Gotti

This chronicles the life of John Gotti (John Travolta) from a ruthless killer to the big mob boss of the Gambino crime family. Victoria (Kelly Preston) is his loyal wife. His son faces prison time of his own.

This is flat. There is little life to these characters. Travolta is doing an impression and I'm torn about his effectiveness. At times, he's doing fine but at other times, he's hamming it up. There is no doubt about the directing from Kevin Connolly. It is at best TV quality. The son is the key to a character based portrayal. Sadly, the kid playing the role is a muscle head and he doesn't have the skills or the experience. He's not given the chance anyways. There is no heart to this material.

There's an attempt here to give us a flavour of the life of John Gotti - the Teflon Don; the real-life godfather; the head of the Gambino crime family in New York City. It centres around a visit by John Jr. to his father in prison, as Gotti is dying of cancer and Junior is cutting a deal with prosecutors to serve his time and then get out of the life. And as that encounter progresses, the story of Gotti's "career" and its impact on his real family is revealed as he rose to head of the family.

To be blunt, this isn't a great movie. It paints a picture of life in organized crime, but to me it seemed poorly put together, with no real flow or over-arching narrative; things just being thrown together sometimes with little rhyme or reason. There isn't really much in the way of character development. We get the point that we're watching movie about a bunch of mobsters, but I can't honestly say that I found myself caring much about anyone. The lead role was played by John Travolta. His performance was, I thought, uneven. And the truth is that the movie didn't really hold my attention. There were times when it became little more than background noise because, frankly, it just wasn't that interesting. It desperately needed better pacing, and a better flow to the story. (3/10)

Just an FYI any review over a 3 star is fake so after you get done reading the entire fake "Entourage" friend of Mr Director is that is even what you should call him read this real review who knows everything about John Gotti. What you see on screen is a iPhone googled TV script of no substance no direction with nothing new that I have not already heard on A&e or 60 minutes 20 times. I know for sure John Gotti is turning over in his grave from this garbage. If you watched A&E's Godfather and Son then you already saw this movie as this director pretty much sat down with John Gotti Jr or even watched that series and said I can make a movie about this. If you see at the end of that 4 part series you see them on set and you see the director with his IPhone taking to Travolata as I swear he shot this movie from his phone and used movieshop editing app. Travolta does a "nice" job as Junior says. I can't even go on to even waste more time thinking about this junk anymore as from the first minute I wanted leave as every real clip they showed you have seen they show over and over, nothing new. For the music I swear they went thru the list of songs that were cheap and just placed them in there with no meaning or syncope to the scene. Eric do us all a favor and go back to playing Mr Agent in Entourage and please don't get that world confused with the real movie making world and actually think you have a clue of what you were doing out there as the Gambino family Should hun you down for even putting this crap on screen hence the Crapper John tittle.

I love it. I will watch it again once I've got more time. Thanks for the hardworking.

...a better film. But the chosen way to tell the story of Gotti is wrong. It becomes pathetic. John Travolta has, maybe in too much measure, the desire to give the role of his career and the result becomes almost pathetic. Something essential is missing for transform the subject in more than a pledge for a dark hero. Sure, like each film of good intentions, it is a good first step to discover the life and activity of John Gotti. But, after each indulgence nuance, it is clear - it could be a better film.