अपने व्यापारिक साम्राज्य की बिक्री को पूरा करने के लिए एक परेशान हेज फंड मैग्नेट एक ऐसी गलती करता है जो उसे मदद के लिए एक अप्रत्याशित व्यक्ति की ओर मुड़ने के लिए मजबूर करता है.अपने व्यापारिक साम्राज्य की बिक्री को पूरा करने के लिए एक परेशान हेज फंड मैग्नेट एक ऐसी गलती करता है जो उसे मदद के लिए एक अप्रत्याशित व्यक्ति की ओर मुड़ने के लिए मजबूर करता है.अपने व्यापारिक साम्राज्य की बिक्री को पूरा करने के लिए एक परेशान हेज फंड मैग्नेट एक ऐसी गलती करता है जो उसे मदद के लिए एक अप्रत्याशित व्यक्ति की ओर मुड़ने के लिए मजबूर करता है.
- पुरस्कार
- 4 जीत और कुल 6 नामांकन
फ़ीचर्ड समीक्षाएं
But everything goes wrong when Julie dies in car accident when Robert was driving and Brooke finds his father in fraudulence.
Now Robert Miller has to struggle against two people: detective Michael Bryer (Tim Roth) and his own daughter and none of them is going to step back.
I am not going to tell how well Gere's character manages this but I can definitely tell you that Richard, as an actor, did a great job. Possibly it's the best performance of his career. Anyone can name his memorable roles but this one is no doubt the best. He delivers an emotional, stressed and very precise acting and looks very natural which makes his work really brilliant.
But the best part of this movie is Nicolas Jarecki. It's not easy to write and direct the film at the same time, especially when it is your first time. He wrote a beautifully crafted script and transferred it professionally on the screen. The more you watch bigger the tension gets and you want to know whether it will end up in a good way. The writer has intelligently stuck surprising details throughout the story and that made whole movie more dynamic.
So, I found Arbitrage to be an attractive, smart and well produced movie and believe that it could be a perfect star for Nicolas's directing or writing career.
cheating and trying to cover terrible things and shows many different characters, such as hard-working cops, an immaculate daughter, ruthless business partners, as well as a suffering wife. There are holes in the plot but the audience doesn't mind too much, because of the perfect tension and the detailed script. Gere is perfect, he gets to show real desperation, anger and discomfort at the same time. Arbitrage is special and different from other similar movies due to its refusal to condemn this world.
It is absolutely true that without its cast this would had been a very formulaic, standard, average, little thriller. As a matter of fact, it more feels like an extended "Law & Order" episode. The characters and developments aren't anything surprising but the movie truly gets made interesting by its cast, who also help to make this a convincing and effective thriller.
I have never even been a too big fan of Richard Gere but he simply was absolutely great in this! He mostly carries this entire movie and he does this by playing a sort of despicable character. So it's a real accomplishment by him that he still managed to turn the main character into a still likable enough one, that you never lost interest in. He doesn't make the right choices throughout the movie but that's what keeps his character interesting and helps to let the movie move along, even during its slower moments.
It's the sort of thriller in which everything starts to go from bad to worse for its main character, when his lies and actions only get him in more and deeper problems and drags those close to him down, along with him.
But really, it remains a far from perfect thriller and still does plenty of things wrong. It does a poor job at handling some of its characters for instance. For example, it heavily under uses the Susan Sarandon character, who could had given the movie a whole other dimension and some more depth with her character. After all, she plays the main character's wife, who has certain knowledge about things that don't come into play until very late into the movie, when things are already starting to wrap up. The whole dynamic between her and the Gere character had much more potential really and I thought it was a real shame this didn't get explored any further and better. Also, I would had loved to have seen more of Susan Sarandon, since she gave away a great performance.
That's a bit of a problem with this entire movie; it just doesn't know how to handle and what to do with certain characters. The Tim Roth character also definitely feels a bit underused. When he shows up you think he is going to play a big and important role for this movie but in fact there are large portions of the movie in which his character plays no role at all. I absolutely loved his scene with Richard Gere and I was hoping for more moments like that, which unfortunately just never came.
I still really enjoyed this thriller and at times was even loving it. It's definitely a better than average genre attempt, despite still having a very standard and familiar type of premise and story in it. So in essence, nothing surprising but it's all still very well made and acted out by its impressive cast, which already is worth the price alone.
7/10
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When the English do this kind of movie, or the Europeans, what you get is dark tragic theatre. When the Americans try to do it, I think that they end up doing too much test marketing and as a result the movie suffers.
With the really serious depth of talent in the cast, you would have to think that there was much more that could have been put on the screen (and may have been on the cutting room floor for all I know).
There is one redeeming feature though. This movie does reveal a darkness, and offers a comment on the culture of today, of capitalism, of markets, of law etc... It doesn't pull any punches in that regard and that is a really good thing!
क्या आपको पता है
- ट्रिवियाRittenband, the judge's name in the film, is also the name of an actual judge who sat on a number of high profile celebrity court cases, including Roman Polanski's trial in the late seventies.
- गूफ़When Ellen is adjusting Robert's tie before the business dinner, the position of the knot in his tie changes repeatedly between shots.
- भाव
[first lines]
Maria Bartiromo: But you took a huge bet on the housing crisis in the middle of the biggest boom in housing anybody has ever seen. Why?
Robert Miller: I'm a child of the '50s. My father welded steel for the Navy, and my mother worked at the V.A. They lived through the Depression, Pearl Harbor, and the bomb. They didn't think that bad things might happen. They knew that bad things would happen.
Maria Bartiromo: Is that what's happening now?
Robert Miller: When I was a kid, my favorite teacher was Mr. James. Mr. James said world events all revolve around five things. M - O - N - E - Y.
- क्रेज़ी क्रेडिटVan Cleef & Arpels, the French jewelry, watch, and perfume company is incorrectly shown as "Van Cleef & Aprels" in the credits roll.
- कनेक्शनFeatured in Maltin on Movies: Arbitrage (2012)
- साउंडट्रैकSo Soft
Written and performed by Gary Anderson (ASCAP)
Published by Teretone Productions LLC
Courtesy of Teretone Music Productions
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Mentiras mortales
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $79,19,574
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $20,02,165
- 16 सित॰ 2012
- दुनिया भर में सकल
- $3,54,85,056
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1