एक एनफोर्सर जैकी कोगन आदेश बहाल करने के लिए काम पर रखा जाता है, जब तीन गूंगे लोग एक भीड़ संरक्षित कार्ड खेल को लूट लेते हैं, जिसके कारण स्थानीय आपराधिक अर्थव्यवस्था का विनाश हो जाता है।एक एनफोर्सर जैकी कोगन आदेश बहाल करने के लिए काम पर रखा जाता है, जब तीन गूंगे लोग एक भीड़ संरक्षित कार्ड खेल को लूट लेते हैं, जिसके कारण स्थानीय आपराधिक अर्थव्यवस्था का विनाश हो जाता है।एक एनफोर्सर जैकी कोगन आदेश बहाल करने के लिए काम पर रखा जाता है, जब तीन गूंगे लोग एक भीड़ संरक्षित कार्ड खेल को लूट लेते हैं, जिसके कारण स्थानीय आपराधिक अर्थव्यवस्था का विनाश हो जाता है।
- पुरस्कार
- 3 जीत और कुल 9 नामांकन
- Kenny Gill
- (as Slaine)
फ़ीचर्ड समीक्षाएं
A really enjoyable little gem!
** 1/2 (out of 4)
Three idiot, wannabe thieves rob a mob run cards game and make off with a ton of cash. Then Jackie (Brad Pitt), a hit-man, is called in to figure out who was behind the robbery and to take care of them. KILLING THEM SOFTLY is being called by many a masterpiece and by many others as one of the worst films of the year. I think most people are really going to hate this film because it's just so different from other stuff out there but I'm going to fall somewhere in the middle of the two groups. While I enjoyed the style and the performances, at the same time the film just takes way too long to really get to where it's going and there are some other questionable things that I'll comment on in a bit. What I did like about the picture is that it's pretty brutal and ugly in regards to its violence and characters. The film really doesn't show any of the characters in a good light as the "good" guys are bad and the bad guys are really bad. There's never an attempt to make you connect with these people or enjoy what they're doing. The film also benefits from some wonderful characters actors. Pitt, James Gandolfini, Richard Jenkins, Scoot McNairy, Ben Mendlesohn and Ray Liotta all fit their roles nicely and deliver very good performances. This is especially true of Gandolfini and Liotta. The problem with the picture is that it just has way too many moments where things seem to really get dragged out. Another major problem is that the film tries to be too much like Tarantino. The scenes early one with the two thieves talking dirty about a wide variety of objects is just going to remind people of PULP FICTION. The dialogue here offers up some funny stories but it's not good enough to really grab one and bring them into the picture. KILLING THEM SOFTLY certainly has a unique look and feel to it but in the end it adds up to very little. The Bush-Obama bits of dialogue thrown in throughout the movie also add up to a big nothing, although I'm guessing the point was that even low-life criminals have bit hurt by the economy.
The hit-man or at least one of them is Brad Pitt and he gets no pleasure in his work, it's a business like any other. He wants to be well compensated for his services. In fact he wants to Kill Them Softly which to him means taking them out with a rifle with scope because he doesn't want to hear their pleadings. Or by surprise in one case where everyone knows its coming, but the victim.
Two real criminal losers Ben Mendelsohn and Scoot McNairy are hired by Vincent Curatola to rob an illegal gambling establishment run by Ray Liotta. With Liotta you can see a bit of his Henry Hill from Goodfellas, with Hill running just this kind of place as he headed into middle age in the mob.
The reason for this target is that several years earlier Liotta ripped his own card game off, but eventually was forgiven when the gambling started booming again. Curatola is sure the mob will look right at Liotta again. Not that they don't look at Liotta again, but they're smarter than that. They always are.
Once the caper goes down in comes Pitt, but also with a few competitors, James Gandolfini being one. That's where Pitt starts negotiating his deal.
Brad Pitt gives a good performance here, but for me the real stars are McNairy and Mendelsohn. You will rarely losers with a capital "L" portrayed on the screen as they are with these two. In a way they ought to be put out of their misery for their own good. Still you feel sorry for them somewhat.
Interesting mob movie with some deep black comic overtones.
James Gandolfini alone is worth the money (and time) you're about to invest to watch this. That is if you're interested in character driven story telling, rather than an all out action movie. There are quite a few fine moments, that superbly underplayed (Jenkins with Pitt to name one pairing outside the already mentioned Gandolfini thing).
