Veep

Having seen all the original aversion in the UK (The Thick Of it) and adoring it... I didn't think it could be topped in sheer poetry of swear words and toe curling insults. Always close to the bone and often vulgar but in the most intelligent and hysterically funny ways - this is absolutely one to binge and turn it up... you will miss some corkers from the deafening laughter in the room if you dont. Not for the faint of heart or easily offended but utterly wonderful right up to the very last episode. It seemed to cram in quite literally every filthy joke and disgraceful insult they'd ever written and not got the chance to use so as not to waste any. And thank God they did!!! No spoilers but just watch it all it's a breath of fresh air in this oh so vanilla TV landscape.

Like the rest of Ianucci's work, this is a fantastic political satire. The reflexive self-serving sycophancy, the arbitrary nature of power, the automatic deferral to the hidden powers behind the throne, the elevation of random dross above real issues (brilliantly lampooned in the pilot when the use of cornstarch forks in the White House becomes a stumbling block to setting up a clean jobs task force) are skillfully portrayed, showing how the dysfunction of the modern arena (especially the media's eye, usually passive but, as in the second episode, sometimes accompanied by a mouthful of vicious teeth) prevents the exercise of power for actual governmental function. None of the characters are perfectly likable, though all are well-played, but somehow the ensemble is endearing. Watch this if you want to see a sharp commentary on the drunken carousel that is politics.

Why are people voting on a show before it's aired? There is no way this deserves a 4.9; however, I'm sure it will go up as actual viewers chime in. I've seen the first episode and I'm hooked already.

Short and sweet: Louis-Dreyfus is best at characters with an edge. She had me laughing out loud and re-watching line deliveries ("Selena. Hi. I'm melting, I'm melting."). The entire cast is great. Tony Hale does what he does best -- meek, a little dim -- but it works great. Anna Chlumsky holds her own next to Dreyfus. The writing snappy and natural. The direction slick.

I hope this show sticks around for a bit!

For those who gave up after the first episode or two and are writing this off as 'not as good as The Thick Of it', you're doing yourself a great disservice.

The Thick Of It is brilliant. This is brilliant too, and in parts surpasses the original. The subtlety is still all there, the bullies, the bullied, the excellent dialogue, the jokes that you'd miss if you blinked, and it manages to hold up well even without any Malcolm Tucker character (something I'm not so sure the original could manage).

The closing title sequences are often hilarious (unlike in the original), and I'm sure Arrested Development fans will enjoy Tony Hale as Gary.

I know it takes extra effort to to accept a remake of something that's already so brilliant ('why do they need to do remake in the first place?? you think'), but I honestly think the effort is worth it in this case.

I waited until after the sixth episode to review the show so it had time to germinate and really show the audience its potential before I made judgment. I liked the show from the start, mostly because I love The Thick of It and In the Loop. Now I love this show.

Its smart, the dialogue is rich and full. You don't get the crappy, tepidly funny one-liners you get from most comedy series nowadays, you get incredibly intelligent situational humor that really makes you wonder about politics in the US and around the world. The show really highlights the humanity that people often dissociate from politics, a quality Armando Iannucci has always brought to his political humor with wit and vulgarity. Highly recommended.

This show is only funny if you actually pay attention to the plot of each episode, you simply won't get it if you pay half attention, because every line has a twist of humor, and every line builds on the last, which is so rare in comedy in the US.