अपनी भाषा में प्लॉट जोड़ेंA documentary exploring the sex-trade.A documentary exploring the sex-trade.A documentary exploring the sex-trade.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 3 जीत
फ़ोटो
Christian Simpson
- Vlad
- (as Christian J. Simpson)
Michelle Danyn
- Prostitute
- (as Michelle Dutkus)
Natalie Joy DiBenedetto
- Teen Girl
- (as Natalie Dibenedetto)
फ़ीचर्ड समीक्षाएं
The movie's message is nicely summed up in its last quotation before the credits, which says something like "You can turn your face, but you can never say you didn't know about it".
This movie reveals such a shocking truth that makes you wonder how could we as a human race reach such a low point. The first minutes are painfully realistic in interpreting an abduction and the posterior purchase of a woman by a mafia guy. After that, you just can't take your eyes off the screen, even if that's what you desire the most.
The movie cleverly follows a reasoning line that start with the more precise, concrete issue of human trafficking, in particular related to Eastern European organized crime, and from that digs deeper and deeper, linking this particular and terribly awful issue with that of prostitution and Amsterdam's (in)famous women windows in the Red Light District, and one can't help but wondering: from whose twisted mind came the idea of making of this a tourist attraction?? When dealing with the complex issue of prostitution, the movie takes us to rural Thailand where 80 to 90 percent of girls are sold by their families to brothels, and at this point I think the movie falls at least temporarily in the Western Savior Complex, specially when a (white) interviewee says something of the kind: "On whose mind is it ethical to give up their daughter to this kind of life, just for some money?". And the question remains unanswered, floating around, with no effort whatsoever of trying to answer it, of interviewing a local, of trying to see the problem from the locals' perspective instead of that of a Western who landed on this exotic land to solve the problem you guys have.
But anyways, that's just a somewhat minor detail. In general the movie is well-centered, and after dealing with the Thai problem, the movie goes back to Las Vegas and interviews American prostitutes. Here the authors dig even deeper and link the issue of prostitution with that of child abuse. And the circle closes itself. What started as the most horrific face of capitalism and greed, is now seen through the lens of a patriarchal society that objectifies women and thinks they are there for men to masturbate inside them, as a Swedish politician says in the movie. And you realize that this problem is the worst face of both capitalism and patriarchy, and you realize how intertwined these two systems of oppression are.
So this movie could have finished as a chant against both capitalism and patriarchy. Instead, the authors decided to fill the last 15-20 minutes with bits of interviews in which the interviewees ALL cry, with a pathetic piano music on the background, while EVERY SINGLE ONE of them says that what made them carry on forward was faith, and God. And then you realize you have just watched a religious movie, made by religious people, with somewhat bizarre testimonies of prostitutes leaving their job because of an encounter with Jesus. And I mean, it's good that religion gets close to people's problems; but the thing with offering faith as the way out is that it rules out solutions of this world such as grouped resistance and government action.
So the end was quite disappointing. But that doesn't mean the rest of the movie is highly recommendable
This movie reveals such a shocking truth that makes you wonder how could we as a human race reach such a low point. The first minutes are painfully realistic in interpreting an abduction and the posterior purchase of a woman by a mafia guy. After that, you just can't take your eyes off the screen, even if that's what you desire the most.
The movie cleverly follows a reasoning line that start with the more precise, concrete issue of human trafficking, in particular related to Eastern European organized crime, and from that digs deeper and deeper, linking this particular and terribly awful issue with that of prostitution and Amsterdam's (in)famous women windows in the Red Light District, and one can't help but wondering: from whose twisted mind came the idea of making of this a tourist attraction?? When dealing with the complex issue of prostitution, the movie takes us to rural Thailand where 80 to 90 percent of girls are sold by their families to brothels, and at this point I think the movie falls at least temporarily in the Western Savior Complex, specially when a (white) interviewee says something of the kind: "On whose mind is it ethical to give up their daughter to this kind of life, just for some money?". And the question remains unanswered, floating around, with no effort whatsoever of trying to answer it, of interviewing a local, of trying to see the problem from the locals' perspective instead of that of a Western who landed on this exotic land to solve the problem you guys have.
