The Takeover

Good lord is this bad. The acting is painfully forced, the hacking scenes are not even remotely realistic. Like a scrolling terminal that is too quick to read, and the guy is hammering away at a keyboard. I'M HaCKinG!! Ugh so bad.

At one point the protagonist say's she is going to have dinner with "a guy" and her lady friend (Who we never see again) ask's "is it a creep?". The protagonist then shows a mere photo of the guy at which point the lady friend says: "Oh, so not a creep" It is suggested that because the guy is cute, he's not a creep. Good lord...

The tropes, the cliches, It's all just painful to watch. I did it, so you do not have to. Skip this one.

I always find it amusing, when US "critics" write about "realism" in a European production, whereas approx. 75 per cent of Hollywood productions are everything BUT realistic. This goes also time and again and often enough for poor acting and directing.

The pace in this flick from the Netherlands ist OK, the acting maybe average, direction is OK, the storyline could be worse, agreed.

And, so? It's not a Hollywood-blockbuster (whatever THAT is supposed to be) and we do not have the humongous budgets over here to pull a flick like TOP GUN MAVERICK.

Nuthin' personal though, so chill.

Greetings from good 'ole Europe.

I've tried so hard lately to find good movies on Netflix or Hulu and most stuff I've seen is just crap, especially nearly all action movies. For The Takeover I thought the plot and story were good, the pace was good, and it stayed interesting from beginning to end. The acting was fine and did not distract. This was an entertaining movie with a great central actress.

The criticisms I'm skimming through are uninteresting to me. I don't care about the authenticity of "the hacking scenes." I was expecting something cringe-worthy but it never came.

It's not winning any Oscars but I found this interesting and entertaining for what it is. As long as you don't come in expecting Mad Max Fury Road you can have a nice 85 minutes. I liked it.

Entertaining little Dutch thriller which doesn't outlast it's welcome. Holly Mae Brood plays Mel, a computer hacker who annoys the wrong people. She's framed for a murder she didn't commit and the only person who can help her is Buddy (Frank Lammers). It's all about facial recognition and what can happen when the technology gets in the wrong hands. Mel and her boyfriend Thomas (Geza Weisz) have to get the information that will prove her innocence to the police. She's chased by the murderous Rogers (Lawrence Sheldon) but gets away before the police capture him. It all ends in a runaway driverless bus and Mel and Thomas save the day before the bus crashes. Enjoyable little film, been done before but likeable all the same.

No pun intended - also numbers not taking over ... I think. But my impossible to follow train of thoughts aside, the movie is quite easy to follow. Actually so easy that some got bored (I see you and I totally understand) - this is not really a movie that will have many surprises for most viewers.

If you like thrillers though you may not care too much. European thrillers - now there are way better ones than this one. Still there are some interesting choices in story and characters development. Cliches are being thrown at us, but that is something to be expected. As is the ending and many other things here ... again, do suspend your disbelief and go with the flow ... if you can.