Club Zero

Imagine stepping into a world where reality crumbles like a faded painting. "Club Zero" draws you into a whirlpool of ambiguity and reflections, guiding you through a labyrinth of simulacra and deprivations. The film, masterfully directed by Jessica Hausner, unfolds in an elite school where normality is merely an illusion. Here, Miss Novak, an enigmatic teacher, introduces her students to a new creed: radical fasting as a means to break free from the chains of consumerism and superficiality. What begins as a social experiment soon descends into darkness as the students are increasingly drawn deeper into the vortex of their convictions. Hausner paints a dark and unsettling picture, where human relationships are mere empty shells and emotions are a distant echo. The images, cold and distant, convey a sense of alienation and disconnection, as if the world around were merely a distorted reflection of true reality. The theme of food becomes a powerful symbol, representing not only physical needs but also our deepest anxieties and insecurities. Through a series of disturbing and surreal scenes, the film forces us to confront our darkest fears and deepest desires. The ending, with its evocative image of students lost in the void of the unknown, leaves the viewer with more questions than answers. What is true and what is merely an illusion? And, above all, what does it truly mean to be free? Ultimately, "Club Zero" is a fascinating journey into the heart of human darkness, an experience that captivates and transports you to a world without time or space. Hausner, with her bold vision and impeccable direction, offers us a penetrating look into what could be the future of humanity, inviting us to reflect on what truly matters in life. If you're ready to surrender to the allure of mystery and beauty, "Club Zero" is the film for you. Prepare to be transported to a world where nothing is as it seems, and where truth is but a distant mirage.

There are films that gives you ample time to ponder why it was made in the first place.

While having a supreme premise, the storytelling is pedestrian at best as it resolves to the mere treatment of a thesis. While this thesis contains elements of a satire with its overdone costumes and with its lifeless model house settings it lacks any sense of humor or wit.

There is nothing close to what I would call acting in this movie. Actors, some of them very talented, some of them even among my favorite actors, are as stiff as a log, reciting lines that could have been written by sophomores on a home assignment on nutrition.

My biggest takeaway was that even great actors can appear to be hopelessly untalented and hollow with the proper direction. There is no subtext at any moment whatsoever. I am assuming this is intentional. For me it ruined what could have been an engaging take on group dynamics.

During what felt like an eternity of incremental losing hope this film would go somewhere, I kept wondering why no one during financing, casting, shooting, editing and especially releasing had a hunch that a story poorly told could be a waste of time.

I saw this premiere in Cannes and absolutely hated this film. I simply didn't get the point and understand why I was watching it. I think it was meant to be satirical, but it felt poorly executed and scripted. Nothing in this movie really shocked me and the film seemed as bland as its meticulously crafted aesthetic. The movie felt very long at time and the tone was quite somber. At the end of the film I kept wondering why did this movie get made, and how did it get into the competition.

Some of the things I enjoyed were the actors were quite good. The actor playing Fred will probably have a great career. The art direction was quite on point.

I would not watch again.

I found this film rather fascinating because at the present time my 10 year old great granddaughter is being manipulated and brainwashed by her father and her school.

It's takes a little getting used to the pacing of the film, but once you do it's almost hypnotic. The sets and costumes are eye candy to me. The direction thoughtful and intentional. Some one commented about the end credit scene......for me it was extremely reminiscent of the Leonardo da Vinci painting The Last Supper. The message one could get from the film is that if we want anything to change we will need to change our beliefs, not turning to any religion or cult, but by limiting our consumerism while we still can. Our children's children's children are already paying the price for our follies.

I just saw Club Zero - still attempting to "digest" it. Brilliant but not ready-made for simplistic interpretations. It attacks some major issues way beyond eating disorders. For me Hausner explores our human need for connection - the need to find community in a confusing world through a shared belief system (no matter how irrational or potentially destructive). The family unit is dissolving. This is how ideology substitutes for what was once the realm of religion. Modern day group think and aligning oneself with a tribe (perhaps only a tribe that exists online) is one way to not feel alone and to see oneself as serving a higher purpose - to have acceptance and meaning in ones life. Of course, this lends itself to being manipulated - this was obviously true with Nazism and Communism, both of which were dressed up as servicing a high ideal. In the case of Ms Novak, she's been drinking her own Kool-Aid. I loved Wasikowska's portrayal of this extremely sincere but demented role model. Her accent was interesting - I think it might have been a subdued Dutch accent. She always becomes her character thoroughly - she's never just playing a version of herself. Club Zero has something to offend everyone, of any political persuasion, since its easy to project ones own bias onto the films surreal/psychological take on society.