IMDb रेटिंग
6.3/10
55 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA middle-aged couple's career and marriage are overturned when a disarming young couple enters their lives.A middle-aged couple's career and marriage are overturned when a disarming young couple enters their lives.A middle-aged couple's career and marriage are overturned when a disarming young couple enters their lives.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 3 नामांकन
Matthew Maher
- Tim
- (as Matt Maher)
फ़ीचर्ड समीक्षाएं
Watching people realizing they're no longer young and hip naturally lends itself well to humor, drama, and self-examination, but the subject matter alone doesn't always naturally lend itself to a neatly formed story. The writer/director has to handle that part. Good thing this movie has Noah Baumbach.
Baumbach brings a knowing touch to this film, always seeming to strike a fitting balance between humor, drama, and analysis, all without ever feeling heavy handed or condescending. He allows his characters to show viewers the dichotomy of a young, idealistic (Adam Driver and Amanda Seyfried) juxtaposed against the aging couple (Ben Stiller and Naomi Watt) who have lost a bit of luster but are a bit in denial about their quasi-happiness.
After the couples meet and become fast friends, it's the older couple who draws inspiration from the young. They slip right back into their own youthful beliefs about the world and how they should exist in it. Some of their thoughts are meaningful, while others are sappy and, well, juvenile. Despite recognizing the silliness of the young couple's lifestyle, like watching VHS tapes and listening to records just because, it's easy as a viewer to fall under their spell. Driver and Seyfried are effortlessly charming, and their exuberance and self-certainty make them appealing role models.
The epiphany about how to live life that the young couple gives to the older one is a little too easy and convenient. Something must be off. Baumbach was simply reeling us in, making us listen more closely as he continues his story.
This is where the most crucial part of the movie arrives, and it's the one Baumbach handles with less success. Just as the salient message of the movie should be coming into focus, the story instead veers swiftly towards a grumpy take on the ethics of documentary filmmaking.
The third act is a little unsatisfying, but it is certainly not enough to erase what is on the whole an intelligent, humorous and enjoyable movie.
Baumbach brings a knowing touch to this film, always seeming to strike a fitting balance between humor, drama, and analysis, all without ever feeling heavy handed or condescending. He allows his characters to show viewers the dichotomy of a young, idealistic (Adam Driver and Amanda Seyfried) juxtaposed against the aging couple (Ben Stiller and Naomi Watt) who have lost a bit of luster but are a bit in denial about their quasi-happiness.
After the couples meet and become fast friends, it's the older couple who draws inspiration from the young. They slip right back into their own youthful beliefs about the world and how they should exist in it. Some of their thoughts are meaningful, while others are sappy and, well, juvenile. Despite recognizing the silliness of the young couple's lifestyle, like watching VHS tapes and listening to records just because, it's easy as a viewer to fall under their spell. Driver and Seyfried are effortlessly charming, and their exuberance and self-certainty make them appealing role models.
The epiphany about how to live life that the young couple gives to the older one is a little too easy and convenient. Something must be off. Baumbach was simply reeling us in, making us listen more closely as he continues his story.
This is where the most crucial part of the movie arrives, and it's the one Baumbach handles with less success. Just as the salient message of the movie should be coming into focus, the story instead veers swiftly towards a grumpy take on the ethics of documentary filmmaking.
The third act is a little unsatisfying, but it is certainly not enough to erase what is on the whole an intelligent, humorous and enjoyable movie.
I saw the trailers for this, thought it looked funny and i like Stiller so gave it a whirl. What a mistake! This is not the comedy the trailers made it out to be, they show the best bits and when it came to watching the whole film it fell flat. This film was trying to be an intellectual dark comedy, maybe in the vein of Woody Allen but lacked the style, sophistication and plot. The mid life crisis thing, done many times before but better, the role reversal with the oldies doing the social media thing and the younger couple living like hippie bohemians felt like an attempt to be clever but just didn't feel real. The whole moral conscience thing Stiller had was muddled because of the way the plot didn't really make out that anyone had done anything very much wrong. This was deliberate but made the whole morality issue just too subtle for the audience to care. At the end i couldn't care less whether they had a baby together or not and found it all very irritating. I know it was supposed to be allegorical and therefore clever but to me at least it was just badly done and a bit pretentious.
