Sumagurâ Omae no mirai wo hakobe

"Please laugh if you're not sure whether it's disturbing or funny," says director Ishii Kazuhiro at TIFF.

"Smuggler" is based on a single-volume manga about a failed actor who becomes an underground mover to pay back $30,000 (non-inflated exchange rate) in fraudulent debt to a Chinese gang. This is the type of movies where the plot is driven by quirky dark humor rather than logic, as the protagonist Kinuta gets deeper and deeper into trouble in the most unlikely turn of events imaginable.

It was the two "legendary assassins" Vertebrae (Andou Masanobu) and Viscera (Teiryuushin) who stole the spotlight though. There's quite a bit of action scenes throughout the film by those two in the most wacky form of violence. Vertebrae in particular was among the coolest, baddest villain ever. "Smuggler" is in no way for the faint of heart though. The lengthy torture scenes reminded me of Ichi the Killer (2001). In fact, it would've been an even more gory nerve wracking film if it wasn't for the camera angle censoring out the torture.

Matsuyuki Yasuko (beautiful as ever) also delivers a strong performance, though Tsumabuki Satoshi as the protagonist was quite a miscast as he never seemed convincing in his role. Mitsushima Hikari who was decent in Shion Sono's "Love Exposure" (2008) was comically bad, almost reading the script the whole time.

Despite the shortcomings by part of the cast, "Smuggler" is an entertaining dark comedy / action as long as you don't think too much and just enjoy the ride. And of course, don't forget to have the "teehee, his face got smacked by nunchucks" type of mindset when watching this film.

Smuggler is definitely a movie that doesn't receive the accolades it deserves. The humour is as black as the blackest pudding and the storyline and violence is something that stays true to the crazy side of Japanese Cinema.

Takashi Miike would be proud of this effort. The insanity of the whole situation is very reminiscent of films such as Ichi the Killer and Dead or Alive. I wouldn't be surprised if this director is a fan of Miike's, which will please fans of the legendary director.

If you are prepared to laugh at horrible situations, then you might just receive a massive surprise with Smuggler. I know I did!

Smuggler suffers from poor scriptwriting as it is hard to tell whose story is being featured for the viewer. The failed actor Kinuta, Vertebrae the assassin, the truck driver, or even the yakuza wife Ms. Tanuma could each make a good protagonist. But not all four at the expense of a coherent story line and finale.

Kinuta's intro is so brief that the advertised plot line "failed actor deep in debt" is hard to sense. A mobile phone ad campaign, not in the film at all, showing Kinuta going through failed casting calls sounds like the prelude that might have helped. Ishii has one or two brief flashbacks that make Kinuta appear like a failed singer instead of an actor (even the set looks like a night club); were it not for English subtitles that should not be needed at all to get this idea across.

The first yakuza scenes, supposedly scripted for comedy effects, elicited a few very short chuckles at the Hawaii International Film Festival showing I attended. After that the HIFF audience, who seemed mostly there anticipating the all star cast, sat in complete silence. They left as the credits were rolling.

The ramen meal breaks and the night truck driving scenes could have been the making of a well-rounded portrayal of Kinuta, but Ishii devotes as much time to these scenes as can be seen in the film trailer! And indeed these scenes are edited like TV commercial breaks in the middle of the feature story. He zips through them to make time for the very extended violence he is aiming for. The very final scene is set in an incongruous setting for ending the tale of a failed actor. Ishii is credited as Writer, Director, Editor, and Storyboarder of this film. I suppose that is why successful films have an expert in each.I have seen the cast in many other films and this one is near their collective bottom.

Although offering one of the best action sequences I ever saw

,,Smuggler''quickly looses its fascination at the other half of the film ,crossing the viewer's line of pain tolerance thanks to the unnecessary torture scenes. Having watched ,, Ichi the Killer '' that would not be of a problem if there only wasn't the unsatisfying other half of the plot, ending abruptly and disappointedly mundane. Added the too superficial ,,new'' characters , especially the one played by Hikari the film looses its initial potential. Long story short: Smuggler is a entertaining film ,but you can miss it . The strong first half promises something outstanding , enhancing the viewer's disappointment of the other half. 2 hours lenght , some more character depth ,less torture and this would surely be a ,,9''. Overall I can advice you ; better watch Ishii's Shark Skin Man if you want to see something really outstanding or if you can tolerate extreme violence and disturbance ,,Ichi the Killer '', which has partially the same plot and similar characters.

I go to TIFF every year in search or exciting, crazy, innovative new movies to watch that I would normally not have the opportunity to do so. Well I am glad to say that this is just one of those films. the story, mixed with the script, the acting and of course the fight sequences left me breathless. I have yet to see one Asian movie at TIFF that has disappointed me. But like I always tell people you better have a strong stomach and be prepared to see some things on the screen that might make you queezy. besides that grab a big bag of popcorn take your date and be prepared to be shocked till your hearts content. At the screening I was at a few girls did ave to leave the theatre so be prepared and don't say I didn't warn you.