But anyways, that's just a somewhat minor detail. In general the movie is well-centered, and after dealing with the Thai problem, the movie goes back to Las Vegas and interviews American prostitutes. Here the authors dig even deeper and link the issue of prostitution with that of child abuse. And the circle closes itself. What started as the most horrific face of capitalism and greed, is now seen through the lens of a patriarchal society that objectifies women and thinks they are there for men to masturbate inside them, as a Swedish politician says in the movie. And you realize that this problem is the worst face of both capitalism and patriarchy, and you realize how intertwined these two systems of oppression are.
So this movie could have finished as a chant against both capitalism and patriarchy. Instead, the authors decided to fill the last 15-20 minutes with bits of interviews in which the interviewees ALL cry, with a pathetic piano music on the background, while EVERY SINGLE ONE of them says that what made them carry on forward was faith, and God. And then you realize you have just watched a religious movie, made by religious people, with somewhat bizarre testimonies of prostitutes leaving their job because of an encounter with Jesus. And I mean, it's good that religion gets close to people's problems; but the thing with offering faith as the way out is that it rules out solutions of this world such as grouped resistance and government action.
So the end was quite disappointing. But that doesn't mean the rest of the movie is highly recommendable
Benjamin Nolot needs to make a part 2 and keep on this topic till it stops. Dig into the infrastructure more of who facilitates this atrocities. Films like Nefarious merely show the tip of the iceberg on Human Trafficking. To those who boo-hoo this film as Christian-centric, well look at why the Christians are the only ones touching this subject. I'm not Christian but maybe they are right that this is a spiritual battle.
I don't even feel like I can do this film justice by writing a review, but I'll give it my best shot. There is something truly special about being able to have my heart broken and deeply blessed at the same time, and this film perfectly captures that dichotomy. I walked away with a true sense of the pain, the evil, and the magnificence of the problem; I also felt full of hope and like I can make a difference. The film is beautifully made, and is hands down the best film on this topic that I have ever seen. I learned so much and walked away with a clearer understanding of what is behind this evil industry. I am looking forward to watching it again; I encourage anyone who has the chance to see it. It will change your life!
Gripping, well-made, and yet hopeful. The creators take viewers to countries around the globe--some expected, and some surprising--and give a broad picture of human trafficking. They interview prostitutes, pimps, traffickers, and those seeking to help. This film is passionate and inspired me to view prostitution--both legal and illegal--through different eyes. Though this is their first film, it did not seem like it. It was very well made and gripping. It was the first film I have seen on the topic and I felt it did an excellent job at introducing the subject and challenging viewers. The section on prostitution in the US was eye-opening for me as well. I heartily recommend this film, although it does contain very hard-hitting content (I wouldn't recommend it for children or young teens). I understand they are making a follow-up, which I am eager to see!
Nolot does a masterful job of depicting the cruelty and inhumanity of human trafficking in the documentary Nefarious. The viewer is given an education on the global sex trade from the perspectives of both men and women who have been involved in the industry. The trauma such cruelty and brutality is having on actual women and children's lives cannot be underestimated. It stirs questions concerning the audience's reaction to this barely told horror still happening to members of our own humanity. While the barbaric reality of the trading and systematic abuse of persons is brought into the light in this film, there is a tangible hope for the violence to end.
क्या आपको पता है
- साउंडट्रैकHow He Loves Us
Written By: John Mark McMillan
Performed By: Will Reagan and Laura Hackett
Courtesy Of Integrity Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Nefarious: Merchant of Souls?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- 無法無天:販賣靈魂的商人
- फ़िल्माने की जगहें
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 36 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was Nefarious: Merchant of Souls (2011) officially released in Canada in English?
जवाब