Free Samples

This is one of those indie type films I'm actually glad I watched. It's very quirky, and had those moments that made you stop and think. When it started, I had my doubts, but Jesse Eisenberg helped pull me into the story. It's also got some 'laugh out Ioud' moments and some 'laugh out loud about a minute later' moments when you actually process the hilarity of some of the dialogue. The cast is cool.I love the emergence of Jason Ritter, I think he's more talented than people give him credit for. I enjoyed seeing Jesse Eisenberg in a different type role and seeing Tippi Hedren in it was pretty cool too. There was one scene where I thought the comedy didn't work very well, but that's typical of most movies, I guess. Gammill and Beggarly make a good team, not sure if they're working on other stuff together, but there's definitely a market for these types of movies.

This one-set Indy tries very hard to be sharp and mordant and timely. The trouble is that nothing about the characters or their situations rings true. The main set is an ice cream truck located in what looks like a borderline ghetto where the heroine must give away free samples of chocolate and vanilla, nothing else. The workers and everyone in the neighborhood seem to already know that the pseudo ice cream is horrible. So what are they really doing there? In what alternate universe would this actually happen?

Apparently in the same universe where a self-absorbed Cali-blonde Stanford law student would be SHOCKED, SHOCKED I say, to learn that 5 years after she left home, her dad moved out and took up with a trophy bimbo. That evidently never happens in alternate universe Z, so of course it sends our heroine into a drunken tailspin where she must engage in contrived sardonic banter with every unlikely walk-on character who ambles by her pseudo ice cream truck. Sadly, none of these encounters feels more forced or contrived than the heroine's confrontation with her unwanted fiancée.

After 90 minutes of this I yearned to get back to our universe where Cheech and Chong would have a very good business plan for that ice cream truck working the ghetto and where all their customers' curious demands for "stamps" would make sense.

Based in part on a worryingly low IMDb rating, I went into "Free Samples" with some hesitance, but to my surprise it ended up as the highlight of the Palo Alto International Film Festival for me in terms of sheer entertainment value. It reminded me a great deal of a Sundance favorite from a few years back, "Smiley Face" with Anna Faris, due both to its snarky but ultimately sweet sense of humor and the wonderfully expressive and funny things that lead actress Jess Weixler is able to so with her face and her delivery. It's the kind of quirky -- I think one may in fact be required by law to use that word when reviewing films like this -- comedy about not all that much that understandably will rub some viewers the wrong way, but it's executed with so much giddy confidence (especially for a first feature) that it had me from the first minute and held onto me for all of the rest. Director Jay Gammill mentioned at the Q&A that he's currently working on a second feature with the same screenwriter. I'm looking forward to it.

This is the definition of a "small" film - no car chases, no guns, relatively little action, lots of talking but somehow moving and enjoyable. The humor is chuckle rather than laugh out loud but the film keeps moving and is never boring. Perhaps best watched at home rather than in a movie theater with minimal distractions. Good acting, even in the smallest of parts, is the mainstay of this movie and the direction is subtle and relatively invisible. The movie is about a 20 something who has hit a roadblock and has literally dropped out of the life she was living. A day spent running a mobile custard stand somehow jolts our 20 something back to life. If you don't need explosions and special effects to enjoy yourself, consider investing 80 minutes in this fine little film.

Decent dialog driven movie that has some good acting but never really develops a worthy plot.