This film tells the story of a documentary filmmaker who has had success but struggles to finish his new documentary. He meets a young and energetic couple who live life colourfully, and he gets infected by their unending enthusiasm.
"While We're Young" starts off very strong, with Josh and Cornelia having a sort of midlife crisis. Passion dwindles from their lives, and they get locked into their comfort zone. The couple is charming and infectiously happy. I think many people could identify with Josh and Cornelia. I certainly could. I was hoping the story of unfold along these lines, but as things go wrong, it seems almost wrong for Josh and Cornelia to rediscover themselves. I think it's a misfired message, and I identify with the story less towards the end. Nonetheless, it's a good film.
"While We're Young" starts off very strong, with Josh and Cornelia having a sort of midlife crisis. Passion dwindles from their lives, and they get locked into their comfort zone. The couple is charming and infectiously happy. I think many people could identify with Josh and Cornelia. I certainly could. I was hoping the story of unfold along these lines, but as things go wrong, it seems almost wrong for Josh and Cornelia to rediscover themselves. I think it's a misfired message, and I identify with the story less towards the end. Nonetheless, it's a good film.
So I get what the film was aiming for, but I've gotta say, I'm incredibly shocked by its critical reception. I don't think it's "bad", really, but just thoroughly mediocre and really obnoxious. I don't know why, but something about it came off so incredibly forced and fake. It has some good acting and none of it is offensive or anything, but something about it annoyed me in a way I can't really pinpoint. I love Naomi Watts, but she was part of the problem. There just wasn't any synchrony between the performers I don't think. Either that or between their performances and the tone the film was aiming for. I'm perplexed because none of it I can really put my finger on, except that there is absolutely nothing of real note or anything that will be memorable even a day after watching it (well, that's not true, since I saw it a day ago). Not worth it
5/10 might not seem like a good rating, but it's a strong 5. This movie is definitely worth seeing, but only if you're okay with mild disappointments and outdated "we can't be happy without having kids" Disney-like thinking.
Movie does indeed have a good start - Ben Stiller & Naomi Watts play their roles well and make lots of good points of how we can sometimes be unhappy with our past decisions and our lives. Movie also captures well how people change when they grow up; one ends up having kids, another focuses on his/her career or other things.
Sadly "While We're Young" doesn't grasp all that there could've been. The ending leaves you kinda sad/disappointed/with mixed feelings. To put it plainly; it doesn't deliver.
Movie does indeed have a good start - Ben Stiller & Naomi Watts play their roles well and make lots of good points of how we can sometimes be unhappy with our past decisions and our lives. Movie also captures well how people change when they grow up; one ends up having kids, another focuses on his/her career or other things.
Sadly "While We're Young" doesn't grasp all that there could've been. The ending leaves you kinda sad/disappointed/with mixed feelings. To put it plainly; it doesn't deliver.
क्या आपको पता है
- ट्रिवियाCharles Grodin's character, Leslie Breitbart, is portrayed as a famous documentary filmmaker. In Leslie's apartment, there are fake Criterion Collection DVDs of films "directed" by Leslie, custom-created for this film.
- कनेक्शनFeatured in The Tonight Show Starring Jimmy Fallon: Ben Stiller/Tim Gunn/Rixton (2015)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is While We're Young?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Khi Ta Còn Tre
- फ़िल्माने की जगहें
- Jackson Hole Restaurant, मैनहटन, न्यूयॉर्क शहर, न्यूयॉर्क, संयुक्त राज्य अमेरिका(meal between Cornelia and Jamie with Josh arriving)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $75,87,485
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,27,688
- 29 मार्च 2015
- दुनिया भर में सकल
- $1,81,17,839
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें