Admission

I love Tina Fey and Paul Rudd never gets old either (literally and metaphorically). The movie itself has quite a few flaws though. Never sure if it is a comedy or a drama. Walking that line was never going to be easy and it stumbles more than a few times. Tina and Paul do their best to keep it on tracks.

The kid actors are pretty decent, but don't have much to go through in their arks. Of course the movie is about lost love and about family in general. But even those things are not mixed in the right mixture. There is either too much of something or too little of another thing. A shame that the talent and the massive effort on Tinas part does not really get the movie it would deserve.

"You may have built schools in third world countries and cleaned contaminated water from villages but you have never tried to get a kid into Princeton." Portia Nathan (Fey) is an admission counselor for Princeton who is in line for a huge promotion. Everything is going her way until she travels to a new school to check out an applicant. While there she meets John Pressman (Rudd) with some interesting news about who she has come to see. Going in I was expecting nothing but hilariousness. Tiny Fey & Paul Rudd together how can you go wrong I thought. While I do have to say that I enjoyed the movie this was not nearly as funny as I was expecting. The movie had the feel of some of the new Judd Apatow movies, lot of heart but not as laugh-out-loud funny as I was going for. I'm not saying this isn't good, it is worth watching but don't go in like I did and expect nothing but wall to wall funny. Overall, a movie that I did like but wasn't as funny as I was thinking it was going to be. I give it a B.

Admission will make any Tina Fey fan very happy. She's at her best, displaying her very unique style of comedy so well, that you'd think she wrote the script. Paul Rudd might not be at his greatest but he definitively plays his role well. Wallace Shawn is excellent as the dean of admission with just the right tone. Lily Tomlin is also very good, as a very unique mother.

Nice humor, nice pace, good ideas, and just a little silly.

The main drawback is that at time, it feels a bit light. Some of the plot items could have been delved a little more to get a better perspective.

Overall, it's nice entertainment.

The amusing Admission is the first successful comedy of the year and a reasonable look at the admission process for an elite college--Princeton. Tina Fey as Portia and Paul Rudd as John turn in pleasant performances as an admissions executive and a progressive school teacher respectively. Rudd is amiable here and usually successful in his film career, while Fey's efforts up to now have been mediocre (Date Night, Baby Mama).

As an Alumni Admissions interviewer for over 30 years at Georgetown University, I find much of the story ringing true from the overachieving candidates nurtured by ambitious parents to the underachieving but brilliant and risky individualists. Portia must struggle with the boxed-in role of continuing the Princeton tradition (read stereotypes) or breaking away to push for a student who calls himself an "autodidact" with low grades but perfect scores on achievement tests for courses he never took.

Amid the plot's fierce applicant battle for a slot, Portia and John dance to the usual romantic formula of disliking each other to . . . Well, you know the drill. However, it's their reactions to the admission process that provide the authentic tension as he has developed students with independent minds, and she is used to the cookie-cutter candidates who lack the passion of those independents.

Director Paul Weitz knows something about family dynamics and children with his About a Boy, In Good Company, and Little Fockers among the more obvious examples. Signing up Lily Tomlin to play Portia's feminist mom was inspired; like the ubiquitous aging Alan Arkin, Tomlin should now have plenty of work.

Admission requires no small amount of sympathy for the messy business of growing up and getting ahead—Weitz navigates the vagaries of family ambition well. If the double-meaning of the title seems too precious to you, don't worry, the rest of the story is almost unambiguous.

Although Admission is mostly about applicants to an upper-tier college, it also poses the unethical means some might employ to gain entrance. Even Portia is not blameless, a touch I found in the film's favor while it deals with the unreal segment of our population smart enough to be considered for admission.

Admission (2013)

The title is built around a pun which is the turning point of the movie—an admission, or at least a revelation, about a long lost child. The leading woman is the wonderful Tina Fey who I wish I could say was wonderful here. She plays an admissions official at Princeton, and lots of Ivy League clichés and would-be jokes parade by.

And that's the overview—a pre-packaged kind of routine film, not very imaginative to start with and never pushed or pulled the way a comedy, or a romance—or both!—ought to be.

Fey, it seems, wants to be a serious romantic leading actress, and she's chipper and cute and she could, with a much better script, pull off a kind of sympathetic Meg Ryan type. That's at least what I smell here. Her romantic partner, the sometimes very funny Paul Rudd, is again weighted down by having little to really make funny.

I'm not sure how a director like Paul Weitz keeps getting work. He has a whole series of disappointing movies, even a hand-me-down like "The Little Fokkers," and I'm sure some have made some money, but they would have been better (and made even more money) in better hands. The proof is in all this pudding.

On the surface you might think there are funny paths to take in "Admission," and maybe even some hilarious pratfalls (Fey's mom is more happily over the top and has some moments), but it's just a mildly enjoyable fizzle all the way. You won't walk away angry, just a little flat.