फँस गए रे ओबामा

Satires in their relatively rare existence have proved to be difficult to work upon in our film industry. For every 'Jaane bhi do yaaron', we also have a 'Peepli'. Director Subhash Kapoor sets his talented cast in the aftermath of the global recession with an outrageous mockery of the President's Yes We Can slogan. From its harshness about recession in America to the hilarious slump time for the local underworld, Phas Gaye Re Obama works in all aspects.

The once millionaire, now in-debt Om Shastri (Rajat Kapoor) is on the verge of bankruptcy with his home on the brink of foreclosure in a month's time. Unless he finds means to pay off the bank, the recession threatens to bring his family on the street. In a desperate attempt to salvage a family fortune, Om travels to his homeland only to find that the recession has hit the hinterland as well and it will be impossible to sell the ancestral Haveli. However, the news of a millionaire NRI reaches the ears of Bhai Saab (Sanjay Mishra), a dejected yet ambitious small time gangster who kidnaps Shastri in broad daylight. Now, not only does Shastri have to salvage his home, but he also has to escape from the clutches of the tiered underworld of rural India involving Bhai Saab, Ali Bhai, Munni and an aspiring minister who secretly runs a very well organized kidnapping business.

While the film gradually gathers pace in the first half after introducing its characters, the audience is entertained through hilarious scenes and dialogues that suggest nothing loud and ridiculous but are wacky and genuinely funny. The second half of the film is where the director shows his adroitness in dealing with suspense, drama and comedy in a satire while making it all sensible. As the screenplay draws your attention through a narrower tunnel, the focal point becomes Shastri's ingenious suggestion of his 'idea' to the goons, leading you to rejoice, applaud or grab another handful of popcorn till the next part unravels. Phas gaye re Obama is witty and without being nonsensical, it tries well to elaborate the plight of an opportunist in adverse circumstances that often tend to be seriously funny. The film's strengths lie in the director's ability to engage the actors into their characters leading to their laudable performances, the crisp screenplay that leaves no room for fillers, the witty dialogues however silly and a smooth blend of comedy stirred into serious circumstances. Often times, the film looks very serious but the characters have been introduced so well, that one cannot control the smirk even in a serious scene. While its comedy may not be a constant throughout, the lack of excessive has led to this film being worthy of a watch.

Rajat Kapoor is a versatile actor and here, he leads his co-actors while showcasing a fine understanding of Om Shastri's circumstances. Sanjay Mishra was always capable of being more than a sidekick to someone and here, he proves that he is dependable in all comic avatars. Manu Rishi plays the pro-American Anni who works for the gangsters but deep within, is a friend-in-deed of Om Shastri. Neha Dhupia, in a shorter role, does better than her attempts at anything else in her glamorous career and Amole Gupte as the sly politician is convincingly brilliant. The sequence with 'Tyagi English Coaching classs' is sure the bring the house down while many dialogues and scenes involving Sanjay Mishra, Amole Gupte and Manu Rishi hold the comic bits together.

Phas Gaye Re Obama is new age non-formulaic cinema that is funny unlike the attempted comedy of errors that we are subjected to so often. This is an effective satire with the recession's repercussions experienced by likable characters who are enriched by the director's adept writing and screenplay. If you enjoyed 'Tere Bin Laden', then you have no reason not to embrace this tribute to Obama.

8.110 on a scale of 1-10.

Outstanding! The fact that the critics haven't given this an even higher rating just proves to me that the critics have mush for brains. Watching a string of substandard Hindi movies does that, I guess. For too long, we have had formula movies parroting the same old junk. The current wave of realism in Hindi cinema brings to mind the "middle path" in Malayalam cinema, 1980s cinema which struck a happy balance between realism and entertainment.

All performances are outstanding. The thing is, it could all really happen......the BIMARU belt comes to mind.....and that is the sad part of it all, and yet the fact that a filmmaker could find a way to mock those who live like this in modern day India is heartening!

After all, someone must proclaim that the emperor has no clothes!

Another gem of 2010.

A comedy movie with a script (which is very rare now-a-days).

Plot Summary: NRI OM Shastri is broke after recession hits USA, going to loose his home very soon if he doesn't come up with enough money to save it. He visits India to sell of his old "haveli" but finds all his relatives now stay there. He is now in a dilemma how he could make the deal, in between local goons com to know that an NRI has returned to India and kidnaps him. The movie starts here.

Directing: The movie is directed in a very smart way, no unnecessary scenes, no songs (oh, that's a breather) and a nice crisp and fresh presentation.

Editing: The editor did a superb job here. I can not point out a single scene which is stretched unnecessarily or slows down the pace of the movie. For a movie like this pace is very important which keeps the audience engaged and keeps them guessing whats gonna be next.

