके अलावा अन्य वर्जनIn an alternate ending, Chappie has an army in downtown then ends the footage of William Roberts.
- साउंडट्रैकHappy Go S*cky F*cky
Written by Ninja, Yo-Landi Visser (as ¥o-Landi Vi$$er), D.J. Hi-Tek (as DJ Hi-Tek), Motohiro Kawashima
Performed by Die Antwoord
Courtesy of Zef Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Chappie: Cảnh Sát Người Máy
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $4,90,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,15,69,268
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,33,46,782
- 8 मार्च 2015
- दुनिया भर में सकल
- $10,28,11,889
- चलने की अवधि
- 2 घं(120 min)
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें