अपनी भाषा में प्लॉट जोड़ेंWhen a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 जीत
Cloé Xhauflaire
- Camille
- (as Chloé Xhauflaire)
फ़ीचर्ड समीक्षाएं
Watched the Friend at NYFF among an appreciative and applauding crowd. It is a multi dimensional story of grief where we don't know whether the human is supporting the animal ot is it vice versa.
We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.
But at the end it is Apollo who helps everyone find their way in life.
The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.
Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.
We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.
But at the end it is Apollo who helps everyone find their way in life.
The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.
Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.
While on vacation in Hollywood (ooh la la) I obviously had to see a movie. Funnily enough, I chose the most "New York" movie out there. THE FRIEND is a drama based on a book by Sigrid Nunez about a writer named Iris (Naomi Watts). Her best friend Walter (Bill Murray) commits suicide, leaving her to deal with the grief of the loss, his many exes, and a Great Dane called Apollo. Living in a tiny apartment building, her landlord is urging her to move out because of Apollo. This dog is a huge scene stealer, very expressive and such a good boy. Yes he is. He reminds us that he's grieving right alongside Iris. They start to bond, even though she's not a dog person. This movie shows how one person can affect the people around them in different ways. There are thought-provoking and fascinating conversations that take place here. Taking control of your life can look like a variety of things, small or big. Apollo could be seen as a metaphor for a few things, depending on who's asking. THE FRIEND will resonate with dog-owners and everyone who has experienced loss, which is probably most people.
I really enjoy Noma Dumezweni in everything I've seen her in, and she was just as great here. The cast overall was surprisingly stacked-so many recognizable faces, and I kept having those "Oh hey, it's that person from..." moments. Everyone delivered strong performances, even the Great Dane.
We learn a lot about Bill Murray's character through the dog. Choosing a Great Dane was a smart move, there's something about that breed's presence that made the conversations around Walter and who he left the dog to feel more substantial. I don't think those same scenes would've hit as hard if it had been, say, a small poodle.
I'm not a huge dog person, so I imagine dog lovers might connect with this more. That said, I liked that the film didn't lean too heavily into sadness, despite being about grief it didn't feel too mopey. Still, I didn't feel particularly moved by it. Emotionally, it didn't hit me, but I thought it was fine overall. It's not just a story about a dog; it's also a quiet reflection on friendship, loss, and how people cope. The first half has some genuinely funny moments too.
The pacing is slow, and it doesn't really build to a traditional climax. It just sort of ends in a way that feels... fine. Not underwhelming, just gently satisfying.
During the Q&A, it was fun hearing the director talk about what it was like working with a Great Dane. I wish I had gotten to see the dog myself, but apparently, it's still adjusting. Maybe the folks attending tonight's or the Saturday Q&A will get lucky, would've been cool to see just how big it really is in person.
We learn a lot about Bill Murray's character through the dog. Choosing a Great Dane was a smart move, there's something about that breed's presence that made the conversations around Walter and who he left the dog to feel more substantial. I don't think those same scenes would've hit as hard if it had been, say, a small poodle.
I'm not a huge dog person, so I imagine dog lovers might connect with this more. That said, I liked that the film didn't lean too heavily into sadness, despite being about grief it didn't feel too mopey. Still, I didn't feel particularly moved by it. Emotionally, it didn't hit me, but I thought it was fine overall. It's not just a story about a dog; it's also a quiet reflection on friendship, loss, and how people cope. The first half has some genuinely funny moments too.
The pacing is slow, and it doesn't really build to a traditional climax. It just sort of ends in a way that feels... fine. Not underwhelming, just gently satisfying.
During the Q&A, it was fun hearing the director talk about what it was like working with a Great Dane. I wish I had gotten to see the dog myself, but apparently, it's still adjusting. Maybe the folks attending tonight's or the Saturday Q&A will get lucky, would've been cool to see just how big it really is in person.
This movie is about writers, but the real interesting part is about the dog and the part he plays.
Bill Murray is Walter, he is jogging one day in Brooklyn, along the river, when he sees this Great Dane, Apollo, sitting alone on a hill with no apparent collar or identification. Apollo becomes Walter's companion.
One of his close friends, and formerly a bit more than that, is Naomi Watts (who also is Executive Producer) as fellow writer Iris. She lives in a small, rent-controlled apartment that doesn't allow dogs. At least not yet!
So, right after Walter's untimely death everything points to Iris as the new caretaker of Apollo. This presents a number of difficulties that drive the rest of the story in this movie.
My wife and I watched it at home, on DVD from our public library. It is a refreshingly good movie, in this day of mostly mediocre movies. Watts and the dog are both very authentic in their roles.
Bill Murray is Walter, he is jogging one day in Brooklyn, along the river, when he sees this Great Dane, Apollo, sitting alone on a hill with no apparent collar or identification. Apollo becomes Walter's companion.
One of his close friends, and formerly a bit more than that, is Naomi Watts (who also is Executive Producer) as fellow writer Iris. She lives in a small, rent-controlled apartment that doesn't allow dogs. At least not yet!
So, right after Walter's untimely death everything points to Iris as the new caretaker of Apollo. This presents a number of difficulties that drive the rest of the story in this movie.
My wife and I watched it at home, on DVD from our public library. It is a refreshingly good movie, in this day of mostly mediocre movies. Watts and the dog are both very authentic in their roles.
I went in expecting a sentimental story about a woman and a big dog, and while that element is definitely there, The Friend surprised me with how layered and restrained it was. Naomi Watts gives a really thoughtful performance-quiet, a little distant, but grounded in real emotion. And Bill Murray, though only present in flashbacks and memory, adds a lot of warmth and depth to the story.
What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.
The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.
Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.
What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.
The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.
Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.
क्या आपको पता है
- ट्रिवियाWhen Iris (Naomi Watts) visits Walter's (Bill Murray) book publisher, some of Sigrid Nunez's other published books are visible upon the publisher's office desk.
- कनेक्शनReferences Yeh ek Adbhut Jeevan Hai (1946)
- साउंडट्रैकDie Zauberflöte, K. 620, Act 2: 'Pa-pa-pa' (Papageno, Papagena)
Written by Wolfgang Amadeus Mozart
Performed by Catherine Pierard
Courtesy of Parlophone Records Limited
By arrangement with Warner Music Group Film & TV Licensing
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- 30 मार्च 2025
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