Upstairs Downstairs

If you enjoy Belgravia& Downton Abbey then you will enjoy Upstairs Downstairs.

The 2010-2012 version of "Upstairs, Downstairs" is a revival of the beloved British drama, set in the same iconic house at 165 Eaton Place, but this time during the tumultuous years between the two World Wars. While attempting to capture the charm and essence of the original series, this adaptation introduces new characters and storylines, providing a fresh perspective on the interwoven lives of the upper-class Bellamy family and their dedicated servants. Despite its attempt to recreate the magic of the original, some viewers found the revival lacking the same depth and authenticity. However, the series still manages to offer an engaging portrayal of a bygone era, with its lavish costumes, elegant settings, and compelling performances from the cast. Ultimately, "Upstairs, Downstairs" (2010-2012) serves as a respectable homage to its predecessor, though it may not fully recapture its timeless appeal.

I watched Upstairs, Downstairs while suffering from "Downton Abbey withdrawal symptoms" and was pleasantly surprised. If they do do another series, and I personally think they should, what they can improve on is perhaps make the episodes longer-and a little slower too so that we have a tad more room to breathe- so that the characters and situations can be developed a little more.

That said, I saw potential. It is not as good as Downton Abbey- which was one of the better programmes airing last year- or the original Upstairs, Downstairs which was full of class and elegance and still one of my favourites, but actually this was one of the more pleasantly surprising(if not perfect) programmes over the Christmas break. While not among the best(Eric and Ernie), it wasn't among the worst(Whistle and I'll Come to You).

As it was with DA and the original US/DS, the production values are wonderful. I always love a series with beautiful scenery, skillful photography and wondrous costumes and US/DS had plenty of those. The music is also pleasant and very well composed if sometimes overdone, the dialogue in general is good and flows well with some both humorous and poignant moments, the stories are interesting(the 3rd episode had the most heart) and the characters are likable.

I think the acting is quite good. I personally don't have a problem with Jean Marsh, and while I am not a Keeley Hawes fan strictly speaking I thought she was good and fitted in with the period more than adequately. Ed Stoppard, Claire Foy, Anne Reid and especially Eileen Atkins were even better though, and while he could have done with more to do I quite liked Art Malik too.

All in all, it wasn't perfect, if they bring it back I think it has potential to grow and be better, but even with its flaws I quite liked it. If it comes back though, please can it more than 3 episodes? 8/10 Bethany Cox

The next generation of Upstairs Downstairs is excellent. The acting is superb. The scripts are superb. The Costumes are beautiful. Anyone finds fault is malcontent. Claire Foy is a great actress. Everything she does is perfect. Everyone in this series is very good. I wished this series went past two seasons. From what I read Downton Abbey was the hot thing during this time. There are few period pieces from the 1930s-1040s available. World War II dramas of the civilian life isn't out there. This was an excellent depiction of the time in England. I will research the actors and try to find their work.

It was with much trepidation that I watched this series on BBC over the Christmas break, I was sure that it was going to be a major disappointment as a remake of the classic 1970s TV series. However I am glad to say that I was very wrong.

Rather than a remake, this is a continuation of the story of 165 Eaton Place in Belgravia, the scene of the original series.

Jean Marsh, who appeared in and co-created the original series, returns as Rose Buck, and helps the new tenants assemble a new retinue of housekeeping staff.

The new series is set in the late 1930s and to add to the trials and tribulations of the new servants, we see initial interest in British fascism and the ensuing riots, Jewish fugitives from Germany and evidence of aristocratic flirtations with Nazi Germany.

The three episodes were very poignant and involving and included much humour also. The entire cast were uniformly excellent and I can only hope that the episodes were successful enough to result in a full blown series.

The first season is exciting to watch - the characters, the costumes, the story, the humour, the pathos... it's great! However, season is a mess. Eileen Atkins refused to return because she didn't like the scripts for season 2, and she was right. The first couple of episodes are okay, but when the writers ran out of ideas they dredged up some non-sequitur throw-away stories that include a lesbian affair and a boxing match that have no overall impact on the story. The last two episodes are dark and depressing and rush towards an unsatisfying conclusion. My advice is watch season one as a movie in three parts and pretend season 2 was never made...