The Sandman

I really liked the comics back then, when they were published. I haven't read them again since, so I forgot most of the things and so also the story for the first season, if it was ever put into the comics. The show is visually stunning and I like the look. The one thing that was probably cut though for budget reasons was that Morpheus should have way more impact on the dreamworld wherever he goes and visually influence it. That wasn't a major point for me. The lead actor was well chosen, even with the hairdo making me wonder when he would sing songs from the Cure. I don't like the actor for the main villain - the Corinthian - so it was good, that he was the villain, but he more a psychopath than a true evil.

What most people might have a problem with was the slow pace the first season had. I personally didn't mind stories like the human Morpheus was meeting in that pub every 100 years. It added to that existential feel of the show.

While I personally don't like the recent gender swapping in respect to source material - I mean, why not invent awesome material yourself rather than say make a show called "Pippin Longstocking" - it was moderately done so in the show that it didn't hurt personally speaking. What I found a bit sad was that they turned Death from the little Goth chick to some black woman. But I found it worse that she had not so much screen time at all.

Overall, I enjoyed it a lot.

If you ever thought Neil Gaiman's The Sandman was one of those "unfilmable" graphic novels, think again. Season 1 is a masterclass in adaptation, a rare win where the TV show not only respects the source material but elevates it with visuals and storytelling perfectly suited for the screen.

Right off the bat, this isn't your usual comic book fare. The Sandman dives deep into mythology, dreams, and existential questions, but never loses grip on emotional resonance or character complexity. The show captures that ethereal, otherworldly vibe with jaw-dropping visuals - think surreal landscapes, hauntingly beautiful effects, and moments that look like they've stepped straight out of a dream you can't quite shake. The production values here deserve a standing ovation.

Tom Sturridge's Dream (aka Morpheus) is pitch-perfect: brooding, distant, yet surprisingly human beneath that immortal exterior. He anchors the show with a quietly intense performance, making you believe in a lord of dreams who's as fallible as he is powerful. The supporting cast is equally strong, with standout turns that flesh out this intricate world without ever overwhelming the core story.

What impressed me most was the show's pacing and respect for its graphic novel roots. It's dense, yes, but never overwhelming or dumbed down. The writers clearly know their audience and trust us to follow the labyrinthine plot without spoon-feeding. This balance between faithfulness and smart adaptation is a tough tightrope, and The Sandman walks it with grace.

Neil Gaiman's original Sandman graphic novel series, first published in the late '80s and '90s, is widely regarded as a groundbreaking work in comics... a dense, literary, and darkly imaginative saga that redefined what graphic novels could achieve. Gaiman's ability to weave mythology, horror, fantasy, and philosophy into a cohesive, emotional story set a towering creative benchmark. The showrunners clearly understand and honour Gaiman's vision, preserving the complex themes and character depth while opening it up for a wider audience. Gaiman himself was closely involved, which no doubt helped maintain that authentic, unmistakable Sandman spirit.

If you're a fan of the graphic novel, this season will feel like a love letter brought to life. If you're new to the story, prepare for a richly layered journey that mixes fantasy, horror, and a touch of philosophical musing.

Season 1 ends on a note that sets the bar high for Season 2; and I'm buzzing to see where this dark, dazzling dream takes us next.

In an age dominated by 15-second reels, endless TikToks, and the constant noise of social media, The Sandman did something extraordinary-it made me forget the world around me and pulled me into its own. Watching this series felt like being transported back to a time when stories were allowed to breathe, when imagination ruled over algorithms, and when TV shows were experienced, not just consumed.

The Sandman is a rare gem of the 21st century that somehow channels the soul of the 20th. It reminds me of an era when shows were artfully crafted and not built around trends or virality. The pacing, the visuals, the storytelling-everything feels deliberate and rich with meaning. It's thoughtful, haunting, beautiful, and deeply emotional. It's not just entertainment; it's an experience.

What makes it even more special is how uncommon shows like this have become. In today's content-saturated landscape, patience and depth are undervalued. But The Sandman dares to go slow, to build a world, and to ask its viewers to pay attention. And it rewards that attention at every turn.

This might just be one of the most underrated shows of the 21st century. It deserves far more recognition than it's gotten. If you're someone who misses the golden age of storytelling, this show is your time machine.

Highly recommended for anyone who still believes in the magic of long-form, meaningful storytelling.

It's fair to say I've always been somewhat of a fan of the distinctively whimsical, quintessential eccentricity imbued within famous author Neil Gaiman's writing (ever since - in 2011 - first being introduced to it as a child in BBC1's 6th season of "Doctor Who", with his critically acclaimed episode "The Doctor's Wife") & therefore, as a long-time admirer of his impressive portfolio of work, growing up alongside his growing number of flourishing projects, I'd previously made consistent efforts to acquaint myself with his prior TV adaptations "Good Omens" & "American Gods" but admittedly, had never yet had the pleasure of reading the much beloved "Sandman" graphic novels (of which this series is based upon, widely considered to be his best) before. Hence, I personally went in to this season with no preconceived expectations & thus, I must concede - after viewing the first 3 installments - that this Netflix series has completely blown me away & ironically surpassed even my wildest dreams.

Of course, I can only comment as a casual viewer (& am unable to ascertain the faithfulness to the source material, present within these episodes), but within the first 3 hours, we as an audience are introduced to a rich, layered, enchanting world of pure imagination that is creatively borne, masterfully realised & the sheer scope & scale captured from beginning to end is honestly mesmerising. Indeed, it's no surprise to witness peculiar & cerebral fantastical wonders on screen - in a fantasy constructed from the inspired mind of such a quirky, ingenious scribe - yet nonetheless, I still found myself utterly confounded by the sheer regality & majesty of this grandiose, unconventional & wholly epic tale.

It's a credit to all of the cast & crew members involved, who've respectfully & lovingly brought such a breathtaking universe to life & I'm hopeful the quality established here in the preliminary chapters will continue throughout... Because from what I've seen, I'm seriously floored. It is utterly remarkable, beautifully dark & haunted & unlike anything I've had the opportunity to previously binge on the streaming service, in its history.

There's a palpable sense of history & mythology to it which immediately draws you in & I cannot wait to see more. What a major achievement!

I have to say I enjoyed The Sandman more than I thought I would. I have to admit I knew nothing of the comic or even heard of it so I had no expectations at all. It is definitely something different and unlike any show I've seen. The closest thing is American Gods but I stoped watching that in Season 2 as the quality of that show fell off after the first season. It has a solid 7.9 so it looks like most people seem to like it. I thought Tom Sturridge did an excellent job as the lead and Boyd Holbrook was just as good as one of the villains the of the story. The creator of the comic book (Neil Gaiman) is an executive producer so hopefully he'll have a big say as to where the story goes. It's already been renewed so I'm looking forward to more of the story.