Rundskop

This is without doubt one of the best European films I've ever seen.

First of all this was a brilliant performance by Mattias Schoenaerts, his character being a man tormented by a childhood trauma that makes him withdrawn and only really relating to the animals on his farm, even through his silence you can feel the agony he goes through because of this being such a good performance by him.

Having lived on farms it is also refreshing to see a good crime film based on the countryside underworld and for it to be accurate as well to various themes of this film.

One of the only downsides to this film is that the flashbacks that occur are scattered about and can cause some confusion if your not paying full attention to the film.

However overall a great watch and it is not a surprise to see it got nominated for best foreign film of the year.

A must see - 9/10

Bullhead (2011)

A tough, sometimes horrifyingly violent, but ultimately moving tale about a man caught up in a world of crime and violence. And it began in childhood, which is revealed in some key, difficult flashbacks. All of it is set in Belgium, and is multi-lingual (French and Dutch), and it has a European kind of gangster crime world that is quite different than the Hollywood way of depicting American versions of the same.

These are all strong reasons to watch it. I found myself confused by the many characters because part of the style is to offer a series of different situations, all related, and have the viewer put it together. While this is a million times better than movies that explain too much, there were many times that I was just watching and waiting to see how it would make sense later.

And the acting is so wonderful, and the general style of filming so beautiful without being distracting, you can really get absorbed even without knowing the details of the plot. The leading man in particular is a steroidal, muscled up guy who plays a brute, but who is deeply troubled inside due to a childhood incident. While you never quite are on his side, you come to feel for his situation. The various thugs around him are not always so sympathetic, but all of them are regular guys at heart, and you generally see them as people, not as criminal stereotypes.

In this way, the movie is a little like "The Killing" (a mid-fifties Kubrick film) or "Reservoir Dogs" (the 1990s Tarantino film). While you don't follow a heist step by step, you do get to see the characters behind the crimes as more important than the crimes. There is even a bit of comic relief in "Bullhead" with the pair of car mechanics who bumble just enough to make you laugh.

A great film? Not really, but it has elements that point that way. I think many people will totally love it, the way it's made, the aura of easy realism. Some might find the central childhood trauma a bit excessive (it's really brutal and a bit over the top, but yet believable), and others might see the complicated relationships between criminals, innocents, and cops a bit too fuzzy. But it all has total purpose, and if you give it time it will justify itself, right up to the tense ending.

I made an account solely for this movie, a true tragic, mesmerizing Movie. It really is a must see. I think it has a very high change being nominated for the Oscars as best foreign movie and maybe even winning it. Another reviewer posted something about silence moments in this movie but really, even without saying much, you can feel the pain and tragedy the main characters went through. Brilliant performance by Matthias Schoenaerts and , amongst others, Frank Lammers.

I do think however the spoken language might be a bit of a barrier for non-Flemish/dutch speakers because I feel that a lot of the words and sentences spoken here add to the drama; translation tends to loose that drama. (I can give a few examples but that would be a spoiler) I predict that this movie will be remade/re shot in English (pity) for a broader audience.

10/10 for me

I stumbled across this movie last night, and, although I'd no idea who the director or any of the actors are, based on the reviews, and especially the trailer, I decided to take a look.

I'm both sorry and glad I did.

I think the lead actor in this movie, Matthias Schoenaerts (who, incidentally, should have been cast as Bane in Batman Rises. He IS Bane) has a bright future in Hollywood. Certainly I know I'll be checking out his other movies, now that I'm aware of him.

Bullhead constantly threw me for a loop and kept me on my toes all at the same time.

The obvious simpatico between director Michael R. Roskam and Mr. Schoenaerts is evident in the constant tension and slight unease that's able to be maintained throughout the entire movie, even during the "softer" (if you can call them that) moments of the film. The scenes of Jacky, alone in his room/apartment are very powerful.

Jacky's alienation and rage make us, the viewer both nervous, as though he'll somehow be able to reach through the screen and bring us, kicking and screaming into his brutal world, and sympathetic as we're able to see the reason for this young man's pain.

The Oscar nomination (I've forgotten if it won or not, but if it didn't it should have) was well deserved, and I look forward to great things from this wonderful young actor.

Hoss.

I found this film remarkable for its ability to stir feelings of sympathy for a kind of character who seems utterly brutish and unredeemable. Jacky is a brute, the kind of man who all too often resorts to abominable acts of violence when he's aroused. And yet, thanks to the portrait of Jacky drawn by the director and by the actor, we cannot help but feel great sorrow for him. Yes, Jacky does terrible, terrible things over the course of the film, but by the end I was sobbing for him. Maybe it's simply "tout comprendre, c'est tout pardonner", but whatever that emotion was I felt at the film's end it was something that revealed to me (and one would hope to all who see this film) a terrifying and redemptive bond of common humanity.