एक अकेला लेखक, एक ऑपरेटिंग सिस्टम के साथ एक अनोखा संबंध विकसित करता है, जो उसकी हर ज़रूरत को पुरा करने के लिए डिज़ाइन किया गया है.एक अकेला लेखक, एक ऑपरेटिंग सिस्टम के साथ एक अनोखा संबंध विकसित करता है, जो उसकी हर ज़रूरत को पुरा करने के लिए डिज़ाइन किया गया है.एक अकेला लेखक, एक ऑपरेटिंग सिस्टम के साथ एक अनोखा संबंध विकसित करता है, जो उसकी हर ज़रूरत को पुरा करने के लिए डिज़ाइन किया गया है.
- 1 ऑस्कर जीते
- 83 जीत और कुल 187 नामांकन
Lynn Adrianna Freedman
- Letter Writer #1
- (as Lynn Adrianna)
Artt Butler
- Text Voice
- (वॉइस)
Kristen Wiig
- SexyKitten
- (वॉइस)
Spike Jonze
- Alien Child
- (वॉइस)
- (as Adam Spiegel)
Guy Lewis
- Marriage Counselor
- (as Dr. Guy Lewis)
फ़ीचर्ड समीक्षाएं
Another movie that i say "i should've watched before". Intense romantic drama. Fascinating portrait of loneliness in a post-digital world. Amazingly original screenplay, concept, musics, especially colors and performance from Joaquin Phoenix. This made me stay with myself after the credits have finished, i found myself reflecting on my own life and relationships.
Fairly rare one of a kind film.
A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting? In the Marvel films she plays an uber-woman, In LUCY she a woman who evolves beyond evolution itself. And here yet again she plays an OS that transcends reality.
Makes for a nice resume.
Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film...?
A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting? In the Marvel films she plays an uber-woman, In LUCY she a woman who evolves beyond evolution itself. And here yet again she plays an OS that transcends reality.
Makes for a nice resume.
Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film...?
This film was not at all what I was expecting but in a great way! I'm not a fan of Rom Coms or romances generally, and this film isn't that, although it has romantic elements to a degree. This film is more sci-fi than anything with a really interesting and fascinating twist, but also creepy and unsettling concept of relationships with an artificial intelligence. This film was perfectly cast and I can't think of better individuals to play each role. Joaquin Phoenix and Scarlett Johansson do an incredible job!!!!!!! The film was paced perfectly and didn't drag at all. The film explores the themes of human interaction, emotional ranges of humans, the concept of love, companionship, loneliness, physical touch and so much more. I really enjoyed this film both for it's originality and the ability to make you sit in discomfort but want to explore further. This film makes you reflect on the relationships in your own life, life generally and the world as a whole. This film is beautiful in its cinematography, the musical score and I'm surprised it isn't more renowned. Honestly, a masterpiece in my opinion. HIGHLY RECOMMEND!!!
A great film about loneliness. Splendid performance of Joaquin Phoenix. And pure poetry. Admirable poem about isolation, need of other, social surogate and , off course, freedom. Its basic virtue - the proposed questions creating perfect atmosphere , becoming inspired challenges to discover new perspectives.
"It has become appallingly obvious that our technology has exceeded our humanity." Albert Einstein
No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
"Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
"Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
क्या आपको पता है
- ट्रिवियाSamantha Morton was originally the voice of Samantha. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.
- गूफ़When Theodore is lying in the couch at Amy's house there is a crew member behind Amy in the shadow.
- क्रेज़ी क्रेडिट"Leanne Shapton...... Armpit Sex Drawing"
- कनेक्शनFeatured in The Tonight Show with Jay Leno: एपिसोड #22.51 (2013)
- साउंडट्रैकOff You
Written by Kim Deal
Performed by The Breeders
Courtesy of Elektra Entertainment Group and 4AD
By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,30,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,55,68,251
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,60,382
- 22 दिस॰ 2013
- दुनिया भर में सकल
- $4,82,74,727
- चलने की अवधि
- 2 घं 6 मि(126 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें