तलाश

When was the last time Indian audience have witness an intriguing noiri-sh suspense drama without any cheap thrills? Probably not in recent times (for starters Kahaani is a suspense thriller). Talaash is one such celluloid experience that will captivate you to the last reel. The film is a dark,complex psychological yet there are layers of emotions which makes it more compelling..Add to this there is an Occult angle to the mystery..

The film starts with a darkish depiction of Maximum city with eerie background music followed by a car coming at high speed which suddenly takes a turn and gets drowned in a river. It is later known that famous cine-star Arman Kapoor died in that car accident (or murder or something??) Inspector Shekhawat gets the charge of the case. At a personal front Mr shekhawat and his wife are trying to come to terms with untimely loss of their son. The two incidences get connected at a point which changes the life of the protagonist. Without revealing the story I can say clearly the detailing is commendable and you can see the dots getting connected.

Reema Kagti in her second directorial venture proved her understanding of this medium and fluidness in handling of complex themes. Talaash is one of the most complex films of recent times with layers to the narrative and characters. At the same time it's a thriller and an emotional drama of a father coming to terms with his child's loss. The emotions and vulnerability of Inspector Shekhawat is genuinely expressed which one can identify with. Everyone of us have lost a near or dear one at some point of time we will (recently I lost my mother) and after that the mere existence becomes difficult. At those moments mind and brains starts behaving weirdly and one starts accepting irrationality which gives one inner peace. Talaash explores one of those phases of life when everything seems at lost yet one has to move on with life. Without giving away any suspense I would say Kagti's (& Zoya akhtar) script webbed in a beguiling suspense drama around that complex phenomenon. Kudos to K.U Mohanan's camera-work (who was recently being part of award winning pulp noir Miss Lovely) brilliantly captured the by-lanes of Mumbai. Mumbai becomes a darker character in this mystery. The fear of danger lurking around the corner can be sensed and it seems no one should be believed. Subaya's editing and Ram Sampat's flawless music add on to the proceeding and help in building the circuitous narrative. Sampat's music is brilliant with Akhtar's lyrics especially "Lakh duniya kahe tum nehi ho" is mark of a genius and someone who have lost a dear one will surely relate to the lyrics. It brings tear to one's eyes as one look back at life. "Jiya lagena" songs has a good video which gels with the fusion music. There are moments which had excellence written all over it like one in which Shekhawat is trying to recall his child's accident and ponders how his way of handling the situation in a different fashion would have saved him from drowning. The eerie background score and blurred camera work in few of the sequences justifies the end when the truth comes out.

The end is heartening which leaves a lump in your throat, yet the urge to watch it again remains. May be in the second viewing one will find another aspect of the story.

Aamir Khan again proved that he is the only superstar who wants to associate with quality cinema. This film doesn't have the regular masala appeal wala entertainment. While all other stars are playing it safe Aamir ensures that his film has some meat which will be remembered down the line. His performance as Inspector Shekhawat deserves awards and accolades. He flawlessly portrays amenability of a depressed soul who has been caught in a web of mystery. His sequences with Rosy showed his versatility as an actor. Kareena Kapoor is effective as escort Rosy. The role is sensitive and something not on the lines of a typical mainstream heroine but Kareena effortlessly fits in it. Rani Mukherjee is just about perfect as Shekhawat's lonely wife. Another actor who steals the show is Nawazuddind Siddiqui as Taimur who has proved his mettle this year with GOW & Kahaani and now this one (Those few privileged soul who got the chance to see Miss Lovely would have already labeled Siddiqui as finest actor of recent times). He is one of the central characters of this mystery and delivered his best. One will remember this character long after the movie is over. Shernaz Patel & Raj Kumar yadav are ever reliable actors and suits the bill. Subrata Sen as Shahsi leaves his mark in a small role. All the other actors did a decent job.

On a whole Talaash is a rare suspense drama which would be loved by connoisseurs of good cinema. This film will open new window to this genre and hopefully more complicated psychological themes will be explored in the near future. One thing is for sure Talaash will be remembered in the long run as a fine cinematic experience that remained true to the style and content till the very end without falling into traps of commercial arena.

Coming to the end of the film there has been criticism from some sectors claiming it to be "unrealistic" but then who told them the film depicts hardcore reality. The film just tells a story of coming to terms with loss and that also a gripping one with usage of "after life" concept to build the narrative. The end is sensitive.With untimely loss of your near and dear one you would feel or crave for some answers as to why "You" and the answer lies within...And in this film Mr & Mrs Shekhawat at least got some explanations in their quest(Talaash)..