Unfortunately Mr. Soprano himself is not longer with us, to grant us performances like this, but we can hope that Brad Pitt might explore more diverse roles (he's in a zombie movie now, who knows what's next). Great acting, great not conventional story telling, if that sounds like something you might be interested in, dive in!
'Killing Them Softly' is a contemporary multi-narrative crime drama that oversees what crime has become to the mafia since we've seen what years of recession have done to America, post 9/11. It's a film you have to settle into and to watch and listen carefully, yet it provides us with storytelling style very similar to the likes of Quentin Tarantino and classic Danny Boyle.
It also makes good use of some classic conventions and you may notice a little bit of Mean Streets, Lock Stock & Two Smoking Barrels, Chopper, Pulp Fiction, Trainspotting etc.
When ex-convict Frankie and his Australian heroin-addict friend Russell are employed to hold up a mafia poker game in their rundown dead end town, they get away with it, though causing the local economy to collapse and putting mob boss Markie Trattman (Ray Liotta) in the frame.
The dons send mob enforcer Jackie (Brad Pitt) over to deal with it and to set an example, he methodically sets about cleaning up in due fashion.
That is the plot, pure and simple, but aside from that, 'Killing Them Softly' is more a film about the bleak, harsh reality of crime in the modern day American towns that the government has all but abandoned and it is therefore about the sheer dead-end desperation of a certain breed of people.
Unemployment, recession, drug addiction, violence, desperation, failing health, wilful self-destruction and the disgusting manner in which people regard each other with - it all adds up to one great stark reality. The only way that the government has succeeded in destroying organised crime is by destroying its own country's economy. Desperate people will do anything to survive knowing that, if they give up, they are as good as dead. And that sets the tone for this movie from beginning to end.
Not surprisingly in hindsight, this film has no real lead characters, but universally supporting characters that serve the story until its bitter ending where we are treated to a summary in words between two characters. This helps to give a sense that nobody is of any real importance to each other, which is true to the nature of most of its characters.
If you like your crime movies real, you'll love this. I'm so surprised at how seamless it is, and also how easy it is to watch despite how well acted and intense it becomes. Dark, gritty, grimy, filthy, absurd, depressing and yet bold with a few good laughs!
क्या आपको पता है
- ट्रिवियाThe Turkish former minister of culture found the movie so offensive that he told the press that he wanted the age bar for this movie to be raised from 13 to 18 or, if possible, remove it from the theaters altogether.
- गूफ़After using his shotgun and putting it in the getaway car, Jackie wipes down the car of evidence but fails to retrieve his gun and his fingerprints on it.
- भाव
[last lines]
Barack Obama (on TV): [on TV delivering his election victory speech] ... to reclaim the American dream and reaffirm that fundamental truth that out of many, we are one.
Driver: You hear that line? Line's for you.
Jackie Cogan: Don't make me laugh. We're one people. It's a myth created by Thomas Jefferson.
Driver: Oh, now you're gonna have a go at Jefferson, huh?
Jackie Cogan: My friend, Jefferson's an American saint because he wrote the words, "All men are created equal." Words he clearly didn't believe, since he allowed his own children to live in slavery. He was a rich wine snob who was sick of paying taxes to the Brits. So yeah, he wrote some lovely words and aroused the rabble, and they went out and died for those words, while he sat back and drank his wine and fucked his slave girl. This guy wants to tell me we're living in a community. Don't make me laugh. I'm living in America, and in America, you're on your own. America's not a country. It's just a business. Now fucking pay me.
- इसके अलावा अन्य वर्जनThere are two versions of this film. One is the theatrical release, and another the rough cut. Runtimes, respectively, are: "1h 37m (97 min)" and "2h 30m (150 min) (rough cut):.
- कनेक्शनFeatured in At the Movies: Cannes Film Festival 2012 (2012)
- साउंडट्रैकDosruk
Written and Performed by Carl Stone
Used with permission of Electro-Acoustic Music (ASCAP)
टॉप पसंद
- How long is Killing Them Softly?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Mátalos suavemente
- फ़िल्माने की जगहें
- Claiborne Avenue Bridge, न्यू ऑरलियन्स, लुइसियाना, संयुक्त राज्य अमेरिका(Jackie meeting with Driver under the bridge)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,50,26,056
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $68,12,900
- 2 दिस॰ 2012
- दुनिया भर में सकल
- $3,79,30,465
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1