Hot Milk

Hot Milk is a film that truly shines when it comes to its visual storytelling. The cinematography is one of its strongest assets, with a variety of creative shots and angles that draw the viewer in and create a unique atmosphere throughout. While the storyline can be a bit odd and at times even confusing, the film's visuals do a lot to clarify the emotions and themes at play. The director's use of imagery often speaks louder than the dialogue, making the film feel more like an experience than a straightforward narrative. Although the plot sometimes meanders and leaves questions unanswered, the strong visual direction keeps things interesting and engaging. The performances are solid, and the mood is consistently intriguing, even if the story doesn't always make perfect sense. Overall, Hot Milk is a film that's worth watching for its artistic approach and memorable style, earning a solid 7 out of 10 stars.

After the credits roll, Hot Milk leaves you with the strange taste of over-boiled milk-bitter and lacking something essential.

*** The protagonist's journey is shaped by her interactions with those around her, particularly in her tumultuous relationship with her mother and her complicated love life.

Yet, despite these emotional dynamics, the film feels disjointed, as if the narrative lacks a clear purpose.

The script, unfortunately, falls short. Information is doled out sparingly, making the plot feel underdeveloped. Potentially intriguing parallel stories are introduced but never fully explored. The ending, too, seems forced, attempting to provoke an emotional response but ultimately feeling hollow.

*** On the bright side, the film benefits from a strong performance from Irish actress Fiona Shaw, whose portrayal brings depth to her character. Additionally, the photography shines, with stunning shots of the Mediterranean sun and sea.

With a strange illness, Rose (Fiona Shaw) and her daughter embark on a journey to the Spanish coast to find a cure, and along the way the daughter Sofia (Emma Mackey) discover another reality far from her controlling mother.

I watched this simply because I have a thing for Emma Mackey, who looks very like Margot Robbie, but prettier.

But even that draw could not encourage me to watch to the end of the film. It is so excruciatingly boring and pointless.

There's lots of nipples for no apparent reason, there's constant smoking cigarettes which is vile and off putting, there's a dog barking literally throughout the entire film, and there's a rude Ingrid (Vicky Krieps) who speaks so indistinctly and quietly that I had to turn subtitles on.

After 1 hour nothing had happened. People small talked about nothing, Rose's doctor made the most bizarre statements and asked ridiculous questions, Sofia smoked and showed nipples, Ingrid didn't really do anything, and I'm unsure why the doctor's daughter Julieta (Patsy Ferran) even had a part.

All in all it was lovely seeing Emma Mackey, she's always a pleasure to watch, but the film is absolutely coma inducing and doesn't have a point at all. I rated it a 2 and that's only because Emma Mackey was in it otherwise it would have been a 1.

I was enticed to see this film because I saw the cast and read the synopsis, and i knew it was based upon the book with the same title. I should note that I've not read said book, but others by the author, and greatly appreciate her style, and her ability to create vivid characters and explore complex relationships/human emotions.

The reviews I glanced at prior to going in were pretty negative, and most seemed unimpressed. This made me a bit worried (I had invited a friend and I so hate feeling like I'm putting someone else through a bad film!), and prepared me, perhaps, to be disappointed by a film I had been positively anticipating.

However, Hot Milk oozes atmosphere, and the performances were excellent. I don't understand how a film with this level of acting and cinematography (even if the story itself isn't to someone's taste) can be given a score below 5/10?!?!? Fiona Shaw is outstanding at embodying a deeply damaged, infuriating, and toxic mother/woman. Whilst Emma Mackey nails her role as the pent up, understandably resentful, manipulated young women, who is stiffled by her mother's unresolved trauma.

This is a film that made me feel a lot. It had themes that resonated, and I felt the intensity that Lenkiewicz's directing and writing conjured up.

I understand that this is not going to appeal to those who like a film that has a story with a clear trajectory set out. This film does require patience and concentration and openness. But it rewards those who emotionally invest and commit (I think, anyway!?). I hope more people give this a chance and ignore the critics. I think it will be elevated in estimation when it's audience find it. I hope so.

This film hit a nerve.

It's not about explosive drama, it's about the quiet, suffocating violence of emotional entanglement: love laced with dependency, boundaries blurred. The daughter is stuck in a role she never chose, blamed for not doing enough, while slowly disappearing in the process.

The constant reaching for water feels symbolic, an effort to swallow discomfort, avoid truth, dilute tension. Conversations dissolve, emotions go undigested.

Visually stunning in its discomfort: blinding brightness clashes with sudden darkness. You're never quite at ease, and that's the point.

And then, unexpectedly, some moments are... funny? Not laugh-out-loud, but absurd in a way that's either painfully relatable or too surreal to take seriously. You're not always sure if the humor is intentional - which somehow makes it even better. Like dissociation in cinematic form.

Maybe too niche or emotionally raw for some. But if you know this kind of silence, the kind that weighs more than words, this film will find you.