Evidence

Still shot. 3D rotation. Smoke. A crime scene. Then a video camera being placed in a plastic bag marked "evidence". And you know: it's going to be one of those god damned hand-held camera movies. But you are a nice person and you hope, still, that there have to be good shaky cam films. You are, sadly, terribly so, wrong.

I really like Radha Mitchell, I mean, who doesn't, but she is past her prime - time to play in those motherly roles in bad haunted house movies. Stephen Moyer, having won an undeserved fame with True Blood, plays an unnecessarily troubled police/video specialist. None of these two roles is going to give you any satisfaction in what is supposed to be a twist laden thriller.

The story, which I make my best effort not to spoil - I don't know why, is basically a chaotic investigation based on a single videotape. Then there is the twist, one that you have expected the entire movie, because it can't be that easy. And it's not, and it's a stupid twist, and you will swear the day you decided to watch this film, even on fast forward.

So, if there would have been true empathy with the characters - after all they did make the effort of filling the first third of the film with motivational video on how needy were the girls and how much they wanted to enter showbiz, if there would have been any interest in the police procedure - which unfortunately only concerned media statements and video processing, if the entire story didn't reek of "wait for it! the grand finale!", well... it still would have been a crappy film. As such, it is worst than boring and less than funny.

Bottom line: I do this so you shouldn't have to. Respect my sacrifice and avoid this film.

What a start this film has. A frozen picture of a crime scene, taken by a low flying drone camera, like nothing I've seen. A bit was resembling the 2001-film Swordfish, but still this was amazing. It immediately lit my interests immensely. Some obviously CGI, but still a haunting start!

This is another take on the found footage genre. But different. Some kind of meta theme in the footage as well. This is evidence found on a couple of phones and video cameras at a crime scene. At the start of the film we get a glimpse of what have happened, but what lead up to it. No one at the crime scene is alive to give any explanation. The tape shows a group of youngsters arriving at a desolated place with a lot if abandoned trucks and houses.

Like most found footage, this is both annoying and exciting at the same time. A genre difficult to immediately like, but still interesting in many ways.

The fourth outing from American director Olatunde Osunsanmi, and the first I've seen. Though there's a lot of cameras around, there's a lot of not so likely here towards the end, before whole film takes a twist, making it more likely after all.

Smart film, with an interesting plot. A good, twisting found footage flick, most of all recommended to the fans of the genre.

Granted, I am a fan of Found Footage movies, but I found myself consistently floored by this film...and in a good way.

"The camera never lies," claims Burquez (Radha Mitchell). Burquez and a team of detectives sit down to piece together footage shot from a multitude of camera and camera phones found at an abandoned gas station in the middle of the Mojave desert, the site of a brutal mass murder. The victims are all passengers on a tour bus bound for Vegas.

What happened?

Let's just say it's better you know absolutely nothing going into this film, except for the bare bones setup. Found Footage films can be quite painful if the lead characters are boring or, worse, annoying. In this case, I actually found Rachel and Leann (Caitlin Stasey and Torrey Devitto) to be rather interesting and fun to watch in a valley gal sort of way. They don't seem particularly smart and are altogether rather ordinary, which makes the situation they find themselves in all the more unexpected and alarming.

Olatunde Osunsanmi gives us just enough enough video footage, realistically hacked together, to keep you feeling jarred and disoriented throughout, and John Swetnam's script and story are as outrageous as it is frighteningly plausible. Never did understand why so many didn't "get" this movie and equally puzzled why almost every critic who saw it panned it.

Evidence is a combination of the Blair Witch Project, a really good slasher film, and a disturbingly immediate social commentary. It follows no template and takes a lot of risks. Which many good films have been hated for.

First three quarters of the film is not suited for this genre. Basically the later twists in the film is what makes this movie amazing.

Things i liked :

• Never saw it coming in the end quiet honestly. - Harry Lennix was the best acting in the film while the rest were average, nothing creative really. - Some great scenery in the beginning. - More of a thriller than horror.

Things i disliked:

• Pointless scenes - Crime investigators were quiet redundant in my opinion. - Audience would wonder what might have happened to the murder as it wasn't clear in the end.

DVD worthy, not Cinema :)

I watched this after thinking the trailer looked good. Huge mistake. It's one of the worst movies I've ever seen. The camera work is horrendous! The plot sucks and takes way to long to build the story. It's a shame because the concept has potential but the execution in this case was a huge fail. There are plenty of found footage films that are entertaining. They should have focused much more on the investigators and their analysis of the found footage. Instead they choose to focus on the showing us sub par camera work but do a terrible job of revealing interesting clues to keep the viewer interested. I'm shocked this film was released in its current form. Don't waste your money.