Freelancers

Without any real success or box office backing Curtis "50" Cent Jackson has still managed to churn out a film career, with most of in straight to video action films. This time though he has aligned himself with some big star power in the form of Robert DeNiro and Forest Whitaker, but is it enough to deliver that extra punch to step this cop thriller or will it just be another forgettable addition to the genre?

Freelancers follow a young cop who joins in with a group of rogue cops led by his father's ex-partner. When the truth about his father's death is revealed it pushes him to finally make sure justice is served. This isn't a bad movie, but it isn't anything different than every other cop movie that has come along over the years. Jackson does a decent job here, but just doesn't have the chops to really sell the emotional aspect of the character. He works well for the action, but as soon as he has to deliver some sort of emotion it just comes off non-existent. Whitaker and DeNiro both pretty much phone this one in, but thanks to their amazing talent still manage to deliver some interesting characters. The story is pretty straight forward, but wants to try and deliver twists and turns where it is pretty obvious as to where it is all headed. In addition there are some aspects of the story that just come off a bit unbelievable in the system. There's some decent action moments here but nothing that really stands out to help push this along.

Overall this is a pretty generic delivery into the cop thriller, but thanks to the star power behind it at least feels a bit bigger than the straight to video release it got. If you are a fan of this genre or any of those involved give it a try, just don't expect anything all that new or original.

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CROSSFIRE wasn't quite the dog of the film I was expecting but it's certainly no classic and it only barely gets there as an average and acceptable watch. There are two major problems with this production which drag it down and the first of those is lead actor Curtis Jackson, better known to the world as rapper 50 Cent. Jackson is no actor and is as wooden as they come, so watching him attempting to convey any emotion apart from the most basic happy/sad expression is a real chore and quite embarrassing in places.

The second problem is the familiarity of the material. CROSSFIRE feels like a Frankenstein's Monster of a movie, made up of bits and pieces from TRAINING DAY, RAMPART, STREET KINGS, and at least half a dozen others. Heck, Forest Whitaker is here and playing nearly EXACTLY the same role as he essayed in STREET KINGS. Despite these problems, CROSSFIRE is occasionally thrilling in places and there's a lot of involved material to fill up the running time. Robert De Niro is barely in it but at least he doesn't embarrass himself and there's a nice minor part for Dana Delany. While I enjoyed CROSSFIRE in places I do feel that with a better lead actor and story it could have been something truly great rather than just average.

OK for a Saturday evening film, when the washing up is done and all quiet in the house, this will keep you fit as you slide into a deep sleep without the aid of a milky drink and a chocie biscuit. Firstly Mr whitaker looks decidedly lost in this film not a role for the Last King of Scotland more like Mc duff! De Niro just there for the money and film credits (he has done 163 now) and Mr 50p made a good effort, he hit most of his marks and looked slightly interested in the unfolding story, but his facial expressions changing every 17.6 became most annoying put me off taking him to serious as a lead role (has he got some form of Palsy? in that case he did well)

Story was the same as previous stories, the only difference they were told better and with more conviction from the characters (yes Vinnie i mean you). Best part of the film, as when i got up to search for some more washing up. all work and no play.

The strength of this film is found in the secondary cast who support a film with pretentions but whose main weakness is the lack of charm and dramatic capacity of Curtis Jackson. When someone is good at something they will always be and that is perfectly visible in people like Whitaker, De Niro or Pedro Armendáriz Jr. Who had his swan song in this film. With tense and well-directed moments, the film's tone tends to fade at the end, where the entire weight of the film falls on Jackson, who is very limited to carry out a script that he could and should have been better. If it weren't for the secondaries it would be a bad movie.

In New York, three smalltime hoodlums are arrested and years later they become NYPD officers. When they are celebrating in a bar, Captain Joe Sarcone (Robert De Niro) summons Jonas "Malo" Maldonado (50 Cent) to sit at his table. Sarcose was the partner of Malo's deceased father and he invites Malo to join his team of corrupt cops. The rookie Malo teams up with the dirty Dennis LaRue (Forest Whitaker) and he begins his career of crime in the police department. But when his former trainer Lydia Vecchio (Dana Delany), whose husband worked at the Internal Affairs when he was murdered, shows evidences of his father's death to him, Malo returns to the side of the law to seek revenge against those that killed his father.

"Freelancers" is a movie with a messy story about corrupt NYPD officers. The lead character is a hoodlum that becomes a dirty cop, but comes back to the side of the law to revenge the death of his father and ends invited to join the Internal Affairs. Lydia has conclusive evidences against Sarcose and his gang, but they are not enough to arrest the dirty cop that is not under surveillance. The great cast is lost in a poor screenplay and a weak direction. My vote is four.

Title (Brazil): "Assassinos de Aluguel" ("Hired Killers")