जापान में रहने वाली एक अमेरिकी महिला सुजी और उसके पति की कंपनी द्वारा बनाए गए घरेलू रोबोट सनी का अनुसरण किया जाता है, क्योंकि वे सुजी के पति और बेटे के साथ वास्तव में क्या हुआ था, इस काले सच... सभी पढ़ेंजापान में रहने वाली एक अमेरिकी महिला सुजी और उसके पति की कंपनी द्वारा बनाए गए घरेलू रोबोट सनी का अनुसरण किया जाता है, क्योंकि वे सुजी के पति और बेटे के साथ वास्तव में क्या हुआ था, इस काले सच को उजागर करते हैं, जो एक रहस्यमय विमान दुर्घटना में गायब हो गए थे.जापान में रहने वाली एक अमेरिकी महिला सुजी और उसके पति की कंपनी द्वारा बनाए गए घरेलू रोबोट सनी का अनुसरण किया जाता है, क्योंकि वे सुजी के पति और बेटे के साथ वास्तव में क्या हुआ था, इस काले सच को उजागर करते हैं, जो एक रहस्यमय विमान दुर्घटना में गायब हो गए थे.
- पुरस्कार
- कुल 1 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
First of all I would like the creators of this show to acknowledge their love of Quentin Tarantino's Kill Bill, because they named a character Boss Tanaka and he's even the same actor as Boss Tanaka in Kill Bill 1. THEN they name another character Boss Matsumoto. Oh, c'mon! And there are no mentions of this obvious influence in any interviews, but it's so obvious.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
The show started well, the future, new interesting technologies, Japanese culture, mystery and thriller... but at one point the concept changes. The story is supposed to be told from the eyes of Suzie and Mixxy as the main actors, but the story expands and spends a lot of time on background stories of other characters where it slowly starts to lose fun like at the start... but omg the ninth episode, is for children... little children...
It's a shame a good idea was ruined, how it started could have been something special, this way it will be forgotten very quickly, and actors will have a harder time getting better roles because of a childish show.
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
I guess Apple's strategy of releasing multiple episodes at the start of the season is a good one since it was the first couple of episodes that got me hooked. In the first 2-3 episodes, the tone was darkly funny, the mystery engaging, and the development of the relationship between Rashida Jones's character and the robot was interesting. After that, though, the show pretty much fell off of a cliff, devolving into inane subplots involving the Yakuza and spinning its wheels for several episodes with the plot going nowhere, the relationships taking a backseat, and the central mystery suddenly being ignored. It's too bad because there was a good show in here somewhere, but it seems to have gotten lost in effort to stretch things out over 10 episodes.
I love Sci fi and I love Rashida Jones but I can't figure this show out. I'm not sure what it's about after 3 episodes. The fact that 70% of it is in Japanese makes it even harder. Rashida Jones' job seems to be to stand there half slumped and speak in English to people speaking to her in Japanese. She doesn't have any drive or maybe it's the way she portrays it I get no sense of urgency or even fear or trepidation from her as she's trying to figure out what happened to her husband and son. The writing is really uneven. This makes me sad. I wanted to like it, it's just too obscure for me I guess.
क्या आपको पता है
- ट्रिवियाThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- कनेक्शनReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- साउंडट्रैकSukiyo Aishite
Performed by Mari Atsumi
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Sunny have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Dark Manual
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें