Page Eight

The cast is strong and the writing adept, and this carries a fascinating film dealing with the tensions between politics and intelligence gathering. David Hare clearly has been disturbed by how closely our (British) politicians may have become involved with 'extraordinary rendition' and intelligence gathered from the use of torture by the Americans.

Bill Nighy leads as a cerebral senior intelligence officer dealing with a world where fellow spies are not all Oxbridge, even if the Prime Minister is. His neighbour seems to appear from nowhere, and in the form of the lovely Rachel Weisz. Can she be trusted? And what of his one time tutor and now boss, played convincingly by Michael Gambon? The early scene where the spies meet the politicians, in the form of the Home Secretary (Saskia Reeves) and her assistant, is pure Hare theatre. A wonderful script delivered with panache.

The tension builds slowly but relentlessly. Maybe the grasp of the world of spies does not have Le Carre's inside track, but Hare gives us a film well worth watching.

David Hare both wrote and directed this stylish, intensely intelligent suspense film (his other films include work on The Hours, The Reader, Damage, Plenty, etc). Few films have been made that depend on smart dialogue and intense acting instead of explosions, car chases, and other improbable acts of danger to make their point. Aided by a top-notch British cast, Hare has created a thinking person's drama and it is refreshingly poignant.

A contemporary spy film created for BBC, the action is set in both London and Cambridge. Johnny Worricker (Bill Nighy in one of his best roles to date) is an experienced MI5 officer whose boss and best friend Benedict Baron (Michael Gambon) dies of a myocardial infarction: he leaves a secret file for his friend. Both men have been married to the same woman (Alice Krige) and Worricker has a grown child from his marriage, an artist Julianne Felicity Jones) who has never quite forgiven her father for leaving her mother for another woman. The file is so important that it is under surveillance by the British Intelligence (Judy Davis et al) and the Prime Minister's office (Ralph Fiennes). Worricker lives in a flat opposite a beautiful but aloof girl Nancy Pierpan (Rachel Weisz) whose brother has been murdered in the Middle East. It is the silence about Nancy's brother's death that is at the core of the file Worricker holds and with some help from Nancy he traces the truth to the point of being threatened by MI5 to be fired. The film addresses contemporary intelligence issues and techniques and the associated moral dilemmas we face today. To reveal more would be to rob the viewer of the complexity of the story.

The strong supporting cast includes Marthe Kellar in a small but pivotal role, along with Tom Hughes, Kate Burdette, Ewen Bremmer and others. This is a tense drama, exceptionally well written and acted and a welcome change from the current barrage of action flicks.

Grady Harp

Bill Nighy really could be turning into this generation's David Niven - with a more world-weary edge, mind you, but he has an immense charm without any swarm, and puts it to excellent use in Page Eight. He plays a civil servant and security analyst coming to the end of his career in the upper echelons of Whitehall who discovers that politics and war are not honourable affairs.

With an outstanding cast and an intelligent plot this remains a thriller - but one without the usual resort to unlikely battles and chases - it is very British, both in its tone and in its look - and what we get is a very nice thriller indeed.

If you like 60s cold war spies movies, and want a break from the Bourne type, then this will fit the bill very nicely. Intelligent, beautifully paced and acted, and all in all a nice break from action films to something more purposeful and, really, a satisfying watch.

When I see Bill Nighy, Rachel Weisz, and Ralph Fiennes in a cast, I know I have to check it out. I was not sorry I did. The three were together in at least one other great film - The Constant Gardener. Individually, there is seldom a really good film that doesn't have one of the three.

Of course the Golden Globes and BAFTA agree with me as they both gave the film a nomination.

The Prime Minster (Fiennes) seems to be up to his neck in deception. The meeting between Nighy and he was fascinating.

Page Eight was a positive surprise with good dialogue and an engaging story.

My 9 should be taken simply as an unequivocal recommendation to see the movie, rather than as a comparison with any other movie.

This movie is clearly in love with the world of movie spying but the writer/director have far too much class to reduce it to an exercise in kiss kiss bang bang. Instead of guns and girls we get dodgy dossiers, cold London streets, hushed conversations and uncertain allegiances.

Very early on, there is an exchange between Michael Gambon (Ben) and Bill Nighy (Johnny) that makes it clear nothing is to be taken at face value. This left me constantly wondering about everyone's motives and questioning every relationship, just as Johnny seems to do. This makes for a very enjoyable, if paranoid, experience.

Those who do not like the tone or pacing might argue that it is unfocused or misses its punches, but I liked this aspect of the film. For me, it made it all seem more realistic and at the same time more demanding of the viewer (that is, you have to pay attention and notice what is going on).

I hear that there may be a second and third film. I'd go to the cinema to see them.