The movie opens with a random accident involving a popular film star that seems to defy all explanation. It also introduces the main protagonist, Inspector Shekhawat (played gloriously by Aamir Khan). The rest of the movie details how the good inspector peels away the mystery surrounding the accident. Along the way, he also battles his own demons in the form guilt for his child's untimely death in an accident.

The movie is scripted well enough to keep you interested all the way to the end, even if the end if a tad bit tame.

Five-star performances from all the leading characters ensures that you are sucked into the mood and world that Reema Kagti creates. Nawazuddin Siddiqi gives another stellar performance to follow-up on his performance in Gangs of Wasseypur. Rani Mukherjee redeems her acting credentials after the disaster of Aiyaa. Kareena Kapoor is competent. However, it is Aamir Khan who steals the show with a highly nuanced performance which I am sure he will rate among his finest.

The music from Shankar-Ehsaan-Loy is very complimentary and at no time does it intrude, as it is want to do in Hindi films, into the story-telling. Instead it is very much part of the story-telling and at times even takes things forward.

The movie is another feather in the cap of Zoya Akhtar who has penned the story and screenplay along with the director Reema Kagti. The credits for the dialogs are shared between Farhan Akhtar and Anurag Kashyap.

After the mindless films that preceded it during the Diwali weekend, Talaash comes as a breath of fresh air and bears a promise that Bollywood is not all about assuming that the audience is a collection of sheep waiting to be sheared.

I was waiting for Talaash from a long time and wondering what new Aamir has added into his new film. Talaash was very nicely narrated and holds you till the end. But somehow I feel disappointed when the movie moves on to the climax. It was not the kind of a movie Aamir usually do. Mostly all of his previous movies where really good and add something new to the Indian cinema. But this one, despite being a very good movie, failed to become a masterpiece. See, this is what we always expect from Aamir Khan, a masterpiece! Cinematography was good, acting superb but somewhere it was lacking the X-factor. Rani Mukherji with no makeup added the depth to the role on the other hand Kareena was looking as glamorous as always. Aamir Khan as usual did the best. Nawazuddin Siddiqui did what he is best in....acting!! The script keeps you holding throughout. All in all it is a good movie to watch but I feel that the climax could have been made better and more sensible.

Definitely a one time watch and worth watching at least once.

So keeping in mind to not disturb any one else's movie experience by giving out any spoilers ,, i would like to review this movie in short. All the AAMIR KHAN bluff of great movies is likely to get over after this one, he had a great time for last few year. Let me give points to just sum up how i felt about different aspects.

Entertainment - 4/10( A few laughs and mostly u will keep searching in your head)

Acting - 9/10 ( Especially Nawazuddin sahab)

Suspense - 8/10 (The core of the suspense was terrible but the unfolding was great.

Direction - 6/10 ( Some scenes really awesome, but some just bore u to death)

Plot- 5/10 ( The way it was hyped , "THE ANSWER LIES WITHIN",, if this was another country ,, the producers would have been sued for giving wrong info of the services the consumers paid for)

Overall- 7/10( Its a really watchable movie than the crap bollywood is producing these years,, don't go with ultra high expectations,, not memorable,and even if would be good if u don't't watch M NIGHT SHYAMALAN movies,,, ohhh and yes one point i gave extra just for Nawazuddin siddique)

Good movie. Brilliant plot and great direction. Aamir Khan, after a long wait of three years since his last blockbuster, 3 Idiots, has given another potential blockbuster. Movie is simply amazing.

Plot is the back bone of the movie. Director, Reema Kagti, has successfully tried to keep the mystery going through out the movie.

Suspense is highly underused genre in Bollywood. I can count decent Bollywood suspense movies on my fingers. My till-the-date favorite being 36 China Town, which is now replaced by Talaash. I hope this movie's success(which is going to be tremendous, but not even close to 3 Idiots), motivates other top actors and directors to exploit this genre.

Aamir Khan was very convincing as a cop. His character(Surjan Singh Sekhawat) was flawed and that's what I liked about it. Its a trend in Bollywood to make the protagonist, perfect, having no flaws at all. Ironically, Mr. Perfectionist's character in this movie was most flawed.

Even though he has been better, Aamir's acting in this movie was by no means, bad. He was good. But he's been better.

Out of Kareena and Rani, in my opinion, Rani was better. She was just perfect at what she was doing. She was living it.

Kareena, I think, yet again like Heroine, was trying too hard. She is one of the best actresses if not the best in Bollywood. So no one can say she was bad. Its just, out of three, she takes the third spot.

Biggest drawback of the movie was its music. Some scene lacked thrill because of poor background score.. Some songs were a bit dull as well.

Overall, movie was good. A MUST watch. Go for it. If not for Aamir then for a very rare Bollywood thriller.