Acting: I liked acting of Mannu Rishi in "Oye Lucky..." and he shines again here. Rajat Kapoor, I would say, had not had much acting scope. He did what the script wanted him to do...i.e.go with the flow. But, I would admit Neha Dhupia's effort, she is becoming an unavoidable choice for such small budget movies. And her acting skills are mentionable now. AND, SANJAY MISHRA as BHAISAAB is nothing but superb...each scene he is on screen is a LOL moment. Kudos to him. Amol Gupte also did a good job too. So, it seems I've praised all who acted in the movie...hmmm...

Cinematography: Not much scope to show u scenic beauty of the place but the camera shows u what u need to see. No unnecessary closeup, no try to invent a new camera angle...the camera work goes with movie tone...telling a simple story in a simple way and keeping the focus on story.

Verdict: A very good black comedy. Expect an intelligent story with a predictable ending (only if u r movie buff and I mean it when I say "movie buff"). Don't expect a laugh-out-loud movie like Khichdi (none can surpass it, ever) but, ya if u want to include brain and still want to make people laugh, u can only go this far as did "Phas gaye re obama". A must watch for sure.

This deliciously smart comedy from writer-director Subhash Kapoor stars Rajat Kapoor as Om Shastri, a desperate NRI from America, who must sell off his ancestral village property so he can save his home in New Jersey from being repossessed by the bank. Within days of arriving in the village, however, he is kidnapped by local crime-pin Bhaisaab (played by the excellent Sanjay Mishra), who dreams of a fat ransom in exchange for the NRI's release. When Shastri reveals that he's lost everything in the recent financial meltdown, Bhaisaab's dreams are crushed. That is until Shastri himself, along with Bhaisaab's trusted right-hand man Anni (played by Oye Lucky Lucky Oye's Manu Rishi), comes up with a shrewd new plan that will make both the kidnapper and the victim richer by several lakhs.

Constructed from a terrific script that's strong on plot and packed with crackling dialogue, 'Phas Gaye Re Obama' is consistently engaging. Shastri plots his own 'sale' from one wisened gangster to the next unsuspecting crook, in what becomes a chain of hilarious cons. Along the way we're introduced to a string of quirky, original characters that add colour to this palette.

Neha Dhupia stars as Munni, a dreaded don who despises men, and who's dubbed herself the female Gabbar Singh. She surrounds herself by an army of tough-looking henchwomen with names like Kareena, Deepika, Madhuri, Rani and Preity, and spends her free time chipping away at male statues. Amole Gupte plays a permanently constipated minister who runs a professionally managed kidnapping-and-extortion company, where you're provided with a receipt on payment of the ransom, and a one-year guarantee against a repeat abduction.

But the star of the film is Manu Rishi, who brings just the perfect degree of naïvete to his role of a gangster's moderately-educated sidekick yearning for a better life. His character, Anni has his heart set on moving to America, and insists he's got what it takes – he's watched reruns of Obama's famous 'Yes we can!' speech repeatedly, he's taking English lessons at a local coaching class, and he hasn't missed a single one of Sylvester Stallone's greatest action hits.

'Phas Gaye Re Obama' is unpredictable and surprisingly relevant, even if the film's title (which seems to squarely blame the US President for the recent global recession) is a bit of a stretch. Cleverly written and sharply cast, it's a film that delivers hearty laughs. Don't miss it. It's one of those rare Hindi films that's funny and smart at the same time!

Nothing about this movie should attract you if you are a selector when it comes to watching a Bollywood movie, but Subhash Kapoor has made a mighty big impression with this incredible story if you have or happen to be watching the ending credits. If there is something called as sensible humor, then this movie draws upon a real world theme and blends it with a tactfully written plot which only gets increasingly entertaining and curious before the perfect finish.

The movie draws the audience with true to happen, yet hard to believe state of affairs in village gangs and Anni is a character that sticks like glue right away. While the pristine performances of all not so popular actors are brilliant, the true hero here is the script. Backed by authentic, crackling, and situational dialog's, the movie paces comfortably and makes every scene enjoyable. And if that is not impressive, a few scenes like the YES WE CAN chant and the English class turn this into truly memorable movie watching. Rajat Kapoor is very himself in the role while Neha Dhupia and Amol Gupte are very good. The page turner and the star of the show is Manu Rishi (Anni) and his brilliant performance. His portrayal of aspiration, honesty and comic timing will make you watch this movie again. Sanjay Mishra is over the top again with the character of Bhaisaab.

Not plaguing this story with item numbers, unneeded songs or illogical twists makes this a "Diamond" in the golden Bollywood ring!