Girls Will Be Girls

Well, I haven't watched any of Shuchi Talati's short films yet, so this is my first exposure to her work. And I must say, she exhibits the finesse of a seasoned filmmaker in the coming-of-age drama genre. She's able to extract exceptional performances from her lead trio (Preeti Panigrahi, Kani Kusruti, Kesav Binoy Kiron) and offer very nuanced takes on a conflicting mother-daughter relationship, a teenage romance that gradually leads to sexual awakening, and a mother who's yet to truly come of age herself. I'm not one to complain of its unhurried pacing, minimalist score (the lack of which actually contributes more to certain scenes), and English-speaking characters in mostly non-English-speaking environments.

The boarding school setting does feel like it's part of a distinct universe, but the emotions portrayed in the film are very candid and honest. I particularly loved the plot progression-Mira's urge to understand (and quench) her sexual needs, being heckled by some of her peers at school, trying to avert her boyfriend from giving too much attention to her mother, and figuring out whether her love is just "puppy love" or "big-dog love." When a film doesn't offer answers to every question, it leaves room for further thought. Girls Will Be Girls deserves a lot more attention in my eyes.

Rating - 3.75/5

A beautiful tale portraying the insecurities,foibles,whims and fancies of a young girl through a realistic template.

The story moves through the life of a young obedient high school girl developing an infatuation and how the mother diplomatically brings her teenage daughter to a stage of self realisation about the fantasies and immature behaviour in a teenage girl.

Shuchi Talati has conceived a sublime thought for the movie and has executed it perfectly onto the screen. She has effortlessly taken the viewers through contents like sexuality,sex education,self pleasure,self exploration and immature relationships through intricate moments that can be well connected by everyone who have passed through that life stage. The intriguing screenplay has kept the audience completely attached to the screens with exemplary performances from the central characters.

Splendid performance by Preeti Panigrahi showing raw emotions from love, excitement and anxiety to lost,void and conflict. Subtle performance by Kani Kusruthi as a caring mother. Impressive performances were made by Kesav Binoy,Devika Shahani & Kajol Chugh.

Special mention to the Cinematographer,the editor & the casting director for their effort in giving this timeless visual craft.

The audience after closure of the movie may feel that whether Shuchi has given the title to the movie on a pessimistic note. A great movie that is worth watching to cherish your adolescence fantasies and mischievousness.

The movie has your attention from the first scene, they get everything right the casting, the location, the costumes, everything!!, But this movie takes its time to build up to what it's trying to tell you. How a young girl Mira is exploring her sexuality and love in this patriarchal world. Yet, it is one of the best school romances made in India.

Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!

I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.

Watched this at the 2024 Sundance Film Festival.

Filmmaker Shuchi Talati creates a beautiful, tender and complex story on exploring female sexuality, culture, and mother & daughter relationship with strong performances, great camerawork, and ambitious writing. Talati's writing and direction felt genuine, sweet and nature on capturing the characters interactions and personalities that were well-developed and interesting and approaching the themes and cultures of India with sweet tenderness and complexity.

The camerawork shooting in 4:3 aspect ratio felt purposeful and helped create the atmosphere of the setting. Many of the performances are really good and the characters are interesting as I felt genuine connection and investment to the characters. You are able to get engagement, connection and understanding of many of the characters and the mother and daughter aspects were strong. Good costumes and production designs throughout as well.

The only gripe I have is that I felt certain aspects were a little too long and could have been shorten.

Art-house India cinema is interesting as they are not something I have often seen but Girls Will Be Girls is likely going to be my newest favorite art-house India movie.

But to tell that, the film raises your expectations and slaughters them using its own hands. There's a nice group of actors, and a lucky handy teddy bear. But this is nothing new. And children nowadays experience such a phase much earlier in their lives. So while watching it, most of us can get a glimpse of some irrational delusions of the director.

I can understand it's compulsory to speak in English inside the institutions but the film itself here is the institution. Language matters a lot, and that's a reason why it can't reach out to many. Sometimes it feels like Bombay with mountains. Local dialect exist krta hai?

Anyways, makers should talk with students directly, make a nice use of their experiences.

Nice attempt, best wishes.